Type Specimens introduces readers to the history of typography and printing through a chronological visual tour of the books, posters, and ephemera designed to sell fonts to printers, publishers, and eventually graphic designers. This richly illustrated book guides design educators, advanced design students, design practitioners, and type aficionados through four centuries of visual and trade history, equipping them to contextualize the aesthetics and production of type in a way that is practical, engaging, and relevant to their practice. Fully illustrated throughout with 200 color images of type specimens and related ephemera, the book illuminates the broader history of typography and printing, showing how letterforms and their technologies have evolved over time, inspiring and guiding designers of today.

The Laboratory for Vertebrate Paleontology at the University of Allberta houses type specimens of fossil fishes. This book is a catalogue of these specimens. Included for each entry is taxonomy, detailed collection locality information, the citation wherein the species was originally described, and a list of individual type specimens. This is the first list ever compiled of the fossil fish types deposited in the collections of the University of Alberta Laboratory for Vertebrate Paleontology (UALVP). This collection contains 88 fish holotypes, 966 fish paratypes, 55 casts of fish holotypes from other museums, and 20 casts of fish paratypes from other museums. Key selling features: List all of the type specimens of fossil fishes currently housed in the collection of the Laboratory of Vertebrate Paleontology at the University of Alberta in Edmonton, Canada. Provides details of all 88 holotypes and nearly 1000 paratypes as well as casts of types specimens held in other museum collections. Includes information on unpublished "types" - type specimens of not yet described new species.

This unique volume is a comprehensive compilation of all scientific names introduced at all levels of classification within the Culicipedia family since the official start of zoological nomenclature. The work is largely a lexicon aimed at being historical and informative as well as nomenclatural and bibliographic. Unlike catalogues, it contains sections devoted separately to the groups of names regulated by the International Code of Zoological Nomenclature, the species, genus and family groups, as well as sections concerned with names derived from personal and geographical names and other sources. In addition to insights into the history of mosquito classification, attention given to the formation, Latinization and derivation of names makes the work a crucial contribution to mosquito science

This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.

Centuries of exploration and discovery have documented the diversity of life on Earth. Records of this biodiversity are, for the most part, distributed across varied and distinct natural history collections worldwide. This makes the task of extracting and mobilising the information within these collections an immense challenge.ÿÿIn this special issue of ZooKeys, 18 papers by 81 authors examine progress and prospects for mass digitising entire natural history collections. These papers provide a snapshot of activity, in what is a fast moving field that is seeing ever-increasing degrees of collaboration across disciplines and between collection-based institutions. Examples of research covered by these articles include a description to efforts digitise 30 million plant, invertebrate and vertebrate specimens at NCB Naturalis in the Netherlands; new scanning and telemicroscopy solutions to digitise the millions of pinned insect specimens held in the Australian National Insect Collection and its European and North American counterparts; citizen science projects being used to crowdsource the transcription of thousands of specimen labels and field notebooks; and new data portals providing central access to millions of biological specimens across Europe.ÿÿMany of these projects deal with the unique challenges associated with major collections that have built up over several centuries, with different communities of practices and different user communities. Despite many differences, standards for collection acquisition, preservation and documentation are broadly consistent, meaning that there is sufficient common ground to bring together the enormous amounts of data that are being exposed through mass digitisation efforts. These data will become the new frontier for natural history collection management and research in the next decade.