In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

A chilling stand-alone novel by the acclaimed David Macinnis Gill. This original and sinister spin on gothic tradition will appeal to fans of Asylum, American Horror Story: Coven, and The Walking Dead. When a bolt of lightning causes a Boston-wide blackout on her sixteenth birthday, Willow Jane doesn’t think anything of it—until she begins stopping time, until she comes face-to-face with her menacing familiar, until her sister disappears. But these aren’t the only strange and horrifying things to come out of the storm. An ancient witch named the Shadowless has awoken and escaped from her crypt, and she’s looking for revenge on Willow Jane’s family. From the critically acclaimed author of Black Hole Sun and Soul Enchilada, this eerie horror story lingers long after its bloody end, and is perfect for fans of Madeleine Roux, The Ghost Files, and anyone who likes things that go bump in the night.

Erweiterte Neuauflage des legendären Arnheim-Katalogs von 1993 in zwei Auflagen: Im März die rein englische Ausgabe anlässlich der Ausstellung in der Tate Liverpool, im Juli 2004 eine Ausgabe mit deutschem Textanhang mit einem zusätzlichen Interview mit Mike Kelley anlässlich der Ausstellung im Museum Moderner Kunst Stiftung Ludwig, Wien. Museum Moderner Kunst, Stiftung Ludwig, Wien, Juli 2004

Leading international authors from across the social science disciplines explore the contemporary re-theorizing of bodies as known, knowing and unknowing. Presents cutting-edge research on ageing, disability, and biomedicine, together with original philosophical debates about the body and embodiment Offers exciting and creative approaches to researching disembodiment and to the practice, organization, and conduct of care Original exploration of contemporary theory and social philosophy on the body Includes innovative and creative approaches to care and primary research in medicine, genetics, disability, and ageing studies