Intellectual life in Edo-period Japan was sometimes harmoniously productive, sometimes destructively vicious, but never stagnant. This volume, compiled in honour of Prof. W.J. Boot, offers eleven essays that explore the intellectual scene of Edo-period Japan from a variety of perspectives.

In the Edo period, Japan had its first experience of what one might call “intellectual life” in a pregnant sense of the word: a scene that combined serious intellectual pursuits, from poetry writing to the interpretation of the Confucian classics, with intense social interaction. Edo-period Japan was crisscrossed by networks of poets, scholars, artists and collectors who exchanged information, discussed each other’s work, cooperated in collaborative projects, and gossiped about each other. Intellectual life in Edo Japan was a seething cauldron of social interaction and competition, sometimes harmoniously productive, sometimes destructively vicious, but never stagnant. This volume, compiled in honour of Prof. W.J. Boot, offers eleven essays that explore the intellectual scene of Edo-period Japan from a variety of perspectives.

This book investigates the diverse visual representations of the Orchid Pavilion Gathering produced during the Edo period Japan.

Pioneering study of the localization of Chinese culture in early modern Japan, using legends, classics, and historical terms as case studies. While current scholarship on Tokugawa Japan (1603–1868) tends to see China as either a model or “the Other,” Wai-ming Ng’s pioneering and ambitious study offers a new perspective by suggesting that Chinese culture also functioned as a collection of “cultural building blocks” that were selectively introduced and then modified to fit into the Japanese tradition. Chinese terms and forms survived, but the substance and the spirit were made Japanese. This borrowing of Chinese terms and forms to express Japanese ideas and feelings could result in the same things having different meanings in China and Japan, and this process can be observed in the ways in which Tokugawa Japanese reinterpreted Chinese legends, Confucian classics, and historical terms. Ng breaks down the longstanding dichotomies between model and “the Other,” civilization and barbarism, as well as center and periphery that have been used to define Sino-Japanese cultural exchange. He argues that Japanese culture was by no means merely an extended version of Chinese culture, and Japan’s uses and interpretations of Chinese elements were not simply deviations from the original teachings. By replacing a Sinocentric perspective with a cross-cultural one, Ng’s study represents a step forward in the study of Tokugawa intellectual history. “What the author has done with great success is to break down the longstanding dichotomies that have been established in prior scholarship between center and margins, self and ‘other,’ empire and tributary states, civilization and barbarism, and so forth, treating China and Japan on equal terms. An impressive achievement.” — Richard J. Smith, author of The Qing Dynasty and Traditional Chinese Culture

In the Edo period, Japan had its first experience of what one might call "intellectual life" in a pregnant sense of the word: a scene that combined serious intellectual pursuits, from poetry writing to the interpretation of the Confucian classics, with intense social interaction. Edo-period Japan was crisscrossed by networks of poets, scholars, artists and collectors who exchanged information, discussed each other's work, cooperated in collaborative projects, and gossiped about each other. Intellectual life in Edo Japan was a seething cauldron of social interaction and competition, sometimes harmoniously productive, sometimes destructively vicious, but never stagnant. This volume, compiled in honour of Prof. W.J. Boot, offers eleven essays that explore the intellectual scene of Edo-period Japan from a variety of perspectives.