For nearly four decades social critics such as Philip Rieff and Christopher Lasch have bemoaned the "triumph of the therapeutic" in our "culture of narcissism." But whatever their level of uneasiness about the psychologizing of reality, most Christians have made some degree of peace with the reigning power of psychotherapy and psychotherapeutic outlooks. Seth Farber is not one of those Christians. In his estimation psychotherapy has become "a replacement for involvement in the spiritual life of the church," with pastors and other Christian leaders too quickly deferring to psychiatrists and other mental health professionals. Unholy Madness is prompted by Farber's passionate insistence that Christianity and psychiatry are nothing less than competing faiths. Farber's radical argument cuts to the root of the mental health system and challenges the church to consider how much it may have constricted its own vision and neglected its unique responsibilities in its accomodation to that system. Taking on giants from Augustine to Freud, wide-ranging and never boring, Unholy Madness is not likely to persuade all its readers. But none will be able to see these issues in the same way again. -- Publisher.

Today, many Christians, concerned and challenged by contemporary trends in society and religion, are bewildered and perhaps tempted to leave the Church and manage on their own. Courage and Conviction is addressed to discerning adult Christians who seek something between high theology and pious platitudes. Ranging from consideration of Christian identity, via the challenge of faith-filled living in a world of diversity, to suggestions for mature discipleship today, these reflections—building on Scripture studies, cultural anthropology, and life experience—are offered by way of support, encouragement, and perhaps further enlightenment.

Here is the final volume of Norman O. Brown's trilogy on civilization and its discontents, on humanity's long struggle to master its instincts and the perils that attend that denial of human nature. Following on his famous books Life Against Death and Love's Body, this collection of eleven essays brings Brown's thinking up to 1990 and the fall of Communism in Eastern Europe. Brown writes that "the prophetic tradition is an attempt to give direction to the social structure precipitated by the urban revolution; to resolve its inherent contradictions; to put an end to its injustice, inequality, anomie, the state of war . . . that has been its history from start to finish." Affiliating himself with prophets from Muhammad to Blake and Emerson, Brown offers further meditations on what's wrong with Western civilization and what we might do about it. Thus the duality in his title: crisis and the hope for change. In pieces both poetic and philosophical, Brown's attention ranges over Greek mythology, Islam, Spinoza, and Finnegan's Wake. The collection includes an autobiographical essay musing on Brown's own intellectual development. The final piece, "Dionysus in 1990," draws on Freud and the work of Georges Bataille to link the recent changes in the world's economies with mankind's primordial drive to accumulation, waste, and death.

John Huston as Adaptor makes the case that adaptation is the salient element in Huston's identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston's thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis for filmmaking. The seventeen essays in this volume not only address Huston as an adaptor, but also offer an approach to adaptation studies that has been largely overlooked. How an adaptor reads, the works to which he is drawn, and how his literary interpretations can be brought to the screen without relegating film to a subservient role are some of the issues addressed by the contributors. An introductory chapter identifies Huston as the quintessential Hollywood adaptor and argues that his skill at adaptation is the mark of his authorial signature. The chapters that follow focus on fifteen of Huston's most important films, including The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The African Queen (1951), The Night of the Iguana (1964), Under the Volcano (1984), and The Dead (1987), and are divided into three areas: aesthetics and textuality; history and social context; and theory and psychoanalysis. By offering a more comprehensive account of the centrality of adaptation to Huston's films, John Huston as Adaptor offers a greater understanding of Huston as a filmmaker.

Coleridge Was One Of The Few Harbingers Of Romanticism In England, And The Enunciator Of Psychological Criticism. One Will Certainly Miss English Romanticism Of About 150 Years, If He Does Not Interest Himself In Coleridge. One Of The Most Loving And Suffering Souls Of English Literature, Coleridge Was Not Only A Great Poet Of The Supernatural, But Also A Great Critic And Prosodist.In This Book, The Objective Of The Author Has Been To Present Coleridge In His Essentials (As The Content Of The Book May Show), Against The Back-Drop Of English Romanticism, In Plain Terms And Without Any Presumptions. Seventeen Select Poems Of The Poet Have Been Discussed, To Some Extent Threadbare, And The Texts Of Those Poems Have Been Given For Facility.

To Samuel Taylor Coleridge, tragedy was not solely a literary mode, but a philosophy to interpret the history that unfolded around him. Tragic Coleridge explores the tragic vision of existence that Coleridge derived from Classical drama, Shakespeare, Milton and contemporary German thought. Coleridge viewed the hardships of the Romantic period, like the catastrophes of Greek tragedy, as stages in a process of humanity’s overall purification. Offering new readings of canonical poems, as well as neglected plays and critical works, Chris Murray elaborates Coleridge’s tragic vision in relation to a range of thinkers, from Plato and Aristotle to George Steiner and Raymond Williams. He draws comparisons with the works of Blake, the Shelleys, and Keats to explore the factors that shaped Coleridge’s conception of tragedy, including the origins of sacrifice, developments in Classical scholarship, theories of inspiration and the author’s quest for civic status. With cycles of catastrophe and catharsis everywhere in his works, Coleridge depicted the world as a site of tragic purgation, and wrote himself into it as an embattled sage qualified to mediate the vicissitudes of his age.

Throughout the world, schizophrenia is a diagnosis now in decline, representing a radical shift in our historical and medical understanding of madness and mental distress. But what does this medical term, first coined by a Swiss psychiatrist in 1908, mean? And why is it increasingly unpopular among patients and the medical establishment? Historian and clinician Orna Ophir unearths the stories of patients and doctors as they struggle to make sense of this debilitating condition. At different times, patients have been depicted as possessed by demons, or simply “inspired,” as hearing voices, suffering from a “split-mind,” or merely having difficulty in “integrating” experiences. Now, a century after its birth, schizophrenia is increasingly viewed not as a radical, abnormal disease defined by an ever-changing cluster of symptoms, but the extreme end of a spectrum on which we are all located. The story Ophir tells is a hopeful one: As patients and doctors sought to overcome stigma and improve therapeutic outcomes, they have shown ever-greater sensitivity to diversity and difference. Schizophrenia: An Unfinished History gestures toward a future in which clinicians and patients will collaborate in the search for better outcomes.

'As the culmination of the vast tapestry of storylines that form The Second Apocalypse, [The Unholy Consult] is a great and fitting finale that closes the show with a massive exclamation point' - Pat's Fantasy Hotlist '... it can at last be said that Bakker has written the epic fantasy series of the post-Tolkien era' - Speculiction A score of years after he first walked into the histories of men, Anasûrimbor Kellhus rules all the three seas, the first true Aspect-Emperor in a thousand years. The Unholy Consult is the hugely anticipated final novel in R. Scott Bakker's acclaimed Aspect-Emperor series, set in a vivid world of myth, war and sorcery. It is a series that stands alongside the finest in the genre, for its grand scope, rich detail and thrilling story. Books by R Scott Baker: Prince of Nothing Trilogy The Darkness That Comes Before The Warrior-Prophet The Thousandfold Thought Aspect-Emperor The Judging Eye The White Luck Warrior The Great Ordeal The Unholy Consult Novels Neuropath Disciple of the Dog Light, Time, and Gravity