Every one of these astonishing and original projects will redefine your idea of how a book should look. No simple rectangles here, but one-of-a-kind volumes folded like an accordion; shaped and themed, with windows and envelopes; thickly sewn and decoratively woven; dressed in "wedding netting" for a bride; and made out of paper bags. There are even containers for protection and display, and they can enhance the meaning of a book's text. Along with advice on paints, inks, stencils, transfers, and distressed covers, you'll find fun ways to make collaborative books, including ones to create with a child.

Ways to begin - Paper - Measuring - Scoring - Adhesives - Circle accordions - Flags - Side bindings - Sewn signatures - Folds and twists - Covers and closures - Sorting.

This book is jam-packed with brilliant craft ideas, gift suggestions and fun projects that kids aged 7 and above can make straight away. So, grab some glue, dig out some beads or fabric... and get crafting! Easy-to-follow instructions and clear photographs are provided for every project, but experimentation and customization are positively encouraged. The book's tone is fun yet informative and its design style draws inspiration from scrapbooks.

The perfect guide to crafting with kids, Kids’ Ultimate Craft Book starts with the absolute basics, then gradually introduces skills and techniques so kids can create fantastic projects with beading, braiding and knotting, crochet, knitting, and sewing. Beading. Begins with beads, charms, and pendants, moves on to working with thread and wire, then shows how to make a tiara, a button ring, a skater cuff, and more. Braiding and Knotting. Demonstrates techniques for creating with different cords and fibers to make necklaces, leashes, and key chains. Crochet. Starts with an overview of hooks and yarns, then shows how the most basic crochet stitches can be used to create a bracelet, a bookmark, and a water bottle carrier. Knitting. Following an overview of essential stitches and concepts, including how to read a pattern, are designs for coasters, a washcloth, and a cowl. Sewing. Teaches simple hand sewing, then gradually introduces the skills kids need to sew safely and confidently with a sewing machine to make a pot holder and a fabric frame. Projects are rated for difficulty so kids can learn and grow as they build skills and develop dexterity and confidence. With 400 photos and clear, concise instructions, Kids’ Ultimate Craft Book lets you and your child collaborate to create crafty projects together!

Original publication and copyright date: 2004.

DIV As the “book” morphs and evolves into a malleable, digital file, interest in the classic form is reignited in book lovers and crafters. Book Art Studio Handbook offers readers a comprehensive and accessible guide to not only the nuts and bolts of this classic art, but insight into the artisan’s lifestyle. This book goes beyond quick craft projects and into the heart of bookmaking, binding, letterpress printing, decorative cover techniques, book conservation, and other book arts. It is an essential companion book for all paper lovers and bibliophiles—especially as the book as object becomes more prominent a concept. /div

Get creative with The Moomin Craft Book, a stylish Scandinavian craft book featuring over twenty-six beautiful projects, all inspired by the wonderful world of Tove Jansson's Moomins. Make some Moomin mittens, learn how to crochet a Moomintroll and get creative with stylish Moomin jewellery and Moomin-themed decorations and flowers! This book is packed with craft techniques and activities including: sewing, knitting, crochet, paper craft, painting, jewellery-making and needle felt, all with step-by-step instructions. Beautifully designed with stunning photography throughout, The Moomin Craft Book is perfect for Moomin fans and keen creatives of all ages, featuring activities suitable for young children as well as more challenging projects for experienced adult crafters.

Innovative approach to bookbinding explains techniques that elevate handmade books into extraordinary artworks. Simple, well-illustrated directions explain how to make pop-up panels, pages that "explode" from the spine, slipcases, and more.

The hidden history of the creative writing workshop and the socioeconomic consequences of the craft labor metaphor. In a letter dated September 1, 1912, drama professor George Pierce Baker recommended the term "workshop" for an experimental course in playwriting he had been planning with former students at Harvard and Radcliffe. This was the first time that term, now ubiquitous, was used in the context of creative writing pedagogy. Today, the MFA (master of fine arts) industry is a booming one, with more than 200 programs and thousands of residencies and conferences for aspiring writers nationwide. Almost all of these offerings operate on the workshop model. In Craft Class, Christopher Kempf argues that the primary institutional form of creative writing studies, the workshop, has remained invisible before our scholarly eyes. While Baker and others marshaled craft toward economic critique, craft pedagogies consolidated the authority of elite educational institutions as the MFA industry grew. Transcoding professional-managerial soft skills—linguistic facility, social and emotional discernment, symbolic fluency—in the language of manual labor, the workshop nostalgically invokes practices that the university itself has rendered obsolete. The workshop poem or short story thus shares discursive space with the craft IPA or hand-loomed Pottery Barn rug—a space in which one economic practice rewrites itself in the language of another, just as right-wing corporatism continuously rewrites itself in the language of populism. Delineating an arc that extends from Boston's fin de siècle Society of Arts and Crafts through 1930s proletarian workshops to the pedagogies of Black Mountain College and the postwar MFA, Craft Class reveals how present-day creative writing restructures transhistorical questions of labor, education, and aesthetic and economic production. With the rise of the workshop in American culture, Kempf shows, manual and mental labor have been welded together like steel plates. What fissures does that weld seal shut? And on whose behalf does the poet punch in?