If you look carefully at how things are actually made in China - from shirts to toys, apple juice to oil rigs - you see a reality that contradicts every widely-held notion about the world's so-called economic powerhouse. From the inside looking out, China is not a manufacturing juggernaut. It's a Lilliputian. Nor is it a killer of American jobs. It's a huge job creator. Rising China is importing goods from America in such volume that millions of U.S. jobs are sustained through Chinese trade and investment. In Unmade in China, entrepreneur and Georgetown University business professor Jeremy Haft lifts the lid on the hidden world of China's intricate supply chains. Informed by years of experience building new companies in China, Haft's unique, insider’s view reveals a startling picture of an economy which struggles to make baby formula safely, much less a nuclear power plant. Using firm-level data and recent case studies, Unmade in China tells the story of systemic risk in Chinese manufacturing and why this is both really bad and really good news for America.

Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.

“Satisfying food for thought on the ever-changing dynamics of men and women as they interact and go about their individual lives” (Kirkus Reviews) as cultural commentator Stephen Marche examines contemporary male-female relations—with the help of his wife, writer and editor Sarah Fulford. One morning in New York City, Stephen Marche, then a new father and tenure-track professor, got the call: his wife had been offered her dream job…in Canada. Their decision to prioritize her career over his and move to Toronto sheds new light on the gender roles in their marriage (and in the world around them). As Marche provocatively argues, we are no longer engaged in a war of the sexes, but rather stuck together in a labyrinth of contradictions. And that these contradictions are keeping women from power and confounding male identity. The Unmade Bed is a deeply researched, deeply personal exploration into the moments in everyday life where women and men meet. After all, within offices and homes, on the street, online, and in bed, we constantly ask ourselves: What are we expected to sacrifice? Is it possible to be equal? As he attempts to answer these questions, Marche explores the issues that define our modern conversations on gender, from mansplaining and sexual morality to parenthood and divisions of the domestic sphere. In the process, he discovers that true power remains shockingly elusive for women while the idea of masculinity struggles in a state of uncertainty. The only way out of these mutual struggles is together. With footnote commentary throughout the book from Marche’s wife, The Unmade Bed is a “compelling” (The Globe and Mail, Toronto), uniquely balanced, and honest approach to the revolution going on in our everyday lives—a thought-provoking work of social science that is sure to be a conversation starter.

“In his searing new book . . . Engelhardt has composed a requiem for a nation turned upside down by the relentless pursuit of global power” (Karen J. Greenberg, author of Rogue Justice: The Making of the Security State). As veteran author Tom Engelhardt argues, despite having a more massive, technologically advanced, and better-funded military than any other power on the planet, in the last decade and a half of constant war across the greater Middle East and parts of Africa, the United States has won nothing. Its unending wars, in fact, have only contributed to a world growing more chaotic by the second. “The violence, destruction, and suffering resulting from the imperial arrogance of Bush, Cheney, and cohorts have proceeded on their shocking course while most Americans, Tom Engelhardt writes, were ‘only half paying attention.’ Regular readers of his incisive, lucid, and brutally informative columns could not fail to pay attention and to be appalled at what was revealed. Their impact is all the more forceful in this collection, which casts a brilliant and horrifying light on a sordid chapter of history, far from closed.” —Noam Chomsky, leading public intellectual and author of Hopes and Prospects “No one has had a keener eye for American militarism, hypocrisy, and flat-out folly than Tom Engelhardt.” —John W. Dower, Pulitzer Prize–winning author of Ways of Forgetting, Ways of Remembering “The mainstream media call it the ‘Age of Trump.’ Tom Engelhardt knows better: It’s the ‘Era of America Unhinged.’ This new collection of essays gives us Engelhardt at his very best: incisive, impassioned, and funny even, in a time of great darkness.” —Andrew J. Bacevich, New York Times–bestselling author “Tom Engelhardt is a tireless analyst of the miseries of American Empire . . . [an] indispensable book.” —Juan Cole, professor of history at the University of Michigan

Offers a new interpretation of the Chinese nationalists, placing their war of resistance against Japan in the context of their efforts to establish control over their own country and providing a critical reassessment of regional Allied Warfare.

This book explores China’s currency wars with its trading partners in four Western newsmagazines: Time, The Economist, L’Express, and Der Spiegel. Based on both quantitative and qualitative approaches, the interdisciplinary approach adopted in the research draws on two analytical frameworks from the realm of critical discourse analysis – van Leeuwen’s socio-semantic inventory of social-actor representation, and van Dijk’s concepts of macro-rules – as the overarching approaches to understand the changing dynamics of international relations and the global economy through Western media. The sample in this study consists of 160 texts, half of which are focused on China and the other half on Japan, across a period of 12 months in 2010 (China) and in 1987 (Japan). Through the comparison of Western representation between China and Japan, the similarities and differences in their coverage have been revealed as even more striking with regards to global politics and the international economy. The findings obtained from the empirical research have revealed that China was not only reported more unfavourably than Japan in terms of depth, but also across a broader range of areas spanning economics, politics, and military affairs. It has also emerged that all the four Western newsmagazines tended to centre their coverage on the US and China in 2010, and the US and Japan in 1987, although they did not speak in one collective voice with regard to their coverage of China and Japan.

Male Bodies Unmade explores white men’s disunified physicality in modern and contemporary art while attending to erotic polysemy that questions the visual ethos of Occidental patriarchy. Art historian Jongwoo Jeremy Kim's approach is informed by his own status as an immigrant—a polyglot queen, drawn to extravagant fantasies of misbehaving bodies that are in truth foreign territories, colonies of misbelief. In six case studies focusing on configurations of irrational anatomy and horny self-extinction, this book celebrates the lessons and pleasures of disrupting art history’s hegemonically Western narratives.

Clive Barker's Nightbreed has been controversial since the moment it was released in a version edited by the studio and roundly condemned by Barker, who wrote and directed the movie. A virtually instant cult film based on Barker's novella Cabal, it was nominated for three Saturn Awards and won several prizes at European film festivals. Midian Unmade tells the stories of the Nightbreed after the fall of their city, Midian. Driven from their homes, their friends and family members slain before their eyes, the monsters become a mostly-hidden diaspora. Some are hunted; others, hunters. Some seek refuge. Others want revenge. Contributors include: Karl Alexander, author of the classic novel Time After Time; actor, writer, and director Amber Benson (Tara Maclay on Buffy the Vampire Slayer); New York Times bestselling author Nancy Holder; Hugo and John W. Campbell Award winner Seanan McGuire; Bram Stoker Award winner Weston Ochse; David J. Schow, winner of the World Fantasy Award and writer of the screenplay for The Crow; New York Times bestselling writer Stephen Woodworth; and many more—23 stories in all. With an introduction by Clive Barker, this is an outstanding collection of original horror short stories in a dazzling variety of styles. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

It is 1997 in San Francisco and Simon and Sarah have been sent on a quest to see America: they must stand at least once in every 25-foot square of the country. Decades later, in an Australian city that has fallen on hard times, Caddy is camped by the Maribyrnong River, living on small change from odd jobs, ersatz vodka and memories. She's sick of being hot, dirty, broke and alone. Caddy's future changes shape when her friend, Ray, stumbles across some well-worn maps, including one of San Francisco, and their lives connect with those of teenagers Simon and Sarah in ways that are unexpected and profound. A meditation on happiness – where and in what place and with who we can find our centre, a perceptive vision of where our world is headed, and a testament to the power of memory and imagination, this is the best of novels: both highly original and eminently readable.

Since its establishment in Europe, capitalism has witnessed a shift in global politico-economic power dynamics. Some nations ascended to dominate the world economy, while others fell from prominence to poverty. This transformation was particularly evident in the case of China and India, which were once central to the pre-modern global economy with their respective empires but transitioned into peripheries of the capitalist world trade structure. These regions experienced occupation, colonization, de-industrialization, and resource exploitation for the industrialization and modernization of core countries, primarily Western Europe and the United States. The Rise of the Semi-Core: China, India, and Pakistan in the World-System delves into modern capitalist history, unraveling the increasing complexities that give rise to the emergence of a semi-core. It argues that nations must possess both economic and strategic national powers to maintain their hierarchical position within the capitalist world-system. Western powers of the eighteenth century, equipped with superior military capabilities, expanded their dominion globally, including in China and India, converting these regions into peripheries that served the core's interests in terms of raw material provision, product consumption, and facilitating capital flow. Once decolonized, China and India initially adopted a statist model of development, nevertheless these nations could grow only when they aligned with core interests.