Royal scandal, set against the background of the Jacobean court, involving love, bribery, poison, treachery and black magic - 'a hugely enjoyable book' Daily Telegraph 'A gripping detective story ... Wonderfully dramatic ... Probably the juiciest court scandal of the past 500 years' Daily Mail In the autumn of 1615 the Earl and Countess of Somerset were detained on suspicion of having murdered Sir Thomas Overbury. The arrest of these leading court figures created a sensation. The young and beautiful Countess of Somerset had already achieved notoriety when she divorced her first husband in controversial circumstances. The Earl of Somerset was one of the richest and most powerful men in the kingdom, having risen to prominence as the male 'favourite' of James I. In a vivid, enthralling narrative, Anne Somerset unravels these extraordinary events. It is, at once, a story rich in passion, intrigue and corruption and a murder mystery - for, despite the guilty verdicts, there is much about Overbury's death that remains enigmatic. The Overbury murder case profoundly damaged the monarchy, and constituted the greatest court scandal in English history. 'This is a book about murder, witchcraft, adultery, lechery, intrigue and chicanery among the country's most powerful nobility' Time Out

'A gripping detective story ... Wonderfully dramatic ... Probably the juiciest court scandal of the past 500 years' Daily Mail In the autumn of 1615 the Earl and Countess of Somerset were detained on suspicion of having murdered Sir Thomas Overbury. The arrest of these leading court figures created a sensation. The young and beautiful Countess of Somerset had already achieved notoriety when she divorced her first husband in controversial circumstances. The Earl of Somerset was one of the richest and most powerful men in the kingdom, having risen to prominence as the male 'favourite' of James I. In a vivid, enthralling narrative, Anne Somerset unravels these extraordinary events. It is, at once, a story rich in passion, intrigue and corruption and a murder mystery - for, despite the guilty verdicts, there is much about Overbury's death that remains enigmatic. The Overbury murder case profoundly damaged the monarchy, and constituted the greatest court scandal in English history. 'This is a book about murder, witchcraft, adultery, lechery, intrigue and chicanery among the country's most powerful nobility' Time Out

Poison's Dark Works in Renaissance England considers the ways sixteenth- and seventeenth-century fears of poisoning prompt new models for understanding the world even as the fictive qualities of poisoning frustrate attempts at certainty. Whether English writers invoke literal poisons, as they do in so many revenge dramas, homicide cases, and medical documents, or whether poisoning appears more metaphorically, as it does in a host of theological, legal, philosophical, popular, and literary works, this particular, “invisible” weapon easily comes to embody the darkest elements of a more general English appetite for imagining the hidden correlations between the seen and the unseen. This book is an inherently interdisciplinary project. This book works from the premise that accounts of poisons and their operations in Renaissance texts are neither incidental nor purely sensational; rather, they do moral, political, and religious work which can best be assessed when we consider poisoning as part of the texture of Renaissance culture. Placing little known or less-studied texts (medical reports, legal accounts, or anonymous pamphlets) alongside those most familiar to scholars and the larger public (such as poetry by Edmund Spenser and plays by William Shakespeare and Thomas Middleton) allows us to appreciate the almost gravitational pull exerted by the notion of poison in the Renaissance. Considering a variety of texts, written for disparate audiences, and with diverse purposes, makes apparent the ways this crime functions as both a local problem to be solved and as an apt metaphor for the complications of epistemology.

One of Washington Independent Review of Books' 50 Favorite Books of 2018 • A Buzzfeed Best Book of 2018 "Morbidly witty." —Marilyn Stasio, The New York Times "You’ll be as appalled at times as you are entertained." —Bustle, one of The 17 Best Nonfiction Books Coming Out In June 2018 "A heady mix of erudite history and delicious gossip." —Aja Raden, author of Stoned In the Washington Post roundup, "What your favorite authors are reading this summer," A.J. Finn says, “I want to read The Royal Art of Poison, Eleanor Herman’s history of poisons." Hugely entertaining, a work of pop history that traces the use of poison as a political—and cosmetic—tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today The story of poison is the story of power. For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns, and antidotes tested on condemned prisoners. Servants licked the royal family’s spoons, tried on their underpants and tested their chamber pots. Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications, and filthy living conditions. Women wore makeup made with mercury and lead. Men rubbed turds on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings, and potions of human fat and skull, fresh from the executioner. The most gorgeous palaces were little better than filthy latrines. Gazing at gorgeous portraits of centuries past, we don’t see what lies beneath the royal robes and the stench of unwashed bodies; the lice feasting on private parts; and worms nesting in the intestines. In The Royal Art of Poison, Eleanor Herman combines her unique access to royal archives with cutting-edge forensic discoveries to tell the true story of Europe’s glittering palaces: one of medical bafflement, poisonous cosmetics, ever-present excrement, festering natural illness, and, sometimes, murder.

In this revised and expanded edition, leading forensic scientist John Trestrail offers a pioneering survey of all that is known about the use of poison as a weapon in murder. Topics range from the use of poisons in history and literature to convicting the poisoner in court, and include a review of the different types of poisons, techniques for crime scene investigation, and the critical essentials of the forensic autopsy. The author updates what is currently known about poisoners in general and their victims. The Appendix has been updated to include the more commonly used poisons, as well as the use of antifreeze as a poison.

A brilliant, unknown work by the great historian Hugh Trevor-Roper Among the papers of Hugh Trevor-Roper, who died in 2003, was a manuscript to which he had repeatedly turned for more than thirty years, but never published. Attracted by the diverse life and vivid personality of Sir Theodore de Mayerne (1573-1655), the most famous physician in Europe of his time, Trevor-Roper pursued him across national and intellectual frontiers to uncover the details of his extraordinary life. Exploring an array of English and European sources, Trevor-Roper reveals the story of the pioneering Swiss Huguenot doctor who mixed medicine with diplomacy, with political intrigue, with secret intelligence, and with artistic interests at the courts first of Henry IV of France and then of James I and Charles I of England. A true "renaissance man," Mayerne's interests were broad, and due to considerable conspiratorial talent, he became a participant in bluff and intrigue at the highest levels. The most ambitious and perhaps the most original of all Trevor-Roper's books, written in his luminous prose, this is a major work of political and intellectual history that presents a whole period in a fresh and vivid light.

The life of King James VI who united England and Scotland under one crown and became James I in 1603 is marked by contradictions. Generally praised as a good king of Scotland and a poor English one, James was a deep theological thinker, but he also inspired a superstitious frenzy which resulted in the North Berwick witch hunt and trials in the 1590s. Scholar and pedant, he was in his own view God’s appointed ruler, yet also a foul mouthed sloven and forever tarnished with the title of the Wisest Fool in Christendom. The most glaring contrast in his personal life was between his image as a married family man and as a ruler who lavished indiscreet affection on a series of men whom he invested with considerable power. This book approaches James through the lens of his relationships with his major favorites. First was Anglo-French lord Esme D’Aubigny, then Scottish squire Robert Carr (later Earl of Somerset), and finally the consummate nobleman George Villiers, Duke of Buckingham. ‘A king will have need to use secrecy in many things,’ the king wrote in one of his books. Although his private life was sometimes astonishingly visible, there are still many mysteries about James I as a man rather than a ruler. This work tracks the king’s life from a barren childhood through a succession of plots, intrigues and conspiracies in Scotland which largely forged, or deformed, his character. Beyond his complex and disputed connection with these men the book looks at his relationship with his wife, sponsorship of the arts, and contains a reappraisal of the first and most neglected historical mystery of his first reign, the Gowrie Conspiracy.

The subject of a BBC TV series on Charles I The prize-winning biography of Charles I * Winner of the HWA Crown for Best Work of Historical Non-Fiction 2018 * * Times Book of the Year * * Shortlisted for the Catholic Herald Biography Award 2019 * Less than forty years after the golden age of Elizabeth I, England was at war with itself. At the head of this disintegrating kingdom was Charles I, who would change the face of the monarchy for ever. His reign is one of the most dramatic in history, yet Charles the man remains elusive. To his enemies he was the 'white tyrant of prophecy: to his supporters a murdered innocent. Today many myths still remain. It is an epic story of glamour and strong women, of populist politicians and religious terror, of mass movements and a revolutionary new media: one that speaks to our own divided and dangerous times. 'This is the most gripping piece of revisionist history I have read for a long time' - The Spectator

Lord Herbert of Cherbury was a flamboyant Stuart courtier, soldier, and diplomat who acquired a reputation for duelling and extravagance but also numbered among the leading intellectuals of his generation. He travelled widely in Britain and Europe, enjoyed the patronage of princely rulers and their consorts, acquired celebrity as the embodiment of chivalric values, and defended European Protestantism on the battlefield and in diplomatic exchanges. As a scholar and author of De veritate and The Life and Raigne of King Henry the Eighth, he commanded respect in the European Republic of Letters and accumulated a much-admired library. As a courtier, he penned poetry and exchanged verses with John Donne and Ben Jonson, compiled a famous lute-book, wrote a widely-read autobiography, commissioned exquisite portraits by leading court artists, and built an impressive country house. Herbert was an enigmatic Janus figure who cherished the masculine values and martial lifestyle of his ancestors but embraced the Renaissance scholarship and civility of the early modern court and anticipated the intellectual and theological liberalism of the Enlightenment. His life and writings provide a unique window into the aristocratic world and cultural mindset of the early seventeenth century and the outbreak and impact of the Thirty Years War and British Civil Wars. This volume examines his career, life-style, political allegiances, religious beliefs, and scholarship within their British and European contexts, challenges the reputation he has acquired as a dilettante scholar, boastful auto-biographer, royalist turncoat and early deist, and offers a new assessment of his life and achievement.

As scandalous as any modern-day celebrity murder trial, the “Giroux affair” was a maelstrom of intrigue, encompassing daggers, poison, adultery, archenemies, servants, royalty, and legal proceedings that reached the pinnacle of seventeenth-century French society. In 1638 Philippe Giroux, a judge in the highest royal court of Burgundy, allegedly murdered his equally powerful cousin, Pierre Baillet, and Baillet’s valet, Philibert Neugot. The murders were all the more shocking because they were surrounded by accusations (particularly that Giroux had been carrying on a passionate affair with Baillet’s wife), conspiracy theories (including allegations that Giroux tried to poison his mother-in-law), and unexplained deaths (Giroux’s wife and her physician died under suspicious circumstances). The trial lasted from 1639 until 1643 and came to involve many of the most distinguished and influential men in France, among them the prince of Condé, Henri II Bourbon; the prime minister, Cardinal Richelieu; and King Louis XIII. James R. Farr reveals the Giroux affair not only as a riveting murder mystery but also as an illuminating point of entry into the dynamics of power, justice, and law in seventeenth-century France. Drawing on the voluminous trial records, Farr uses Giroux’s experience in the court system to trace the mechanisms of power—both the formal power vested by law in judicial officials and the informal power exerted by the nobility through patron-client relationships. He does not take a position on Giroux’s guilt or innocence. Instead, he allows readers to draw their own conclusions about who did what to whom on that ill-fated evening in 1638.