Rape law reform has long been hailed as one of the most successful projects of second-wave feminism. Yet forty years after the anti-rape movement emerged, legal and medical institutions continue to resist implementing reforms intended to provide more just and compassionate legal and medical responses to victims of sexual violence. In Up Against a Wall, Rose Corrigan draws on interviews with over 150 local rape care advocates in communities across the United States to explore how and why mainstream systems continue to resist feminist reforms. In a series of richly detailed case studies, the book weaves together scholarship on law and social movements, feminist theory, policy formation and implementation, and criminal justice to show how the innovative legal strategies employed by anti-rape advocates actually undermined some of their central claims. But even as its more radical elements were thwarted, pieces of the rape law reform project were seized upon by conservative policy-makers and used to justify new initiatives that often prioritize the interests and rights of criminal justice actors or medical providers over the needs of victims.

Curtis J. Austin’s Up Against the Wall chronicles how violence brought about the founding of the Black Panther Party in 1966 by Huey P. Newton and Bobby Seale, dominated its policies, and finally destroyed the party as one member after another—Eldridge Cleaver, Fred Hampton, Alex Rackley—left the party, was killed, or was imprisoned. Austin shows how the party’s early emphasis in the 1960s on self-defense, though sorely needed in black communities at the time, left it open to mischaracterization, infiltration, and devastation by local, state, and federal police forces and government agencies. Austin carefully highlights the internal tension between advocates of a more radical position than the Panthers took, who insisted on military confrontation with the state, and those such as Newton and David Hilliard, who believed in community organizing and alliance building as first priorities. Austin interviewed a number of party members who had heretofore remained silent. With the help of these stories, Austin is able to put the violent history of the party in perspective and show that the “survival” programs, such as the Free Breakfast for Children program and Free Health Clinics, helped the black communities they served to recognize their own bases of power and ability to save themselves.

They called themselves the Motherfuckers; others called them a "street gang with an analysis." Osha Neumann's thoughtful, funny, and honest account of his part in ’60s counterculture is also an unflinching look at what all that rebellion of the past means today. The fast moving story follows the establishment of the Motherfuckers, who influenced the Yippies and members of SDS; makes vivid the art, music, and politics of the era; and reveals the colorful, often deeply strange, personalities that gave the movement its momentum. Abbie Hoffman said the Motherfuckers were "the middle-class nightmare . . . an antimedia media phenomenon simply because their name could not be printed." In the few years of its existence the group forced its way into the Pentagon during a war protest, helped occupy one of the buildings in the Columbia University takeover, and cut the fences at Woodstock to allow thousands in for free, among many other feats of radical derring-do. Progressing from a fractured family of intellectuals to rebellion in the streets of New York and on to communes in California, Newmann shows us a view of a life led in rebellion, anger, and eventually a tentative peace.

"Up Against the Real is an exciting book about anti-art in the Sixties. It is the first comprehensive study of the group Black Mask and their acrimonious relationship to the New York art world in that decade. Now cited as originators of the protest aesthetics common today, Black Mask employed incendiary modes of direct action against racism, colonialism, and the museum system. They forced their way into the Pentagon during a political protest, threw rotten eggs and blood at Secretary of State Dean Rusk, dumped garbage into the fountain at Lincoln Center during a gala at the Metropolitan Opera, published a broadside, made films, tormented Andy Warhol, and much more, all covered in Nadja Millner-Larsen's book. Black Mask is an important example of the kind of organized art activism in the middle of this century. The group was active until 1968, when it went underground and changed its name to Up Against the Wall Motherfuckers (after a poem by Amiri Baraki). Its activities and strategies influenced the Black Arts Movement and the Art Workers' Coalition, which took over and trashed the Museum of Modern Art. Abbie Hoffman described the group in its second manifestation, Up Against the WallMF, as "the middle-class nightmare....an anti-media media phenomenon simply because their name could not be printed.""--

Calvin Samuels is a public defender with a passion for sticking by the underdog. His clients are desperate men and women with desperate cases. Like John Rogers. Although Samuels saved him from a life behind bars, he couldn’t save his life. Within months of his acquittal, Rogers’ body is fished from the Ohio River, two bullet holes in the back of his head. Police speculate his death was the result of a drug deal gone bad. Believing he failed a friend who depended on him, Samuels seeks redemption in the representation of Mark Alexander, accused of the brutal murder of two drug dealers. Needing to believe in his client’s innocence, however, Samuels is blind to clues that Alexander is not what, or who, he seems. Until he meets Allison Morris, Alexander’s former lover and the prosecution’s most damning witness. Could Alexander actually be Rogers’ murderer? But when the trial finally reaches its stunning conclusion, Samuels’ descent into the maelstrom has only just begun.

Most people who have lost a child write books about how to cope with the child's death. Author Lori Plegge has taken a different perspective on losing a child. Instead of writing about how to cope with the death of a child, she has decided to write a story about her son's life. When Tomorrow Starts Without Me is a true story about the life and death of a young man named Anthony. No matter how hard Lori tried to raise Anthony right, he made some bad choices in his life and those bad choices led to his death. When reading this book you will experience every emotion possible, you become a part of the story. When Tomorrow Starts Without me is not just a sad story about the death of a 19 year old boy but it also tells you funny childhood stories along with some near death experiences Anthony had. Even though the loss of a child is a very tragic thing, Lori has managed to take that tragedy and turn it into something positive to help others.

Curl up with a collection of mystery and horror tales from an author whom many critics regard as one of the masters of the genre. The Empty House and Other Ghost Stories showcases some of Algernon Blackwood's finest -- and most spine-tingling -- short fiction. Whether you're a longtime fan of Blackwood's work or a first-time reader who's curious about this giant of the genre, you're in for a deliciously spooky ride.

A jaded homicide detective working a serial murder case is teamed up with a new partner—a law enforcer from an alien race Big-city life in the near future is full of violence and tension for Saigo City homicide detective David Silver. His latest assignment is to track down a serial killer dubbed “Machete Man” because he hacks his victims to pieces. But Silver and his partner Mel Burnett just caught a break: One of Machete Man’s intended victims—an elderly woman who would’ve been number six—escapes. And the killer left some DNA behind. Too bad the bureaucrats in charge have brought in a third wheel to assist the Homicide Task Force. Hailing from a superior race gifted with advanced technology, the Elaki have come to Earth to advise in everything from politics to medicine to big business—and now, it seems, police fieldwork. Standing seven feet tall with scales that ripple in the breeze, String resembles a stingray and smells like fresh lime. But he’s turning out to be an unexpected asset in a case that’s quickly morphing into something even more sinister: a far-reaching conspiracy that could leave a lot more people dead, including Detective Silver. A twisting, complex crime tale with intriguing characters, including Silver’s DEA- turned-enforcer wife, Rose, and an Elaki named the Puzzle Solver, Alien Blues realistically depicts a world in which aliens and humans can coexist.

Lands ravaged by war of supernatural forces leave despair in the hearts of many. Years after the tragic stand of the gifted proving themselves to the ones they used to call family, present a new deadly hurdle that no eyes see coming. Slow and unstoppable sickness known as the Cry Cell Cancer, which plagues countless residents despite age or any other factor. With nowhere to go, trapped within their own lands, the son of the legendary and infamous Nolan Ceeth steps forward. Aiming to correct past transgressions formed from past actions of his relatives. Starting with the most formidable problem first, Cry Cell. Being public enemy number one leaves him alone with just the ambition to put things right. Will his ambition be enough to keep his home from slow, certain demise?