A new literary history of the origins of metaphysical poetry in the urban environment of early modern London, considering the work of John Marston, Thomas Nashe, John Manningham and John Donne.

Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend well beyond the early modern English theatrical milieu. In addition to articles, Shakespeare Studies offers opportunities for extended intellectual exchange through its thematically-focused forums, and includes substantial reviews. An international Editorial Board maintains the quality of each volume so that Shakespeare Studies may serve as a reliable resource for all students of Shakespeare and the early modern period – for research scholars and also for teachers, actors and directors. Volume 51 includes a Forum on the work of Michael D Bristol, with contributions from J. F. Bernard, Gail Kern Paster, James Siemon, Jill Ingram, Unhae Park Langis and Julia Reinhard Lupton, Anna Lewton-Brain and Brooke Harvey, Nicholas Utzig, and Paul Yachnin. Volume 51 includes articles from the Next Generation Plenary of the Shakespeare Association of America and essays by Laurence Senelick ("A Gift to Anti-Semites: Shylock on the Pre-Revolutionary Russian Stage"), Christopher D'Addario ("Metatheater and the Urban Everyday in Ben Jonson's Epicoene and The Alchemist"), and Denise A. Walen ("Elbowing Katherine of Valois"). Book reviews consider eleven important publications on liberty of speech and female voice; theaters of catastrophe; adaptations of Macbeth; staging touch in Shakespeare's England; the criticism of Hugh Grady; Shakespeare and World War II film; Shakespeare and digital pedagogy; Shakespeare and forgetting; Shakespeare and disability studies, and Shakespeare's private life.

Tracing the demonstrative aesthetic shift in literary writings of fashionable London during the late 1590s, this book argues that the new forms which emerged during this period were intimately linked, arising out of a particular set of geographic, intellectual, and social circumstances that existed in these urban environs. In providing a cohesive view of these disparate generic interventions, Christopher D'Addario breaks new ground in significant ways. By paying attention to the relationship between environment and individual imagination, he provides a fresh and detailed sense of the spaces and social worlds in which the writings of prominent authors, including Thomas Nashe and John Donne, were produced and experienced. In arguing that the rise of the metaphysical aesthetic occurred across a number of urban genres throughout the 1590s, not just in lyric, but also earlier in Nashe's prose, as well as in the verse satire, he rewrites English Renaissance literary history itself.

Between the early sixteenth and the early eighteenth centuries, the character of English social policy and social welfare changed fundamentally. Aspirations for wholesale reformation were replaced by more specific schemes for improvement. Paul Slack's analysis of this decisive shift of focus, derived from his 1995 Ford Lectures, examines its intellectual and political roots. He describes the policies and rhetoric of the commonwealthsmen, godly magistrates, Stuart monarchs, Interregnum projectors, and early Hanoverian philanthropists, and the institutions — notably hospitals and workhouses - which they created or reformed. In a series of thematic chapters, each linked to a chronological period, he brings together what might seem to have been disparate notions and activities, and shows that they expressed a sequence of coherent approaches towards public welfare. The result is a strikingly original study, which throws fresh light on the formation of civic consciousness and the emergence of a civil society in early modern England.

With its plethora of illustrations, many of works published here for the first time, 'Painting Out of the Ordinary' will be compulsory reading for anyone interested in British art and society of the Romantic era.

An Architecture of Independence: The Making of Modern South Asia presents the work of four pioneering modern architects from the Indian subcontinent -- Charles Correa, Balkrishna Doshi, and Achyut Kanvinde of India, and Muzharul Islam of Bangladesh. An introduction by Kenneth Frampton and essays by the editors situate the work of these architects within the intellectual and aesthetic traditions of the subcontinent. Also included are statements by the architects and documentation of 27 projects, chosen to give a sense of the strategies they have developed for undertakings us diverse as private houses, settlements, major institutional buildings, and even a gallery devoted to the work of one artist. Each of the four has also played a major role in creating the contemporary architectural culture of South Asia, through teaching and influence on important government and cultural policies. Each represents a model of the architect as engaged artist, intellectual, and citizen.

Architectural and urban analysis of Athens between 1456 and 1920 discloses the metamorphosis of a town to a city, experienced as an invigorating adventure through the meandering routes of history.

This is the first time an overview of the theories and practice of urban design has been offered. Covering a 50-year span, the book seeks to identify built urban design projects and traces the evolution and separation of American urban design theories up to the end of the twentieth century. It includes contemporary designs, projects, and writings in an attempt to identify future directions of the next century.