George Griffith, though almost forgotten today, was one of the most popular writers of his own time. He was a contemporary of the great British writers H. Rider Haggard, H.G. Wells, and A. Conan Doyle. "Valdar the Oft-Born" is a fantasy of reincarnation.

The late Victorian writer and noted explorer, George Griffith was a pioneering author of science fiction, who enjoyed tremendous success in Britain. Published in 1893, his debut novel and most celebrated work, ‘The Angel of the Revolution’ was the first best-selling ‘scientific romance’ and Griffith’s success paved the way for subsequent authors of the genre, notably H. G. Wells. This comprehensive eBook presents Griffith’s collected works, with numerous illustrations, many rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Griffith’s life and works * Concise introductions to the major works * 15 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing, including ‘Valdar the Oft-Born’, ‘The Gold-Finder’ and the final masterpiece ‘The Lord of Labour’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Many works are fully illustrated with their original Victorian and Edwardian artwork * Rare short stories * Easily locate the stories you want to read * Includes Griffith’s rare non-fiction * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels The Angel of the Revolution (1893) Olga Romanoff (1894) The Outlaws of the Air (1895) Valdar the Oft-Born (1895) Briton or Boer? A Tale of the Fight for Africa (1897) The Romance of Golden Star (1897) The Gold-Finder (1898) The Virgin of the Sun (1898) A Honeymoon in Space (1901) The Missionary (1902) The World Masters (1903) A Mayfair Magician (1905) The Mummy and Miss Nitocris (1906) The World Peril of 1910 (1907) The Lord of Labour (1911) The Shorter Fiction Gambles with Destiny (1899) Stories of Other Worlds (1900) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction The Criminal Lunatic Asylum (1900) In an Unknown Prison Land (1901) Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

Birth in Kabbalah and Psychoanalysis examines the centrality of "birth" in Jewish literature, gender theory, and psychoanalysis, thus challenging the centrality of death in Western culture and existential philosophy. In this groundbreaking study, Ruth Kara-Ivanov Kaniel discuss similarities between Biblical, Midrashic, Kabbalistic, and Hasidic perceptions of birth, as well as its place in contemporary cultural and psychoanalytic discourse. In addition, this study shows how birth functions as a vital metaphor that has been foundational to art, philosophy, religion, and literature. Medieval Kabbalistic literature compared human birth to divine emanation, and presented human sexuality and procreation as a reflection of the sefirotic structure of the Godhead – an attempt, Kaniel claims, to marginalize the fear of death by linking the humane and divine acts of birth. This book sheds new light on the image of God as the "Great Mother" and the crucial role of the Shekhinah as a cosmic womb. Birth in Kabbalah and Psychoanalysis won the Gorgias Prize and garnered significant appreciation from psychoanalytic therapists in clinical practice dealing with birth trauma, postpartum depression, and in early infancy distress.

This delightful book presents a selection of D. W. Winnicott's best writing about children. The remarkable, enduring essays from Babies and Their Mothers and Talking to Parents are here combined with several hard-to-find gems of insight into the world of the child. Each piece was written for a wide audience of parents, childcare professionals, and teachers. In his empathic and witty way, Winnicott ranges over such timeless topics as the mother/infant relationship, trust, instilling a sense of security, negativism, jealousy and moral development. Now, in one volume, anyone who cares about children can enjoy the wisdom of a man many consider to be the most important psychoanalyst since Freud.A Merloyd Lawrence Book

DigiCat Publishing presents to you this special edition of "Athelstane Ford" by Allen Upward. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This volume is an attempt to rescue from undeserved oblivion a cluster of soldierly autobiographies; and to give to the general reader some pictures of famous battles, not as described by the historian or analysed by the philosopher, but as seen by the eyes of men who fought in them. History treats the men who do the actual fighting in war very ill. It commonly forgets all about them. If it occasionally sheds a few drops of careless ink upon them, it is without either comprehension or sympathy. From the orthodox historian's point of view, the private soldier is a mere unconsidered pawn in the passionless chess of some cold-brained strategist. As a matter of fact a battle is an event which pulsates with the fiercest human passions—passions bred of terror and of daring; of the anguish of wounds and of the rapture of victory; of the fear and awe of human souls over whom there suddenly sweeps the mystery of death. But under conventional literary treatment all this evaporates. To the historian a battle is as completely drained of human emotion as a chemical formula. It is evaporated into a haze of cold and cloudy generalities. But this is certainly to miss what is, for the human imagination, the most characteristic feature of a great fight. A battle offers the spectacle of, say, a hundred thousand men lifted up suddenly and simultaneously into a mood of intensest passion—heroic or diabolical—eager to kill and willing to be killed; a mood in which death and wounds count for nothing and victory for everything. This is the feature of war which stirs the common imagination of the race; which makes gentle women weep, and wise philosophers stare, and the average hot-blooded human male turn half-frenzied with excitement. What does each separate human atom feel, when caught in that whirling tornado of passion and of peril? Who shall make visible to us the actual faces in the fighting-line; or make audible the words—stern order, broken prayer, blasphemous jest—spoken amid the tumult? Who shall give us, in a word, an adequate picture of the soldier's life in actual war-time, with its hardships, its excitements, its escapes, its exultation and despair? If the soldier attempts to tell the tale himself he commonly fails. In ninety-nine cases out of a hundred he belongs to the inarticulate classes. He lacks the gift of description. He can do a great deed, but cannot describe it when it is done. If knowledge were linked in them to an adequate gift of literary expression, soldiers would be the great literary artists of the race. For who else lives through so wide and so wild a range of experience and emotion. When, as in the case of Napier, a soldier emerges with a distinct touch of literary genius, the result is an immortal book. But usually the soldier has to be content with making history; he leaves to others the tamer business of writing it, and generally himself suffers the injustice of being forgotten in the process. Literature is congested with books which describe the soldier from the outside; which tell the tale of his hardships and heroisms, his follies and vices, as they are seen by the remote and uncomprehending spectator. What the world needs is the tale of the bayonet and of "Brown Bess," written by the hand which has actually used those weapons.