This study traces the critique of Enlightenment modernism that began with Ralph Waldo Emerson and culminated in the thought of Charles Sanders Peirce and the mature Josiah Royce. Varieties of Transcendental Experience argues that these thinkers provide a constructive alternative to deconstructionist postmodernism that is compatible with the Christian faith.

DIVBalanced attempt to understand and evaluate paranormal experiences, including mystical states, psychic phenomena (prophecy, poltergeists, water witching), occult experiences (astrology, UFOs, Bermuda triangle) and more. Role of physiology, conditioning and cultural context in determining nature and extent of paranormal activities. /div

Illustrations/Exercises -- Forewoods/Dr. Robert Morris, Dr. Ray Hyman -- Preface and Acknowledgements -- Introduction -- Psychological Effects in Transcendental Experience -- Conditioning Effects in Transcendental Experience -- Cultural Context in Transcendental Experience -- Mystical Experience -- Psychic Experience -- Occult Experience -- Conclusion -- References -- Glossary -- Index.

William JAMES (1842-1910). American psychologist and philosopher whose writings on religion and mystical experience have influenced the human potential movement. While James was not especially interested in such notions as "God" or "Absolute Truth", he stressed personal growth and self-improvement, and valued the mystical or transcendental experiences as a means to that end. For him, cosmic consciousness was a continuum "into which our several minds plunge as into a mother-sea reservoir." James helped to found the American "Society for Psychical Research" in 1884 and was a pioneer of psychedelic research. He came to believe that hauntings, phantasms, and trance experiences were essentially natural phenomena that would eventually be explained scientifically. James was the author of several books, including "Principles of Psychology" (1890), "The Varieties of Religious Experience" (1902), and "The Meaning of Truth" (1909).

The Oxford Handbook of Transcendentalism offers an ecclectic, comprehensive interdisciplinary approach to the immense cultural impact of the movement that encompassed literature, art, architecture, science, and politics.

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

As we strive for good, through our fear and sense of lack, we inadvertently give power to a coalition that infuses cultures in a philosophy of eternal conflict and domination as a means of preserving civic order, that is controlled by promises of greater good while guiding policies and actions protect and produces a world of haves and have-nots. The deeper impulse of the Soul to thrive and transform itself into loving is an eternal force and is unstoppable in the long run. Though ominous, these times embody a great opportunity for humanity to change the narrative. To do so we need to rise above the inversion layer of shadows into transcendent realms and resources. Prophecy portends a “new day and new dawn.” We are that promise. We live in a time that invites a vision for humanity and leadership based on integrity and spiritual awakening. Remember. As we incarnate into the human condition, the most essential and most forgotten element of life for each of us is that we are the ones that bring love. In our first breath, we encounter an overwhelming challenge to identify with the world in which we find ourselves and forget the world of love from whence we came. I invite you to engage in an exploration of Self that is continuous and reveals the truth of life without fear, inspired by Soul and guided by love. Consider perhaps that the promise of a “new day and new dawn” refers simply to a change of heart. Transcendental Leadership occurs when we connect to our visionary nature, awaken to an integral perspective, and apply our greater virtue and spiritual depth in response to the challenges and callings of life.

Deleuze's readings of Hume, Spinoza, Bergson and Nietzsche respond to philosophical critiques of classical and modern empiricism. However, Deleuze's arguments against those critiques - by Kant, Hegel, Husserl and Heidegger - consolidate the philosophy of immanence that can be called 'transcendental empiricism'. Marc Rolli offers us a detailed examination of Gilles Deleuze's philosophy of transcendental empiricism. He demonstrates that Deleuze takes up and radicalises the empiricist school of thought developing a systematic alternative to the mainstreams of modern continental philosophy.

The book examines Russian symbolist texts and turns the focus from their traditional historic-cultural interpretations to analyze the symbolist cognitive aesthetics—aesthetics that govern links between poetry, art, and cinema and the sensory-emotional imagery they evoke. This aesthetics inextricably map mystical transcendence to a spiritual world—a realibus ad realiora—through fluid transmutation. Anastasia Kostetskaya presents an innovative cross-disciplinary analysis of iconicity—a relationship of resemblance between the artistic form and its meaning, the possibilities of which symbolist artists explored to create sublime emotional experiences for the reader or viewer. She challenges the strictly dualistic and hierarchical terms of traditional symbolist concepts. This study demonstrates that this counterdualistic tendency cognitively extends from liquescence—a perception of fluid continuity between people and water. This analysis of interconnected symbolist media shows how symbolists rely on blending in their attempts to engender emotional flux through the pliable form. Fusing cognitivist and historic-cultural approaches in fluidly connected art modes, this book represents chronological, conceptual, and aesthetic continuity from poetry by Konstantin Bal'mont (1867–1942), paintings by Viktor Borisov-Musatov (1870–1905), and cinematography by Evgenii Bauer (1865–1917).

Originally published in French under the title La Logique de Husserl: Étude sur Logique Formelle et logique transcendentale.