The final novel in the alchemical thriller series set in an alternate Venice by the World Fantasy Award–winning author of A Bed of Earth. Centuries into the future, the sunken city of Venus has been salvaged from beneath the sea and rebuilt there under a dome, where it is supported by a vast network of computers that regulate weather, noise, and the most precious undersea commodity of all—air. It is here that a macabre experiment takes place. Conducted by geneticists at the university, the test consists of the resurrection of two lost souls, both murdered in their times: Jula, a first-century gladiatrix, and Cloudio del Nero, the eighteenth-century composer who met his fate in Lee’s acclaimed first volume of the Secret Books of Venus series. An unexplained catastrophe occurs, claiming several lives. Was it merely an accident, computer failure, or has the trial unleashed an airborne virus? Or is there an even more sinister danger afoot, a force from beyond that threatens the survival of Venus itself? To answer these questions, a traveler from the surface is forced to confront mysteries in his own past that have remained buried, and to reveal the connection that ties him to the unavenged spirits wreaking havoc on the doomed city. “The last of the four Secret Books of Venus is a tale of suspense and mystery.” —Booklist

Critical essays on Shakespeare's epic poem, "Venus and Adonis".

Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.