Originally describing language use and class position, vulgarity became, over the course of the nineteenth century, a word with wider social implications. Variously associated with behavior, the possession of wealth, different races, sexuality and gender, the objects displayed in homes, and ways of thinking and feeling, vulgarity suggested matters of style, taste, and comportment. This collection examines the diverse ramifications of vulgarity in the four areas where it was most discussed in the nineteenth century: language use, changing social spaces, the emerging middle classes, and visual art. Exploring the dynamics of the term as revealed in dictionaries and grammars; Mayhew's London Labour and the London Poor; fiction by Dickens, Eliot, Gissing, and Trollope; essays, journalism, art, and art reviews, the contributors bring their formidable analytical skills to bear on this enticing and divisive concept. Taken together, these essays urge readers to consider the implications of vulgarity's troubled history for today's writers, critics, and artists.

Trollope the reformer and the reformation of Trollope scholarship in relation to gender, race, and genre are the intertwined subjects of eminent Trollopian Deborah Denenholz Morse’s radical rethinking of Anthony Trollope. Beginning with a history of Trollope’s critical reception, Morse traces the ways in which Trollope’s responses to the political and social upheavals of the 1860s and 1870s are reflected in his novels. She argues that as Trollope’s ideas about gender and race evolved over those two crucial decades, his politics became more liberal. The first section of the book analyzes these changes in terms of genre. As Morse shows, the novelist subverts and modernizes the quintessential English genre of the pastoral in the wake of Darwin in the early 1860s novel The Small House at Allington. Following the Second Reform Act, he reimagines the marriage plot along new class lines in the early 1870s in Lady Anna. The second section focuses upon gender. In the wake of the Second Reform Bill and the agitations for women's rights in the 1860s and 1870s, Trollope reveals the tragedy of primogeniture and male privilege in Harry Hotspur of Humblethwaite and the viciousness of the marriage market in Ayala's Angel. The final section of Reforming Trollope centers upon race. Trollope's response to the Jamaica Rebellion and the ensuing Governor Eyre Controversy in England is revealed in the tragic marriage of a quintessential English gentleman to a dark beauty from the Empire's dominions. The American Civil War and its aftermath led to Trollope's insistence that English identity include the history of English complicity in the black Atlantic slave trade and American slavery, a history Trollope encodes in the creole discourses of the late novel Dr. Wortle's School. Reforming Trollope is a transformative examination of an author too long identified as the epitome of the complacent English gentleman.

What are we to make of the Victorians’ fascination with collecting? What effect did their encounters with the curious, exotic and downright odd have on Victorian writers and their works? The essays in this collection take up these questions by examining the phenomenon of bric-à-brac in Victorian literature. The contributors to Literary Bric-à-Brac and the Victorians: From Commodities to Oddities explore sites of unusual concurrence (including museums, the home, art galleries, private collections) and the way in which bric-à-brac brought the alien into everyday settings, the past into the present and the wild into the domestic. Focusing on the representation of material culture in Victorian literature, the essays in this volume seek out miscellaneous and incongruous objects that take readers beyond the commonplace paradigms associated with commodity culture. Individual chapters analyse the work of writers as different as Edward Lear and John Henry Newman, Robert Browning and George Eliot, Charles Dickens and Lewis Carroll. In so doing they shed light on a dizzying array of topics and objects that include class and capitalism, the occult and the sacraments, Darwinism and dandyism, umbrellas, textiles, the Philosopher’s Stone and even the household nail.

Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the eighteenth-century Austrian Empress Maria Theresa to Rabindranath Tagore and Gandhi, to 1970s Bollywood, colour makes us adjust our take on the politics of the human sensorium as defamiliarising and disorienting. The four chapters conjecture how European, Indian and Papua New Guinean artists, writers, scientists, activists, anthropologists or their subjects sought to negotiate the highly problematic stasis of colour in the repainting of modernity. Specifically, the thesis of this book traces Europeans' admiration and emulation of what they termed 'Indian colour' to its gradual denigration and the emergence of a 'space of exception'. This space of exception pitted industrial colours against the colonial desire for a massive workforce whose slave-like exploitation ignited riots against the production of pigments - most notably indigo. Feared or derided, the figure of the vernacular dyer constituted a force capable of dismantling the imperial machinations of colour. Colour thus wreaks havoc with Western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, colour becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. The ideological reinvention of colour as a resource for independence struggles make it fundamental to multivalent genealogies of artistic and political action and their relevance to the present.

This book examines women's art writing in the nineteenth century, challenging the idea of art history as a masculine intellectual field.

Long overshadowed by her more widely read and reprinted son Anthony, Frances Trollope is almost exclusively remembered for her travel writing and especially for the notoriously controversial Domestic Manners of the Americans. Her impressively prolific career as a writer, however, covered and transgressed several genres, and spanned the early 1830s right through until the mid-1850s. A contemporary of Jane Austen, Trollope wrote social-problem novels about industrial England and satirical exposures of evangelical Christianity, as well as writing the first anti-slavery novel. She was a controversial, yet popular and prolific, writer who lived on her works, while using them to vent her outrage at various social and cultural developments of the time. A reassessment of her position in nineteenth-century literary culture brings to attention her own versatility as well as the various ways in which the pressing issues of the time could be represented and, in turn, helped to form Victorian literature. This book was originally published as a special issue of the journal Women's Writing.

After winning an international audience with his novel Children of the Ghetto, Israel Zangwill went on to write numerous short stories, four additional novels, and several plays, including The Melting Pot. Author Meri-Jane Rochelson, a noted expert on Zangwill’s work, examines his career from its beginnings in the 1890s to the performance of his last play, We Moderns, in 1924, to trace how Zangwill became the best-known Jewish writer in Britain and America and a leading spokesperson on Jewish affairs throughout the world. In A Jew in the Public Arena, Rochelson examines Zangwill’s published writings alongside a wealth of primary materials, including letters, diaries, manuscripts, press cuttings, and other items in the vast Zangwill files of the Central Zionist Archives, to demonstrate why an understanding of Israel Zangwill’s career is essential to understanding the era that so significantly shaped the modern Jewish experience. Once he achieved fame as an author and playwright, Israel Zangwill became a prominent public activist for the leading social causes of the twentieth century, including women’s suffrage, peace, Zionism, and the Jewish territorialist movement and rescue efforts. Rochelson shows how Zangwill’s activism and much of his literary output were grounded in a universalist vision of Judaism and a commitment to educate the world about Jews as a way of combating antisemitism. Still, Zangwill’s position in favor of creating a homeland for the Jews wherever one could be found (in contrast to mainstream Zionism’s focus on Palestine) and his apparent advocacy of assimilation in his play The Melting Pot made him an increasingly controversial figure. By the middle of the twentieth century his reputation had fallen into decline, and his work is unknown to many modern readers. A Jew in the Public Arena looks at Zangwill’s literary and political activities in the context of their time, to make clear why he held such a place of importance in turn-of-the-century literary and political culture and why his life and work are significant today. Jewish studies scholars as well as students and teachers of late Victorian to Modernist British literature and culture will appreciate this insightful look at Israel Zangwill.

'Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.' Barchester Towers (1857) was the book that made Trollope's reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares 'War, war, internecine war!' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie? The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful 'La Signora Madeline Vesey Neroni'? Will the oily Mr Slope finally get his comeuppance? Trollope's matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Russia's poets hold a special place in Russian culture, perhaps revealing more about their country than poets within any other nation. In this unique and wide-ranging collection of writings on poets and poetic trends in Russia, contributors from the United States, Britain, and Russia examine the place of poetry in Russian culture. Through a variety of critical approaches, these scholars, translators, and poets consider a broad cross section of Russian poets, from Pushkin to Brodsky, Shvarts, and Kibirov.

This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television between 1945--1977. It includes the seven texts of the 1955 Reith Lectures in their original broadcast form, as well as lectures that Pevsner gave in German (for the BBC in London and RIAS in Berlin) and on the radio in New Zealand. These talks are important as an example of the attempt by the BBC in particular to provide intellectual programming for the mass population. The talks are important for what they reveal about changing tastes in the treatment of the arts as a broadcast topic, as well as offering a case study of the development of one particular historian's approach to a subject that was gaining ground in universities as a direct result of his popularisation of it. They show what topics were thought to be central to the artistic agenda in the mid-years of the last century, whether from an academic or journalistic perspective, and reveal the mode and manner of academic engagement with the public over the period. Forty-six of these talks were published in 2002, on the centenary of Pevsner's birth, in a trade edition. At the time, his reputation as an active force in architectural thinking had long been eclipsed and interest in him had waned. Since then, there has been a turn-around in tastes and Pevsner's role within his chosen field is now being actively studied and discussed by a new generation for whom he is central to an understanding of the 20th century. There is therefore a real need for this book. In addition to containing twice the number of talks as the previous volume, it is supplemented with explanatory introductions, footnotes and citations. It also reveals, as far as this is possible, alternative versions of Pevsner’s texts, as they appeared at different stages in the original production process. As such, this edition can be relied on by academics as scholarly and