Vignettes of Vietnam & Other Colorful Stories is a nostalgic collage of short stories, fermented and lingering, some for years, waiting on a venue to finally emerge. Hopefully, that time is now! Vignettes of Vietnam chronicles a young soldier’s experiences during his year’s tour of duty in the war-torn country and the discovery, while on an ambush patrol, of horrific photographs of GI comrades, captured, tortured and mutilated; the discovery of his Homie, butchered during an overnight LPR (Long Range Patrol), and his own subsequent escape, using arboreal survival strategies. The Excremenator provides insight into the violent life of young Anthony Morris. Born in the ‘hood’ (Chicago), he is a victim of the vicious street gang culture that results in the senseless death of his beautiful and beloved, Janet. Tired of the meaningless violence, he welcomes military conscription as a viable means of escape and redemption. But sent to ‘Nam, he’s forced to confront the reality of the correlation—urban (street gang affiliation), versus Jungle (military warfare), which proves instrumental in the determination of his outlook on life, as well as and his nasty name! The Night the Cow Got in Zion Franklin, Unforgettable Fang Grey, Snake Dancing, “A Tree. . . So Far! are comical (hopefully, colorful) highlights of an era long past.

This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature."

In this remarkable book, Tony Hilfer provides a major survey of the wealth of post-war American fiction. He analyses the major modes and genres of writing, from realist to postmodernist metafiction and black humour, the fiction of social protest, women's writing, and the traditions of African-American, Southern and Jewish-American fiction. Key writers discussed include William Faulkner, Norman Mailer, Ralph Ellison, Saul Bellow, Joseph Heller, Vladimir Nabokov and Joyce Carol Oates. The book concludes by exploring contemporary trends through detailed case-studies of Donald Barthelme and Toni Morrison.

The magazine of mobile warfare.

Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were “new abolitionists,” but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through “projects” embedded in Freedom Houses, especially in the South: the setting for most of SNCC’s stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC’s responsibility to communities, to the “walking wounded” damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC’s Stories examines the organization’s print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC’s dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC’s writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC’s print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.