Scholars of film and television history as well as cultural studies will enjoy this significant volume.

"Olive oil is one of the world's most essential and ubiquitous cooking ingredients, but how much do we really know about it? Where does it come from, how is it made, and what exactly does "extra-virgin" mean? Nancy Harmon Jenkins, a leading authority on olive oil and the healthy Mediterranean diet, covers all of these questions and more in 'Virgin Territory' as she explores what makes fine extra-virgin, how to choose it and use it, and how to avoid frauds and scams. An illuminating look at the history and culture of olive oil, as well as the science behind its flavors and its role in a healthy diet, this book details how Jenkins began her own passionate foray into olive oil and how she ended up with a 25-acre Tuscan olive farm where she and her offspring produce their own lush, green, spicy oil. Far more than a cookbook, 'Virgin Territory' includes more than 100 recipes showcasing this versatile and healthful ingredient. No matter what recipe you choose, Jenkins guides you in creating a delectable dish made better with olive oil. Along with a wealth of information and exquisite recipes, there are also striking photographs of the Mediterranean-style dishes and Jenkins' own olive grove in Tuscany. A rich and engrossing survey, 'Virgin Territory' is the ultimate resource for everything olive oil."--

Elise Grayson has it all. Money, looks, a comfortable home in an upscale Boston neighborhood and the social status her family has long enjoyed. She has everything she’s ever wanted. Almost. Elise’s private life is her one failure. So focused on building her professional life, Elise has left little time for anything else…including her girlfriend whose infidelity comes as a bolt out of the blue. Jan Chase needs a new job and new surroundings—a place where no one will ask questions or judge her ability. Driving a limousine for Boston’s privileged elite seems like the perfect answer. Being a chauffeur is something Jan is tailor-made for. At least until she meets Elise Grayson. Now that their worlds have collided, it seems that neither of the two women is capable of stopping it. And who’s to say that either of them really wants to?

Women's virginity held tremendous significance in early Christianity and the Mediterranean world. Early Christian thinkers developed diverse definitions of virginity and understood its bodily aspects in surprising, often nonanatomical ways. Eventually Christians took part in a cross-cultural shift toward viewing virginity as something that could be perceived in women's sex organs. Treating virginity as anatomical brought both benefits and costs. By charting this change and situating it in the larger landscape of ancient thought, Virgin Territory illuminates unrecognized differences among early Christian sources and historicizes problematic ideas about women's bodies that still persist today.

It just wasn't fair. When you marry a man for his money, you expect him to leave you a shining pile of gold pieces. Not a crummy old wine business. How was the new young widow Claudia going to pay off her gambling debts now? So when Eugenius Collatinus asks Claudia to chaperone his granddaughter to Sicily she jumps at the chance to escape Rome. It should be easy. Sabina Collatinus, she is told, has recently completed thirty years' service as a Vestal Virgin. Or has she...? Claudia suspects she is escorting an impostor. And then a woman's brutalized body is discovered...

With the publication in English in 1930 of Civilization and its Discontents and its thesis that instinct – and, ultimately: nature – had been and must be forever subordinated in order that civilization might thrive and endure, Freud contributed what some contemporaries saw to the central debate of his era – a debate which had long preoccupied both official American pundits and the American populace at large. At the beginning of the new Millennium, evidence abounds that an American debate still rages over the meaning of “nature,” the rightful weight of instinct, and the status of civilization. The Millennium itself has appeared in popular and official discourses as an appropriate marker of an age in which nature is close to the edge of radical extinction and has also become more and more unreliable as a paradigm for representation and debate. At the same time, the contemporary tailoring of nature to postmodern needs and expectations inevitably reveals the conceptual difficulty of any possible, simple opposition between nature and culture as if they were clearly distinguishable domains. If nature, then, can clearly be seen as a discursive concept, it may also be a timeless concept insofar that it has been shaped, created, and used at all times. Every epoch, age and era had “its own nature,” with myth, history and ideology as its dominant shaping forces. From the Frontier to Cyberia, nature has been suffering the “agony of the real,” resurfacing in discursive strategies and demonstrating a powerful impact on American society, culture and self-definition. The essays in this collection “speak critically of the natural” and examine the American debate in the many guises it has assumed over the last century within the context of major critical approaches, psychoanalytical concepts, and postmodern theorizing.

Christian sexual ethics operates from a place of privilege when it does not consider those impacted by its moral prescriptions. A large majority of publications on Christian sexual ethics consider choices and images abstracted from lived conditions of the people called to make these decisions. As such, it leaves out many for whom sex is neither welcome nor a choice. As such, these same texts present images of sexual subjects that marginalize those that do not fit. As the book presents, sexuality, both Christian and otherwise, prioritizes a language of purity that strangles the life of those imaged impure. The present book remedies this emphasis through the language of iconoclasm that blasphemes these images and opens theological reflection beyond the boundary of image-based approaches. Utilizing a qualitative study of survivors of trafficking and those who grew up under evangelical purity teachings, Spaulding narrates sexual ethics in light of their testimonies and the theological resources of iconoclasm to articulate a more just and loving sexuality. The new emphasis on sexual ethics not only resists the prescriptions that create the conditions of sex trafficking but the creation of new communities capable of solidarity and mutuality with those caught in the web of trafficking.

For a half century following the end of World War II, the seemingly permanent cold war provided the United States with an organizing logic that governed nearly every aspect of American society and culture, giving rise to an unwavering belief in the nation's exceptionalism in global affairs and world history. After the collapse of the Soviet Union, this cold war paradigm was replaced by a series of new ideological narratives that ultimately resulted in the establishment of another potentially endless war: the global war on terror. In The New American Exceptionalism, pioneering scholar Donald E. Pease traces the evolution of these state fantasies and shows how they have shaped U.S. national identity since the end of the cold war, uncovering the ideological and cultural work required to convince Americans to surrender their civil liberties in exchange for the illusion of security. His argument follows the chronology of the transitions between paradigms from the inauguration of the New World Order under George H. W. Bush to the homeland security state that George W. Bush's administration installed in the wake of 9/11. Providing clear and convincing arguments about how the concept of American exceptionalism was reformulated and redeployed in this era, Pease examines a wide range of cultural works and political spectacles, including the exorcism of the Vietnam syndrome through victory in the Persian Gulf War and the creation of Islamic extremism as an official state enemy. At the same time, Pease notes that state fantasies cannot altogether conceal the inconsistencies they mask, showing how such events as the revelations of prisoner abuse at Abu Ghraib and the exposure of government incompetence after Hurricane Katrina opened fissures in the myth of exceptionalism, allowing Barack Obama to challenge the homeland security paradigm with an alternative state fantasy that privileges fairness, inclusion, and justice.

Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.