Virtual America traces the complex relationship between Americans, technology, and their environment as it has unfolded over the past several centuries. Throughout history Americans have constructed mental pictures of unique places, such as the American West, that have taken on more authority than the actual gritty landscapes. This disconnect from reality is magnified by the new world of virtual realities on the computer screen, where personal immersion in interactive simulations becomes the ?default? environment. Virtual America identifies the connections (or lack thereof) between our individual selves, an American identity, and the geography ?out there.? John Opie examines what he calls First Nature (the natural world), Second Nature (metropolitan infrastructure/built environment), and Third Nature (virtual reality in cyberspace). He also explores how Americans have historically dreamed about a better life in daily, ordinary existence and then fulfilled it through the Engineered America of our built environment, the Consumer America of material well-being, and the Triumphal America of our conviction that we are the world's exceptional model. But these dream worlds have also encouraged placelessness and thus indifference to our dwelling in home ground. Finally, Opie explores Last Nature (a sense of place) and argues that when we identify an authentic place, we can locate authenticity of self?a reification of place and self?by their connectedness.

Although the financial disaster of 2008 proved devastatingly quick, the evolution of the bad faith that drove the collapse is a more gradual story, and one that David Bosworth powerfully narrates in The Demise of Virtue in Virtual America: The Moral Origins of the Great Recession, his sweeping history of the forces driving ethical, political, and economic change over the last sixty years. Here, Bosworth traces how the commercialization of public spaces and electronic information has created a new and enclosed American place. Chapter by chapter, he then shows how the materialist values of this Virtual America have suffused our everyday lives, co-opting the themes of our narratives, the planks of our parties, the practices of our professions, and the most intimate aspects of our personal lives, including our beliefs about God, marriage, and childcare. From Ronald Reagan and Disneyland to modern pharmacology and "prosperity theology," from the phony conservatism of Wall Street to the faux rebellion of "transgressive" art, Bosworth's alternative story of American life since 1950 relentlessly challenges today's dominant narratives--narratives that, as he reveals, made both the calamitous invasion of Iraq and the economic collapse of 2008 all too likely.

This is Edward Luttwak's third and arguably fi nest collection of essays. In a challenge to the intellectual backbone of those who write about peace as something one wishes into existence through mediation and good will, Luttwak's view of warfare is bracing: "An unpleasant truth, often overlooked, is that although war is a great evil, it does have a great virtue: it can resolve political confl icts and lead to peace." Luttwak articulates positions shared by military fi gures and political heroes who have their feet on the ground rather than in the sand. He shares his thoughts in essays covering America at war and the new Bolshevism in Russia, ranging in place from the Middle East to Latin America and stops along the way to Byzantium. Luttwak examines military reform, great powers grown small, and drugs, crime and corruption as part of the common culture of the West. Th ough his message is sometimes delivered in a light tone, he is never foolish and never trivial. Luttwak develops the bracing thesis that cease fi res and armistices in states of war, while sometimes inconclusive, are lesser evils than prospects for a nuclear meltdown. Even in arenas of geopolitical antagonism, neither Americans nor Russians have been inclined to intervene competitively in wars of lesser powers. As a consequence, intermittent war persists; and greater dangers to the world are averted. It is no exaggeration to compare Luttwak to Clausewitz in the nineteenth century and Herman Kahn in the twentieth century. Th is volume deserves to be read and digested by all who would understand contemporary geopolitics.

This book offers a novel, grounded-theory approach to the study of online comments about Donald Trump and the USA in countries with a turbulent relation with America: China, Mexico and Russia. Slavtcheva-Petkova advocates for a departure from Jürgen Habermas’s public sphere and democratic deliberative framework, introducing instead the concept of post-deliberative public spheres. The book provides a qualitative thematic analysis via the constant comparison method, coupled with quantitate content analysis of more than 2200 social media comments posted from Trump’s election in 2016 until July 2020. Three empirical chapters are devoted to the countries under study, showing how it is possible to map the comments onto a spectrum of authoritarianism/censored media to democracy/free media. Slavtcheva-Petkova argues that existence and strength of an underpinning ideology and the scope that ideology leaves for constructive political discussions online is of key importance, exploring themes such as identity, patriotism and populism; democracy; power and responsibility. Timely and innovative, ‘Trump’s America Online’ astutely displays how post-deliberative public spheres are valuable spaces for political talk despite the challenges they face across the globe.

Is image everything? For many people in our culture, image and images are everything. Americans spend hours watching television but rarely finish a good book. Words are quickly losing their appeal. Arthur Hunt sees this trend as a direct assault on Christianity. He warns that by exalting imagery we risk becoming mindless pagans. Our thirst for images has dulled our minds so that we lack the biblical and mental defenses we need to resist pagan influences. What about paganism? Hunt contends that it never died in modern Western culture; image-based media just brought it to the surface again. Sex, violence, and celebrity worship abound in our culture, driving a mass media frenzy reminiscent of pagan idolatry. This book is a clear warning that the church is being cut off from its word-based heritage, and that we are open to abuse by those who exploit the image but neglect the Word. Thoughtful readers will find this a challenging call to be critical about the images bombarding our sense and to affirm that the Word is everything.