Every ten years, notoriously eclectic thinker Brian Morris takes a year of sabbatical and launches out into another field about which he knows nothing. In the 1980s it was botany; in the 1990s, zoology; in the 2000s, entomology. The quintessential polymath, Morris has written on his incredible breadth of interests in wide-ranging essays, with subjects ranging from boxing to deep ecology to new-age gurus. Collected here for the first time, Visions of Freedom brings together all of Morris's concise yet diverse essays on politics, history, and ecology written since 1989. It includes book reviews, letters, and articles in the engaging and accessible style for which Morris is known. The thinkers he deals with are as diverse as Thomas Paine to C. L. R. James, from Karl Marx to Krishnamurti, from Max Weber to Naomi Klein. He also delves into the canon of classic anarchist thinkers like Kropotkin, Bakunin, Reclus, Proudhon, and Flores Magnon. Taking a stance against the obscurantism of contemporary academic discourse, Morris' writings demonstrate an interdisciplinary approach that moves seamlessly between topics, developing practical connections between scholarly debates and the pressing social, ecological and political issues of our times.

Visions of Freedom: Havana, Washington, Pretoria, and the Struggle for Southern Africa, 1976-1991

Goethe’s 1832 poem Faust offers a vision of humanity realising freedom and prosperity through transcending natural adversity. Changing European Visions of Disaster and Development returns to Faust as a way of exploring the rise and fall of European humanist aspirations to build free and prosperous national political communities protected from natural disasters. Faust stories emerged in early modern Europe linked to the shaking of the traditional religious and political order, and the pursuit of new areas of human knowledge and activity which led to a shift from viewing disasters as acts of God to acts of nature. Faust’s dam building and land reclamation project in Goethe’s poem was inspired by Dutch hydro-engineering and in turn inspired others. Faustian dreams of an engineered future were pursued by the American Yugoslav inventor Nikola Tesla and the country of his birth towards establishing its national independence and escaping the fate of being a borderland. Faust remains a compelling reference point to explore European visions of disaster and development. If Faust captured the European spirit of earlier centuries, what is today’s outlook? Ambitious Faustian development visions to eradicate natural disasters have been replaced by anti-Faustian risk cosmopolitanism sceptical towards human activity in ways counter to building collective protection from disaster. Tesla’s country of birth fears returning to being an insecure borderland of Europe. This powerful and timely book calls for a rekindling of European humanism and Faust’s vision of ‘free people standing on free land’.

The book consist mostly of love poems, even though some are fiction, but some are also experiences from specific unmentioned circumstances, places, occasions and individuals. The objective of the book is to reach out to those in relationships mostly. Fantasize about your own relationship type, create your own imaginary relationship partner and live in your own imaginary relations fairytale as stipulated by one of the poems titled “Power of imagination. However, there are general poems also relating readers to other different aspects of life like politics, church gatherings and humans. Hope you enjoy the fairytale story from a series of mostly imagined relationships.

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child’s hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.

Myra Thomas, apparently dressed only in nightgown and slippers, has walked off the train somewhere along the 650 kilometres of track that crosses the Nullarbor Plain. With two camels and a dog, Bony begins to search the desert in search of her. He finds more than he bargains for - only to find a group of people imprisoned in the extensive limestone caves beneath the desert plain... This is surely one of the two or three strongest of Upfield's novels. It is an eerie mixture of Aboriginal folk customs and white man's greed and lust for revenge. Something of a study of abnormal psychology, it nevertheless turns on people's very natural and nasty feelings... This book is a splendid combination of plot, setting and development. - from The Spirit of Australia by Ray Browne.

Moving from monasticism to constitutionalism, and from antinomianism to anarchism, this book reveals law's connection with love and freedom.

A captivating portrait of Lorraine Hansberry’s life, art, and political activism--one of O Magazine's best books of April 2021 "Hits the mark as a fresh and timely portrait of an influential playwright."—Publishers Weekly In this biography of Lorraine Hansberry (1930–1965), the author of A Raisin in the Sun, Soyica Diggs Colbert considers the playwright’s life at the intersection of art and politics, with the theater operating as a “rehearsal room for [her] political and intellectual work.” Colbert argues that the success of Raisin overshadows Hansberry’s other contributions, including the writer’s innovative journalism and lesser known plays touching on controversial issues such as slavery, interracial communities, and black freedom movements. Colbert also details Hansberry’s unique involvement in the black freedom struggles during the Cold War and the early civil rights movement, in order to paint a full portrait of her life and impact. Drawing from Hansberry’s papers, speeches, and interviews, this book presents its subject as both a playwright and a political activist. It also reveals a new perspective on the roles of black women in mid-twentieth-century political movements.