This study provides the first sustained analysis of the process by which images of Africa were transformed into the illustrations of the continent that appeared in nineteenth-century European travel books. Koivunen examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated.

Critics have long struggled to find a suitable category for travelogues. From its ancient origins to the present day, the travel narrative has borrowed elements from various genres - from epic poetry to literary reportage - in order to evoke distant cultures and exotic locales, and sometimes those closer to hand. Tim Youngs argues in this lucid and detailed Introduction that travel writing redefines the myriad genres it comprises and is best understood on its own terms. To this end, Youngs surveys some of the most celebrated travel literature from the medieval period until the present, exploring themes such as the quest motif, the traveler's inner journey, postcolonial travel and issues of gender and sexuality. The text culminates in a chapter on twenty-first-century travel writing and offers predictions about future trends in the genre, making this Introduction an ideal guide for today's students, teachers and travel writing enthusiasts.

The Age of Exploration and Discovery may well have started in the 15th century, but for the British, the 19th century saw the rise of the British Empire and an explosion in world travel. The travel narratives written during this century were profuse, and by some estimates more travel narratives were written during the first half of the 19th century than in all preceding centuries. These accounts tell of wondrous zoological and botanical finds, of topography never before imagined, and of exotic peoples as well. At the time, there was one publisher, John Murray, known for its utter domination of the travel narrative field. The caliber and profile of their list was known throughout the UK and Europe, and into the US as well. The authors of the house included Jane Austen, Lord Byron, Washington Irving, and Sir Walter Scott. And in its list of travel writing and exploration, the house boasted the authors Charles Darwin and Charles Lyell. Murray s name became as synonymous with travel writing and exploration as it was with literary giants. Travels into Print is a tour through the archives and files of the House of Murray, and marvelous expedition in the geography of travel and exploration writing, knowledge, and reception in the 19th century. Rather than focusing on narratives of a particular region, or scientific area of interest, or particular period, the work uses a source that cuts across all of these areas, the publisher. Steeped in book files, and correspondence about edits, and revisions, sent between Murray and his staff and explorers, the book addresses the ways in which the texts were written, the role of truth in the accounts, correspondence as a form of production, and the writings as travel documents. This is a wonderful history of the book, told from the perspective of a legendary book and author maker. "

Nineteenth-Century Europe offers a much-needed concise and fresh look at European culture between the Great Revolution in France and the First World War. It encompasses all major themes of the period, from the rising nationalism of the early nineteenth century to the pessimistic views of fin de siècle. It is a lucid, fluent presentation that appeals to both students of history and culture and the general audience interested in European cultural history. The book attempts to see the culture of the nineteenth century in broad terms, integrating everyday ways of life into the story as mental, material and social practices. It also highlights ways of thinking, mentalities and emotions in order to construct a picture of this period of another kind, that goes beyond a story of “isms” or intellectual and artistic movements. Although the nineteenth century has often been described as a century of rising factory pipes and grey industrial cities, as a cradle of modern culture, the era has many faces. This book pays special attention to the experiences of contemporaries, from the fear for steaming engines to the longing for the pre-industrial past, from the idle calmness of bourgeois life to the awakening consumerism of the department stores, from curious exoticism to increasing xenophobia, from optimistic visions of future to the expectations of an approaching end. The century that is only a few generations away from us is strange and familiar at the same time – a bygone world that has in many ways influenced our present day world.

The challenge of opening Africa and Australia to British imperial influence fell to a coterie of proto-professional explorers who sought knowledge, adventure, and fame but often experienced confusion, fear, and failure. The Last Blank Spaces follows the arc of these explorations, from idea to practice, intention to outcome, myth to reality.

Drawing on substantial collections of previously unpublished papers, this book examines personal experiences of British naval officers employed in suppressing the transatlantic slave trade from West Africa in the nineteenth century. It illuminates cultural encounters, the complexities of British abolitionism, and extraordinary military service at sea and in African territories.

The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.

Exploration was a central and perhaps defining aspect of the West's encounters with other peoples and lands. Rather than reproduce celebratory narratives of individual heroism and national glory, this volume focuses on exploration's instrumental role in shaping a European sense of exceptionalism and its iconic importance in defining the terms of cultural engagement with other peoples. In chapters offering broad geographic range, the contributors address many of the key themes of recent research on exploration, including exploration's contribution to European imperial expansion, Western scientific knowledge, Enlightenment ideas and practices, and metropolitan print culture. They reassess indigenous peoples' responses upon first contacts with European explorers, their involvement as intermediaries in the operations of expeditions, and the complications that their prior knowledge posed for European claims of discovery. Underscoring that exploration must be seen as a process of mediation between representation and reality, this book provides a fresh and accessible introduction to the ongoing reinterpretation of exploration's role in the making of the modern world.

The history of the British Empire, a subject that had slipped into obscurity when the empire came to an end, has since made a stunning comeback, generating a series of heated debates about the causes, character, and consequences of empire. In this volume Dane Kennedy offers a wide-ranging assessment of the main schools of thought that have transformed the way we view the British Empire and the world it helped to create. Navigating a clear course through these intellectual waters requires an awareness of their shifting currents and a commitment to tracking their changing character over time. Dane Kennedy has contributed to the imperial history wars for more than thirty years, and in this volume he brings his most important writings, along with brand new material, together for the first time to provide a sweeping overview of the subject and the debates that have shaped it. The Imperial History Wars is essential reading for any student or scholar of the British Empire.

Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women eagerly spreading commerce and civilization around the globe, this thoroughly researched, engagingly written, and lavishly illustrated account suggests instead that boredom was central to the experience of empire. Combining individual stories of pain and perseverance with broader analysis, Professor Auerbach considers what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India. He reveals that for numerous men and women, from explorers to governors, tourists to settlers, the Victorian Empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, Imperial Boredom demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work tedious and unfulfilling. The empire s early years may have been about wonder and marvel, but the Victorian Empire was a far less exciting project. Many books about the British Empire focus on what happened; this book concentrates on how people felt.