In this book, G. McLeod Bryan gives firsthand accounts of his interactions with five of the most important prophetic voices of the twentieth century: Martin Luther King Jr., anti-apartheid minister C. F. Beyers Naude, Clarence Jordan - New Testament scholar and founder of the interracial farm community known as Koinonia Farm - Czech pastor Jaroslav Stolar, and religion scholar Huston Smith. In a century filled with violence, war, and oppression, these five figures appealed to the freedom of conscience in order to reach beyond the limitations of institutional Christianity to reclaim a more authentic following of Christ.

Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition_exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the 'Twentieth-Century Traditionalist, ' Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work.

Whether the Congress party put forth a clichéd argument of accountability versus stability in defence of a parliamentary system, in haste, to enjoy the plums of office is the debate at the core of this book. The author takes the debate out of the realms of academia and into the homes of general readers. Students of history, political science and law have been fed on works of celebrated authors on the making of the Constitution of India. This is only half the story told. This book captures the disquiet among the members of the Constituent Assembly and outbursts by members of the dominant party that its leaders were 'settling' the Constitution behind closed doors. It examines threadbare the conclusion of many scholars that a great amount of deliberation and debate on merit took place in the Constituent Assembly before arriving at a form of government best suited to India. Proposed meaningful and far-reaching amendments made by some members, whom Ambedkar fondly called the 'rebels', were rejected outright, under one pretext or another, to silence dissent. The post-Independence political history of India bears testimony that the apprehensions voiced by these so-called 'rebels' played out to be true. In the Constituent Assembly, however, their voices, pregnant with a warning, were voices in the wilderness.

In her writings, Terry Tempest Williams repeatedly invites us as readers into engagement and conversation with both her and her subject matter, whether it is nature or society, environment or art. From her evocation, in Desert Quartet: An Erotic Landscape, of an eroticism of place that defines erotic as "in relation," to the spiritual connectivity and familial bonds she explores in Refuge: An Unnatural History of Family and Place and the political engagement she urges in The Open Space of Democracy, much of her work is about relationship, connection, and community. Like much good writing, her books invite readers into thoughtful dialogue with the text. Frequently in demand for workshops, lectures, and other speaking venues and well known as an environmental activist, Williams has a public persona and voice almost indistinguishable from her written ones. Thus, the interviews she has often granted--in print, on the radio, on the Web--seamlessly elaborate the ideas and extend the explorations of her written texts. They also tell us much about the genesis, context, and intent of her books. With her distinctive, impassioned voice and familiar felicity of language, she talks about wilderness and wildlife, place and eroticism, art and literature, democracy and politics, family and heritage, Mormonism and religion, writing and creativity, and other subjects that engage her agile mind. The set of interviews gathered and introduced by Michael Austin in A Voice in the Wilderness represent the span of Terry Tempest Williams's career as a naturalist, author, and activist.

A Wholesome Christian Romance from Grace Livingston Hill A young woman's first teaching assignment holds plenty of surprises in A Voice in the Wilderness by Grace Livingston Hill. Margaret Earl's train journey to Arizona leaves her stranded in the desert but with the help of a handsome young cowboy, she discovers the meaning of true friendship that deepens into something much more. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Journalists wield extraordinary power in shaping the images of cultures and people, so indigenous people, like those in North America, have turned away from mainstream media and have acquired their own means of cultural production through radio, television and multimedia. This study concludes with suggestions for addressing media practices to reconcile indigenous and non-indigenous people.".

Margaret Earle, a young school teacher accidently gets down on a wrong platform and finds herself lost in the wilderness of Arizona. Alone and helpless, she pins her hope on a man to help her but it soon backfires and Margaret finds herself running away in sheer desperation. But what will happen when her path will cross with Lance Gardley, the handsome cowboy? Grace Livingston Hill (1865–1947) was an early 20th-century novelist and wrote both under her real name and the pseudonym Marcia Macdonald. Hill's messages in her works are simple in nature: good versus evil. As Hill believed that the Bible was very clear about what was good and evil in life and had firm faith God's ability to restore everything, the same belief was also reflected in her own works. Hill's novels are widely read and appreciated for their romance and their inspiring life lessons.

The Man of the Desert – When weary and tired Hazel Radcliffe falls off her horse in the unforgiving weather of Arizona, she is nursed back to her health by John Brownleigh, a missionary. Soon enough both of them develop feelings for each other but never succeed in confessing it. Will they get separated for ever or has fate other plans for these two? A Voice in the Wilderness – A sequel to the first book, this one tells the story of Margaret Earle, a young school teacher who accidently gets down on a wrong platform and finds herself lost in the wilderness of Arizona. Alone and helpless, she pins her hope on a man to help her but it soon backfires and Margaret finds herself running away in sheer desperation. But what will happen when her path will cross with Lance Gardley, the handsome cowboy?