This book presents for the first time an in-depth historical account of vowel prosthesis in the Romance languages. Vowel prosthesis is a change which involves the appearance of a non-etymological vowel at the beginning of a word: a familiar example is the initial e which appears in the development of Latin sperare to Spanish esperar and French espérer to hope. Despite its widespread incidence in the Romance languages, it has remained poorly studied. In his wide-ranging comparative coverage, Professor Sampson identifies three main categories of vowel prosthesis that have occurred and explores in detail their historical trajectory and the relationship between them. The presentation draws freely throughout on the rich philological materials available from Romance and brings to light various unexpected changes in the productive use of prosthesis through time. For example in French and Italian (which is Tuscan-based), one category of prosthesis became well established in the early Middle Ages only to lose productivity and subsequently become moribund. With its extensive use of empirical data and findings from theoretical linguistics, the book offers a thorough and revealing account of a fascinating chapter in the phonological history of Romance.

A Linguistic History of Italian offers a clear and concise explanation of why modern Italian grammar has become the way it is. It focuses on the effects of historical changes on the modern structure of Italian, revealing patterns and structures which are not always apparent to those who are only familiar with modern Italian. Although the book concentrates on the internal history of the language, the emergence of Italian is considered against the wider background of the history of italian dialects, and other external factors such as cultural and social influences are also examined.

This is the first volume concerned with the phonological typology of syllable and word languages, based on the model of a complex, multi-layered and hierarchically structured phonological system. The main typological claim is that the phonetic and phonological make-up of a language depends on the relevance of the prosodic categories. In previous research, the syllable and the phonological word have already proved to be typologically important. The contributions in this volume discuss theoretical questions and address issues such as the variable structure of the phonological word, the interplay between phonetics and phonology as well as the effect of a language’s phonological make-up on its morphology or lexicon. The volume provides detailed synchronic and diachronic analyses of (Non-)Indo-European languages which will serve as a basis for further typological research.

Any notion linguistically expressed, even one such as the syllable, is always the result of several different viewpoints. In order to take this into account, this book draws inspiration from the scheme of quaternion, as conceived by Sir William Rowan Hamilton and later introduced in theoretical linguistics by Ferdinand de Saussure. The first term of the quaternion (The Dawn of the Syllable) is provided by historical observations. The second term (Beyond the Sound of Syllables) is composed of different descriptive analyses of the syllable carried out in some particular languages and dialects. The third term (The Body of Syllables) presents the analytical-instrumental analysis of the syllable, while the fourth (De Syllaba Ventura) proposes some theoretical considerations.

In this study, a substantial introduction has been designed to familiarize the reader with the main characteristics of the philological discipline. Substantive sections have been devoted to Vulgar Latin as the parent tongue of the Romance languages, to the history of the discipline, and to the historical comparative method. This is followed by a sustained study of the sound changes that eventually lead from the relative unity of Vulgar Latin to the diversity of the Romance languages. Sound laws are clearly formulated and each rule is illustrated by examples. Factors that interfere with regular developments are discussed: analogies; learned Latinizing influence; borrowings; etc. The presentation of phonology is coupled with an important lexical dimension, which serves primarily to illustrate the fragmentation process that has shaped the vocabulary of each individual Romance language.

"This volume celebrates his [Ralph Penney's] retirement in 2005 from the Chair of Spanish Linguistics at Queen Mary and Westfield College [University of London], at the age of 65"--P. 11.

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.