W. G. Grace burst onto the cricket scene in the 1860s with spectacular force. He dominated the game until the end of the century, and influences it to this day. He was the world's first sporting superstar, rivalled as a public figure only by Gladstone and Queen Victoria herself. His staggering achievements as both batsman and bowler made him the greatest draw cricket had ever known. Though often depicted as an overgrown schoolboy, W. G. was extremely shrewd and ruthlessly exploited the power his immense popularity gave him. A notorious 'shamateur', he amassed great wealth through cricket, while remaining the standard-bearer for the Gentlemen against the Players for forty years. Researched in archives from Grimsby (where Grace once scored 400) to Australia, Simon Rae's new biography offers a radical analysis of Grace's career, and reviews the more controversial aspects of his conduct, including verbal and physical altercations, both on and off the field, and his kidnapping of an Australian cricketer from Lord's. But W. G. Grace: A Life provides more than a fresh look at the cricketer. It focuses on Grace's formative family background; his intensely competitive relations with his two famous brothers, 'E. M.' and Fred; his career as a doctor, and his ambitions and bereavements as a father. Drawing on little-known diaries and letters, and unique access to Grace's own library, Simon Rae builds up a convincing psychological portrait of the man behind the most famous beard in English history.

A modern search for the greatest cricketer of all time on the centenary of his death

Using contemporary accounts of W.G.'s greatest innings, many for the first time, Robert Low presents a radically new image of the sportsman who was recognised as the pre-eminent athlete of his day.From his emergence as a teenage prodigy to well past his fiftieth year W.G. dominated the game of cricket, taking 2,876 wickets and scoring 54,896 first-class runs in a career lasting an incredible 43 years, from 1865 to 1908. His beard and massive frame made him instantly recognisable wherever he went and his gamesmanship and wit were legendary.

In Urbane Revolutionary: C. L. R. James and the Struggle for a New Society, Frank Rosengarten traces the intellectual and political development of C. L. R. James (1901-1989), one of the most significant Caribbean intellectuals of the twentieth century. In his political and philo-sophical commentary, his histories, drama, letters, memoir, and fiction, James broke new ground dealing with the fundamental issues of his age-colonialism and postcolo-nialism, Soviet socialism and wes-tern neo-liberal capitalism, and the uses of race, class, and gender as tools for analysis. The author examines in depth three facets of James\'s work: his interpretation and use of Marxist, Trotskyist, and Leninist concepts; his approach to Caribbean and African struggles for independence in the 1950s and 1960s; and his branching into prose fiction, dra-ma, and literary criticism. Rosen-garten analyzes James\'s previously underexplored relationships with women and with the women\'s liberation movement. The study also scrutinizes James\'s methods of research and writing. Rosengarten explores James\'s provocative and influential concepts regarding black liberation in the Caribbean, Africa, the United States, and Great Britain and James\'s varying responses to revolutionary movements. With its extensive use of unpublished letters, private correspondence, papers, books, and other documents, Urbane Revolutionary provides fresh insights into the work of one of the twentieth century\'s most important intellectuals and activists. Frank Rosengarten is professor emeritus of Italian and compa-rative literature at the City University of New York. He is the author of The Writings of the Young Marcel Proust (1885-1900): An Ideological Critique and The Italian Anti-Fascist Press, 1919-1945.

Freddie Flintoff and W.G. Grace: Together at last! W.G. Grace Ate My Pedalo is a spoof 1896 periodical from The Wisden Cricketer archives that looks at cricketing events of 2010 through a Victorian lens. Funny, irreverent and lavishly illustrated, the book draws inspiration from the exuberant sporting papers of the Victorian era to lampoon England cricketers new and old. From Queen Victoria's views on women's cricket to Freddie Flintoff's heroic defiance of the Temperance Movement, no figure - historical or contemporary - is safe. A comedy cricket book of wit, intelligence and cheek that will appeal to cricket fans of all ages, be they members of the MCC or the Barmy Army.

There has been an explosion in the quantity of sports history literature published in recent years, making it increasingly difficult to keep abreast of developments. The annual number of publications has increased from around 250 to 1,000 a year over the last decade. This is due in part to the fact that during the late 1980s and 90s, many clubs, leagues and governing bodies of sport have celebrated their centenaries and produced histories to mark this occasion and commemorate their achievements. It is also the result of the growing popularity and realisation of the importance of sport history research within academe. This international bibliography of books, articles, conference proceedings and essays in the English language is a one-stop for the sports historian to know what is new.

Wisden was first published in 1864, the same year that William Gilbert Grace, then aged 16, made his debut in first-class cricket. The great man made his first appearance in the 1865 edition and two years later Wisden reported his 224 not out against Surrey at The Oval. From then on, W.G. was the main headline in each year's annual as he cast his considerable shadow over the game. Today the continuing interest in, and influence of, Grace on cricket is remarkable. Wisden on Grace records the highlights of an astonishing playing career – W.G. remains not only one of the top ten run-scorers of all time, but also one of the top ten wicket-takers – with notable scorecards, match reports and records. But the real treasures are to be found in the opinions and articles written about – and sometimes by – W.G. during his lifetime and afterwards. Whether it is first-class status for matches, the professionalism debate, or the question of throwing, the game's eternal issues are to be found here. Wisden on Grace also celebrates W.G.'s extraordinary family. The Graces remain the only family to have fielded three brothers in the same Test side for England, and all the Graces – W.G., E.M., their tragic younger brother G.F., and W.G. Grace junior – feature here, as do the obituaries of all the Graces (including W.G.'s mother and his wife). In the year of the centenary of W.G.'s death, Wisden's tribute to Grace gives a clear picture of the way that Grace and the game in general have been viewed over the past 150 years, and is a delight for any cricket lover.

On a sunny afternoon in May 1868, nineteen-year-old Gilbert Grace stood in a Wiltshire field, wondering why he was playing cricket against the Great Western Railway Club. A batting genius, 'W. G.' should have been starring at Lord's in the grand opening match of the season. But MCC did not want to elect this humble son of a provincial doctor. W. G's career was faltering before it had barely begun. Grace finally forced his way into MCC and over the next three decades, millions came to watch him - not just at Lord's, but across the British Empire and beyond. Only W. G. could boast a fan base that stretched from an American Civil War general and the Prince of Wales's mistress to the children who fingered his coat-tails as he walked down the street, just to say 'I touched him'. The public never knew the darker story behind W. G.'s triumphal progress. Accused of avarice, W. G. was married to the daughter of a bankrupt. Disparaged as a simpleton, his subversive mind recast how to play sport - thrillingly hard, pushing the rules, beating his opponents his own way. In Amazing Grace, Richard Tomlinson unearths a life lived so far ahead of his times that W. G. is still misunderstood today. For the first time, Tomlinson delves into long-buried archives in England and Australia to reveal the real W. G: a self-made, self-destructive genius, at odds with the world and himself.