A Call to the Black Man Give ear to what I'm about to say What in the world happened? It's not supposed to be this way. We fought so hard for freedom And you have put me back in chains Commitment, trust, seems to be bad words. I'm in bondage to your mind games Remember, you have a mother, sister, or daughter But it was me you gave the ring. I have come to this conclusion I don't need a king TO BE A QUEEN! I've had to raise the children alone Like when the master sold you astray Now I have to look for you And again you've become a runaway A man that can walk out on his family Is a part of slavery's aftermath? But enough with the dumb stuff The past is the past. I am still that woman Who made you feel like a man? Now you are so out of place Still, you want me to understand. Another form of rejection I'm asking myself "what's wrong with me" Why am I always to blame? For your misplaced priorities? Either you get it together Either you are right or you are wrong. I can raise the children with you. I should not have to do it alone. Come inside these pages. Allow me to tailor you to fit Coming from the strength of this Whole Woman. I should not be penalized for it I'm going to speak to the Whole Man in you Like I do in our time of intimacy. That's when I give you the freedom to be you And you give me the freedom to be me. Men are checking me out "right now" Making statements and, my, how they do flatter. They ask "Why are you alone or single?" Realize! I do have a choice in the matter. I was asked if I were to define the book WHOLE in one sentence, what would I say? "WHOLE is a groundbreaking, ground shaking, revolution that demands results!" "I recall the day as though it was yesterday. I stood in the mirror looking at a reflection of defeat never knowing if I would reach my God-ordained destiny. All my dreams, hopes, and desires devastated. I was distrait, frail, and I had gone from a size 12 to a size 6. I was beyond distressed I was destroyed. Lifelines can come in many ways. I knew I wanted and needed to come out, but I didn't know how. This is the time when I had to get real with myself and everyone else-so I threw out a lifeline. I made a simple telephone call to a friend and the Revolution began!"

Awareness means to have knowledge or discernment of something. Since the mind is a terrible thing to waste, take this moment to integrate your memory and your imagination into your learning experience. Remember that your memory will replay your past; however, your imagination has the ability to rehearse your future. Dont reach your future and recognize that you misused the depth of your potential by not showing up for the rehearsal. Imagine being able to abound in an atmosphere that brings awareness of who you are as well as the benefits of the academic process. I wrote this book for men and women who returning to or just starting their academic career. However, where there is no commitment, great things will not come to pass. Commitment is the key to fulfilling your greatest dreams. The Graduates As we stand with anticipation, and principles of Excellency Embracing our new beginning and empowered by our destinies Walden prepared and affirmed us on how to function in a challenge In areas of Leadership, Business, Communication; its a fundamental state along with talent. You are ready for promotion; stand steadfast in your specialties; Its your commitment and dedication that makes dreams, a reality. You could have gone to Harvard, Howard, or Stafford to gain the same results, However, Barker argues a paradigms shift is not in an Ivy League school. The shift begins with us. Our performance of what weve learned. Opportunity will present a time to shine Whether in Nursing, or Criminal Justice, preciseness makes others, measure the depth of your plumb line. Strong emphasis is on the foundation that you built in all your courses Graduates make an impact when there are only two bad choices Remind yourself of the leader that you are; Trust your values and instincts now reset the bar Everything you need is in the AWARENESS in this book I dare you to open up any page; please take a look I know I have said something that can encourage you on your route Dont try to fit in where you are destined to stand out!

From Rachel Carson, the woman who started the modern environmental movement, to Severn Cullis-Suzuki, former host of Suzuki's Nature Quest, to Marina Silva, who fights to keep the Brazilian rain forest from disappearing, read about these ten amazing women who prove how ordinary people can do extraordinary things. While the threat of environmental crises becomes more dominant in the media and popular culture, these trailblazing women have taken action to make a vital difference for our planet.

In 2008, the Musée des Beaux-Arts de Lyon acquired a painting called The Flight into Egypt which was attributed to the French artist Nicolas Poussin. Thought to have been painted in 1657, the painting had gone missing for more than three centuries. Several versions were rediscovered in the 1980s and one was passed from hand to hand, from a family who had no idea of its value to gallery owners and eventually to the museum. A painting that had been sold as a decorative object in 1986 for around 12,000 euros was acquired two decades later by the Musée des Beaux-Arts de Lyon for 17 million euros. What does this remarkable story tell us about the nature of art and the way that it is valued? How is it that what seemed to be just an ordinary canvas could be transformed into a masterpiece, that a decorative object could become a national treasure? This is a story permeated by social magic the social alchemy that transforms lead into gold, the ordinary into the extraordinary, the profane into the sacred. Focusing on this extraordinary case, Bernard Lahire lays bare the beliefs and social processes that underpin the creation of a masterpiece. Like a detective piecing together the clues in an unsolved mystery he carefully reconstructs the steps that led from the same material object being treated as a copy of insignificant value to being endowed with the status of a highly-prized painting commanding a record-breaking price. He thereby shows that a painting is never just a painting, and is always more than a piece of stretched canvass to which brush strokes of paint have been applied: this object, and the value we attach to it, is also the product of a complex array of social processes – with its distinctive institutions and experts – that lies behind it. And through the history of this painting, Lahire uncovers some of the fundamental structures of our social world. For the social magic that can transform a painting from a simple copy into a masterpiece is similar to the social magic that is present throughout our societies, in economics and politics as much as art and religion, a magic that results from the spell cast by power on those who tacitly recognize its authority. By following the trail of a single work of art, Lahire interrogates the foundations on which our perceptions of value and our belief in institutions rest and exposes the forms of domination which lie hidden behind our admiration of works of art.

In 'Woman's Profession as Mother and Educator, with Views in Opposition to Woman Suffrage,' Catharine Esther Beecher presents a thorough examination of women's roles in society, focusing on the importance of motherhood and education. Written in the mid-19th century, Beecher's work reflects the prevailing attitudes towards women's responsibilities during that time. The book advocates for women to prioritize their roles as mothers and educators, rather than seeking political rights through suffrage. Beecher's writing style is informative and persuasive, blending personal anecdotes with historical and cultural analysis. This book is a valuable primary source for understanding the gender norms and expectations of the Victorian era. Catharine Esther Beecher was an influential author, teacher, and advocate for women's education. Drawing from her own experiences as a teacher and reformer, Beecher provides practical advice and philosophical arguments to support her views on women's roles. 'Woman's Profession as Mother and Educator' is recommended for readers interested in exploring the complexities of gender politics and social expectations in the 19th century.

Translation and Opposition is an edited volume that brings together cultural and sociological perspectives by examining translation through the prism of linguistic/cultural hybridity and inter/intra-social agency. In a collection of diverse case studies, ranging from the translation of political texts to interpreting in concentration camps, the book explores issues of power struggle, ideology, censorship and identity construction. The contributors to the volume show how translators, interpreters and subtitlers as mediators put their specific professional and ethical competences to the test by treading the dividing lines between constellations of ‘in-groups’ and cultural or political ‘others’.

Who is accountable under international law for the acts committed by armed opposition groups? In today's world the majority of political conflicts involve non-state actors attempting to exert political influence (such as overthrowing a government or bringing about secession). Notwithstanding their impact on the course of events, however, we often know little about these groups, and even less about how to treat their actions legally. In this award-winning scholarship, Liesbeth Zegveld examines the need to legally identify the parties involved when internal conflicts arise, and the reality of their demands for rights. Her study draws upon international humanitarian law, human rights law and international criminal law to consider a fundamental question: who is accountable for the acts committed by non-state actors, or for the failure to prevent or repress these acts? This study will be of interest to academics, postgraduate students and professionals involved with armed conflict and international relations.

Taking interdisciplinary and diverse approaches, these thirteen essays explore the multifaceted relationship between performance and history. By considering performance as both a useful frame for understanding historical practices and a mode of historical

Although Frankenstein is now widely taught in classes on Romanticism, little attention has been paid to the considerable corpus of Mary Shelley's other works. Indeed the excitement of the last decade at feminist approaches to Frankenstein has ironically obscured the persona of its author. This collection of essays, written by a preeminent group of Romantic scholars, sketches a portrait of the "other Mary Shelley": the writer and intellectual who recognized the turbulent interplay among issues of family, gender, and society, and whose writings resonate strongly in the setting of contemporary politics, culture, and feminism. By analyzing a previously neglected body of novels, novellas, reviews, travel writing, essays, letters, biographies, and tales, and by emphasizing Mary Shelley's shrewd assessment of Romanticism, the essays in this volume offer a ground-breaking evaluation of one of the foremost cultural critics of the nineteenth century.