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Wagner the werewolf represents the compiled exploits of one Fernand Wagner, a bitter old man visited on a stormy night by the legendary Dr. Faust. As in Faust's own tale, Wagner is made a tempting offer - renewed youth, intelligence and unlimited wealth. All he has to do is agree to accompany him for a time ... and to become a werewolf. When Wagner agrees, his youth is restored at a horrible price. on the last day of each month he becomes a mindless beast, part animal and part man. after realizing the error of his decision he begins a quest to find a cure. But Satan has a solution of his own for Wagner's condition ...

In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost's analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.

George W.M. Reynolds was a prolific author of the 19th century 'penny dreadful' (now known as pulp fiction), a lurid sensationalist genre in which the occult and supernatural featured heavily, although Reynolds was a cut above other writers in his field. 'Wagner, the Wehr-Wolf' (1847) is one of his best known works, and tells the story of an old man living in the Black Forest, who becomes a werewolf as a result of a demonic pact.

Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films (including An American Werewolf in London and The Howling), The Company of Wolves sets itself apart from the pack with its overtly literary roots, feminist stance, and art-house leanings. The film's narrative takes the form of a puzzle box, unfolding as dreams within dreams, and stories within stories, which lead further into the dark woods of the protagonist's psyche, as she finds herself on the cusp of womanhood. This Devil's Advocate explores all these aspects, as well as placing the film in the context of the careers of its creators and its position as an example of the "Female Gothic."

• Penny Dreadfuls and the Gothic uncovers neglected Gothic texts of the nineteenth century which are crucial in understanding working-class popular culture. • The approach of this study of penny dreadfuls is vast and eclectic, ranging from data-driven publication data to close textual analysis of these texts to adaptations of penny fiction. • This title covers a broad range of penny texts, some of which have never before been written on.

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As a companion volume to St. James Guide to Fantasy Writers, this volume concentrates "on those types of fiction which may be labelled as horror novels, dark fantasies, ghost stories, gothic novels, tales of terror, supernatural fictions, occult fantasies, black-magic stories, psychological thrillers, tales of unease, "grand-guignol" shockers, creepy stories, shudder-pulp fictions, "contes cruels," uncanny stories, macabre fictions and weird tales."--Editor's note, p. ix.