Rickie Solinger's passionate and powerful history serves to remind us of the importance of the feminist efforts that led to Roe v. Wade and the many other measures that have liberated women from the constraints of the past. -From the new foreword by Elaine Tyler May Twenty-five years after the Supreme Court's landmark decision, abortion rights are as fiercely contested as ever and current debates over welfare, workfare, and public assistance to women with children demonstrate the way in which race and class continue to effect women's reproductive freedom. A pioneering work, Wake Up Little Susie reveals how current attitudes toward these issues developed by examining their roots in the postwar era and discerning how differently they affected black and white women. A powerful and shocking book, Susie is a must-read for anyone seeking to understand the complex and disturbing politics surrounding issues of race, class and reproductive rights. This new edition includes a foreword by the esteemed social historian, Elaine Tyler May, and an afterword by the author that places the issues examined in Susie in the context of the current controversies.

Wake Up Little Susie is the second books of the Sam McCain series. McCain, who is a small-town lawyer working for a judge, runs into the dark side of the tumultuous 50s and 60s and uses his wit and good nature to survive. If you remember the 50s, this is the most nostalgic series you'll read this year. Ramble House plans to bring more Sam McCain books into print.

“The story of Felice and Boudleaux Bryant is the story of towering artistic achievement wrapped in a love story so deep and so complete that the two are their own country song. Bobbie and Bill Malone are precisely the right match to tell this tale of love and genius.”—Ken Burns, Director, Country Music You might not know the names of Boudleaux and Felice Bryant, but you know their music. Arriving in Nashville in 1950, the songwriting duo became the first full-time independent songwriters in that musical city. In the course of their long careers, they created classic hits that pushed the boundaries of country music into the realms of pop and rock. Songs like “Bye Bye Love,” “All I Have to Do Is Dream,” “Love Hurts,” and “Rocky Top” inspired young musicians everywhere. Here, for the first time, is a complete biography of Nashville’s power songwriting couple. In Nashville’s Songwriting Sweethearts, authors Bobbie Malone and Bill C. Malone recount how Boudleaux and Felice, married in 1945, began their partnership as itinerant musicians living in a trailer home and writing their first songs together. In Nashville the couple had to deal with racism, classism, and in Felice’s case, sexism. Yet through hard work and business acumen—and a dose of good luck—they overcame these obstacles and rose to national prominence. By the late 1990s, the Bryants had written as many as 6,000 songs and had sold more than 350 million copies worldwide. They were inducted into the Nashville Songwriters Hall of Fame in 1972, and in 1991 they became members of the Country Music Hall of Fame—a rare occurrence for songwriters who were not also performers. In 1982 their composition “Rocky Top” was adopted as one of the official state songs of Tennessee. The Bryants were lucky enough to arrive in the right place at the right time. Their emergence in the early fifties coincided with the rise of Nashville as Music City, USA. And their prolific collaboration with the Everly Brothers, beginning in 1957, sparked a fusion between country and pop music that endures to this day.

Poems & Songs Old & New is a collection of 120 songs and 55 poems by a writer that clearly adores them. There is a lot of love in the reproduction of so many songs and poems that people remember and appreciate, including such classic songs as, "Bohemian Rhapsody," "Hey Jude," "Hotel California," "November Rain," Let It Be," "Beer Barrel Polka." "Sounds of Silence," "You Are My Sunshine," "Mama Mia," "Ramblin Rose," " Yellow Bird," "Goodnight Irene," "You Are My Sunshine" and "Satisfaction." A brief biography of some of the famous singers , who sang the songs, such as Frank Sinatra, Perry Como, Nelson Eddy and Jeanette MacDonald is also included. The collection of poems includes "In Flanders Fields" by John McRae, "The Raven" by Edgar Allen Poe, "A Girl" by Ezra Pound and "Daffodils" by William Wordsworth. McCavour also includes some of his own poems, including "A Friend of Ours," which was first published when he was only fourteen years old.

The Definitive Everly Brothers Chord Songbook presents 31 of Phil and Don's biggest hits, newly arranged for guitar with full lyrics, chord boxes and a playing guide. All of your favourite are here, arranged in the original keys; ideal for guitarists looking to quickly jump into The Everly Brothers’ shoes, as well as the perfect reference guide for group singalongs or a spot of busking. Songlist: - All I Have To Do Is Dream - Bird Dog - Bye Bye Love - Cathy's Clown - Claudette - Crying In The Rain - Devoted To You - Don't Blame Me - Ebony Eyes - Gone, Gone, Gone - How Can I Meet Her - ('til) I Kissed You - I Wonder If I Care As Much - I'll Never Get Over You - Lay It Down - Let It Be Me - Like Strangers - Love Hurts - Love Is Strange - Poor Jenny - Problems - Sleepless Nights - (So It Was...So It Is) So It Always Will Be - So Sad (To Watch Good Love Go Bad) - Take A Message To Mary - Temptation - The Ferris Wheel - The Price Of Love - Wake Up Little Susie - Walk Right Back - When Will I Be Loved

Now, with The Big Guitar Chord Songbook: The Fifties you can play eighty-five rock and pop classics from the hey-day of guitar music and the era that brought us Rock 'n' Roll. Each song is arranged in the original keys, complete with full lyrics, guitar chord boxes and a playing guide. The setlist includes : - All Shook Up [Elvis Presley] - At The Hop [Danny & The Juniors] - Blueberry Hill [Fats Domino] - Brown-Eyed Handsome Man [Chuck Berry] - Bye Bye Love [The Everly Brothers] - Chantilly Lace [The Big Bopper] - Folsom Prison Blues [Johnny Cash] - Hoots Mon [Lord Rockingham XI] - I’m Movin’ On [Hank Snow] - La Bamba [Ritchie Valens] - Lucille [Little Richard] - Memories Are Made Of This [Dean Martin] - Peggy Sue [Buddy Holly] - Personality [Lloyd Price] - Poison Ivy [The Coasters] - Rock Around The Clock [Bill Haley & His Comets] - Smoke Gets In Your Eyes [The Platters] - Smokestack Lightning [Howlin’ Wolf] - Tequila [The Champs] - Unchained Melody [Jimmy Young] - Walkin’ After Midnight [Patsy Cline] - Who Do You Love? [Bo Diddley] And many more!

It may be the deepest mystery of philosophy, psychology, and neuroscience: how does the brain unite to create the self, the subjective "I"? In Altered Egos, Dr. Todd Feinberg presents a new theory of the self, based on his first-hand experience as both a psychiatrist and neurologist. Feinberg first introduces the reader to dozens of intriguing cases of patients whose disorders have resulted in what he calls "altered egos": a change in the brain that transforms the boundaries of the self. He describes patients who suffer from "alien hand syndrome" where one hand might attack the patient's own throat, patients with frontal lobe damage who invent fantastic stories about their lives, paralyzed patients who reject and disown one of their limbs. Feinberg argues that the brain damage suffered by these people has done more than simply impair certain functions--it has fragmented their sense of self. After illustrating how these patients provide a window into the self and the mind, the author presents a new model of the self that links the workings of the brain with unique and personal features of the mind, such as meaning, purpose, and being. Drawing on his own and other evidence, Feinberg explains how the unified self, while not located in one or another brain region, arises out of the staggering complexity and number of the brain's component parts. Lucid, insightful, filled with fascinating case studies and provocative new ideas, Altered Egos promises to change the way we think about human consciousness and the creation and maintenance of human identity.

Delves into the rhetorical work of elective single mothers (ESMs) in the late twentieth- and early twenty-first centuries as they sought--and continue to seek--to legitimize their maternal identities and family formations Scholars of rhetoric have largely overlooked the inherent rhetoricity of family. In The Case for Single Motherhood, Katherine Mack posits family as a central concern of rhetorical studies by reflecting on how language is used by single mothers who seek to reenvision the personal, social, and political meanings of family. Drawing on intersectional and rhetorical theories, Mack demonstrates how the category of elective single motherhood emerged in response to the historically differential treatment of "unwed mothers" along racial and class lines. Through her readings of a range of self-sponsored ESM texts--guidebooks, memoirs, and interactive digital media written by and primarily for other ESMs--and from her perspective as an elective single mother herself, Mack evaluates the rhetorical power, as well as the exclusions and hierarchies, that the ESM label effects. She analyzes how ESMs envision motherhood, visions that entail their musings about who can and should mother. Ultimately, Mack offers women who are considering nonnormative paths to motherhood a way to affirm their maternal identities and paths without disparaging others'. Scholars in the fields of rhetoric and feminist rhetorical studies will find in this volume an illuminating perspective on the rhetorical power of self-sponsored texts in particular. Crafting a methodology to identify and evaluate the goals and effects of legitimacy work and selecting sources that bring academic attention to varied genres of self-sponsored writings, Mack paves the way for future rhetorical studies of motherhood and family.

A story of love in the 1960's, when two young people found each other. The comedy, passion, and wonder of that first love that never quite leaves the heart.