A collection of articles written by Betty Hansen, a mother of nine children. Back in the day, when women did not typically work outside the home, Betty took to her typewriter to capture the more humorous side of being a housewife, mother and working women. This book was lovingly compiled by her youngest daughter, Holly Tiret

Collected poems from America’s searching and thoughtful philosopher-poet . . . There’s something Comforting about rituals renewed, even adolescents’ pipe dreams: They’ll find out soon enough, and meanwhile find their places In the eternal scenery, less auguries or cautionary tales Than parts of an unchanging whole, as ripe for contemplation As a planisphere or the clouds: the vexed destinies, the shared life, The sempiternal spectacle of someone preaching to the choir While walking backwards in the moment on a warm spring afternoon. John Koethe’s poems—always dynamic and in process, never static or complete—luxuriate in the questions that punctuate the most humdrum of routines, rendering a robust portrait of an individual: complicated, quotidian, and resounding with truth. Gathering for the first time his impressive and award-winning body of work, published between 1966 and 2016, Walking Backwards introduces this gifted poet to a new, wider readership.

Do the issues facing you in life overwhelm you? Are you on a treasure hunt for significance, satisfaction and cure-all answers that can lift your human fear and the burdens you carry? Getting Up When You Are Down explores one, and only one, remedy that can push back against the woes of life---HOPE! Getting Up When You Are Down offers: HOPE! Hope is too strong to quit. Hope does not have to be first to finish its race. Hope is at the tip of every mountain top waiting for champions to arrive. Hope is too brave to give in to defeat. Hope is too wise to keep making the same mistakes. Hope is too trusting to complain and doubt Hope is too inspiring to linger at the bottom. Hope is too outstanding to be overlooked. Hope is too brilliant to be a thoughtless. Hope is too much of a winner to stand on the sideline. Hope is shallow enough for a baby to crawl around in but deep enough for a grown person to take a dive into. Hope is high enough that the wicked cannot get to it but it is low enough for the righteous to reach it as they need it.

Winnifred Winnie Emmons, while working at the local diner, is about to cross paths with a man whose life has been turned upside down by the tragic death of his wife and mother of his four children. Little does he know that the precision with which this young woman can clean, cook, can, and garden will one day influence the lives of his little darlings. Love at First Sight is a compilation of stories that tell of the love that grew between a grieving widower and his young bride and, most of all, tell of the love that grew and was demonstrated in the care and nurturing of his precious children. This book was inspired during the last days of this heroines life as she began to pass out of realitys grasp and into the arms of Alzheimers. Her oldest daughter, now her caregiver, trying to hold on a little longer to the moments of this angels life, began writing a tribute to her, which soon became this book. Winnifred was twenty-three when she married George Johnsen. She was full of life and joy and bursting at the seams to care for her new family. She devoted every hour of her day into keeping her home spotless and organized, filled with the fragrance of homemade breads, fresh jams, jellies, and pickles. She hung out lines of wash until they were crisped by the sun. She ironed pillowcases and curtains until they could stand on their own. She put the same energy into her children, keeping them bathed, clean, and curled, lovingly disciplining and teaching them, bringing them into adulthood with a firm hand but always with love. Four children were a handful, but from the first time she saw them, it was love at first sight.

During the winter of 1972, a woman spends a single night with a young Chilean poet before he departs New York, leaving her his desk. It is the only time they ever meet. Two years later, he is arrested by Pinochet's secret police and never seen again. Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers a lock of hair among her papers that unravels a terrible secret. In Jerusalem, an antiques dealer has spent a lifetime reassembling his father's study, plundered by the Nazis from Budapest in 1944; now only one item remains to be found. Connecting these lives is a desk of many drawers that exerts a power over those who possess it or give it away. And as the narrators of Great House make their confessions, this desk comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared. Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses? How do we respond to disappearance, destruction, and change? Nicole Krauss has written a soaring, powerful novel about memory struggling to create a meaningful permanence in the face of inevitable loss.

E. Tayloe Wise served in Vietnam from May 1969 through April 1970. During those 11 months, he wrote an estimated 750-800 letters home. This memoir is based on those letters, which recounted the details of his experiences and also served as an outlet where he could express the terror, tedium and even boredom of his daily life while in Vietnam. It tells the story of the Vietnam War as this foot soldier viewed it from the jungle, as both a rifleman and a combat medic who was forced to learn his medical skills under fire, and who later became a personal waiter in the private mess hall of Major General E.B. Roberts, the Commanding General of the 1st Cavalry Division (Air Mobile). The story begins with a record of Wise's military history, his training as an infantryman in Leesville, Louisiana and his arrival in Vietnam on May 2, 1969. Chapter two details his first experience under enemy fire on May 11, when suicide squads penetrated their perimeter with the purpose of inflicting the maximum amount of damage with disregard to even the attackers' own lives. Chapters five and six recount the August 1969 battle of LZ Becky, a landing zone that was constructed just south of the Cambodian border and was destroyed only four weeks later. Chapter seven relates Wise's experiences after receiving a job as a waiter in the Commander General's mess hall. On April 9, 1970, his service ended and he headed home. The book contains diagrams of several battles and the author's personal photographs taken while he was in the jungle and in the rear echelon area of Phuoc Vinh.

Presents a tale inspired by the story of Mary, Queen of Scots, in a work that follows the doomed monarch's long imprisonment in the household of the Earl of Shrewsbury and his spying wife, Bess.

Star - I’m a good girl. All my life I’ve done as I’m told. Except that one time, and look what happened. I’ve never broken the rules since, until now. Shortly after an insanely hot brief encounter with a stranger, I find him again on the highway. Only this time, there’s a hole in his shoulder and he’s covered in blood. His blood. His only request before he passes out: no hospitals. I know what I should do, but for the first time in a long time, I break the rules. Trap - I know my name, but that’s about it. I don’t remember getting shot. I don’t remember how I ended up in someone’s guesthouse with the hottest, sweetest woman I’ve ever met. I don’t even know who to call to come get me, or if there’s anyone who’d care. Right now, though, I’m not even sure I want to know any of those things. I’m pretty sure I don’t deserve this girl, and I’m going to take all the time I have to really get to know her. But the past refuses to stay hidden. My memories, and my enemies, are just waiting in the shadows, and when they rise again, I’m gonna lose everything. They’re gonna drag me down to Hell, and worst of all, they’ll drag my sweet Star down right along with me.

Shakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries.