How did witnesses of slavery relate their experiences and what effect did their reports have? This book examines travel accounts, fictions, poetry, and legal texts to analyze direct and indirect encounters with slavery in the antebellum United States. It discusses the rhetorical politics of British and American, and black and white, observations of slavery. The discussion raises critical questions about the role of witness and its link with political action, both in antebellum and contemporary America.

Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.

In order to be able to protect human rights, it is first necessary to see the denial of those rights. Aside from experiencing human rights violations directly, either as a victim or as an eyewitness, more than any other medium film is able to bring us closer to this aspect of the human experience. Yet, notwithstanding its importance to human rights, film has received virtually no scholarly attention and thus one of the primary goals of this book is to begin to fill this gap. From an historical perspective, human rights were not at all self-evident by reason alone, but had to gain standing through an appeal to human emotions found in novels as well as in works of moral philosophy and legal theory. Although literature continues to play an important role in the human rights project, film is able to take us that much further, by universalizing the particular experience of others different from ourselves, the viewers. Watching Human Rights analyzes more than 100 of the finest human rights films ever made-documentaries, feature films, faux documentaries, animations, and even cartoons. It will introduce the reader to a wealth of films that might otherwise remain unknown, but it also shows the human rights themes in films that all of us are familiar with.

The nature of complex relations between Africans and African Americans is the focus of this study. The author looks at the factors which are responsible for this complex nature and which collectively constitute a major obstacle to the improvement of relations between the two groups. He also looks at the prospects and challenges in the quest for solidarity between Africans and African Americans which has remained elusive despite concerted efforts by a number of individuals and a few organisations on both sides through the years to bring the two "peoples" closer. He also examines the nature of the relationship - not just of the relations - between Africans and African Americans. The nature of this relationship goes beyond a shared complexion and the author looks at the profound differences between the two groups across the spectrum which continue to complicate relations between them and even keep them apart.

Comprehensive and up-to-dateThe first contemporary publication to go beyond examining broad themes and trends in the field, this timely volume looks closely at specific authors and texts. The book is comprehensive and as current as possible, covering works by African American authors for young adults published between 1968-1993-some 200 titles by close to 50 writers. In addition to established authors and bestselling titles, the coverage includes material overlooked by previous studies, such as works from small presses and talented new authors.Guidlines for evaluationAn extensive introduction reviews important milestones in this body of literature and analyzes noteworthy bibliographical and critical publications about such writing. It includes suggested guidelines for evaluating a work in terms of its direct and indirect treatment of such issues as race, gender, class, ability, age, sexuality, and sexual orientation. The book also offers specific guidance for determining the appropriate readership for a work with regard to age and gender.Unusually extensive annotationsThe main body of the book is an annotated bibliography, alphabetical by author, with the works arranged chronologically by publication date. The annotations are much more extensive than those in other bibliographies. Each annotation reads more like a full-length book review and is from one to two pages long and explores themes, plot and character development, evaluates the quality of the writing, judges the handling of issues of race, class, and gender, and provides a readership recommendation.Written in accessible language, this user-friendly book presents a wide range of factual information, evaluations, and analyses. It is a valuable tool for all teachers, librarians, counselors, and young adults

Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century. Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituing television around the world today, providing readers with a contemporary and multi-faceted perspective. In this volume, editor Shawn Shimpach has brought together an essential guide to understanding television in the world today, how it works and what it means – perfect for students, scholars, and anyone else interested in television, global media studies, and beyond.

"Pictures of Slavery in Church and State" written by a minister of the Methodist Episcopal Church and a leading U.S. abolitionist at the time, John Dixon Long (1817 – 1894), is considered to be one of the most influential readings in abolitionist circles. Dixon debated in his book the issue of slavery, breaking the silence on what was openly discussed as hypocrisy and cowardice of the Methodist religious hierarchy, given their founders' adamant prescriptions against slavery in the early doctrines of the Methodist Episcopal Church. Contents: What Is Southern Slavery, and Who Are Slaves Methodist Episcopal Church and Slavery The Conference Report The Mischievous Colt Abolitionist Love of Military Titles Going in Debt Aunt Phillis Popular Preachers in the South Rum and Slavery The Wicked Slave The Foreign Slave-trade The Great American Republic Tobacco and Slavery Slavery and Novels The Baltimore Conference Slavery and White Labor Maryland Hospitality Personal Incidents The Fourth of July A Dying Babe in Jail Testimony of John Wesley Against Slavery

This eBook edition of "The Pictures of Slavery in Church and State" has been formatted to the highest digital standards and adjusted for readability on all devices. "Pictures of Slavery in Church and State" written by a minister of the Methodist Episcopal Church and a leading U.S. abolitionist at the time, John Dixon Long (1817 – 1894), is considered to be one of the most influential readings in abolitionist circles. Dixon debated in his book the issue of slavery, breaking the silence on what was openly discussed as hypocrisy and cowardice of the Methodist religious hierarchy, given their founders' adamant prescriptions against slavery in the early doctrines of the Methodist Episcopal Church. Contents: What Is Southern Slavery, and Who Are Slaves Methodist Episcopal Church and Slavery The Conference Report The Mischievous Colt Abolitionist Love of Military Titles Going in Debt Aunt Phillis Popular Preachers in the South Rum and Slavery The Wicked Slave The Foreign Slave-trade The Great American Republic Tobacco and Slavery Slavery and Novels The Baltimore Conference Slavery and White Labor Maryland Hospitality Personal Incidents The Fourth of July A Dying Babe in Jail Testimony of John Wesley Against Slavery