Bad girl Bianca Coltrane has always skated by on her face. Beautiful and with a body to die for, everything she's ever wanted in life has fallen into her lap. Until, that is, a major crisis destroys her comfortable existence and makes her realize that character and integrity are more important than a great body. If she's going to become truly happy, she must learn the value of family and genuine love.

Joe Di Bona has led a charmed life. In this account of his early travels, we see Joe adjusting happily to European mores as he wanders for two years in France and Italy. Twenty-six photos and color drawings from his journal.

This book marks the first time that the poetry of Curtis Wayne Parris appears in print. The poems were selected to showcase Parris’ mastery of verse and provide readers with a broad range of poetic styles from Parris’ diverse catalog. Readers should be advised—and forewarned—that they are about to enter into a world of hauntingly beautiful prose and verse that spans the spectrum of human emotion, from zeniths of bliss to nadirs of sorrow. In his cosmic meanderings, Parris wanders through psychedelic dreamscapes of sublime beauty but also descends into the deepest gorges of despair. Through linguistic alchemy, Parris skillfully blends subject, sound, syntax, and syncopation to create naturally rhythmic poems charged with pure emotion. Blessed with a gift for alliteration and cadence, Parris uses simple, everyday words to convey the most intimate and horrifying details of his life. Parris does not seek exposure nor notoriety, for he lives in a world of night, of moonscapes and shadows. Instead, Parris writes because he has a tempest inside. Parris injects metaphysical concepts into his poems, frequently traveling through time, space, and other dimensions as he explores the mysterious universe within his mind. In these respects, his poems can touch upon ancient nerves; for we are all, to some degree or another, just fellow travelers in time, journeying through life, seeking solace, and awaiting final destinations. Into this abstract poetic tapestry, Parris weaves his observations on life, death, religion, and politics. Come along and take a journey through the land of dreams.

Eliza Carthy is the daughter of Martin Carthy and Norma Waterson. The clan has often been rightly described as folk's royal family. Martin was in Steeleye Span, Albion Dance band and the Watersons as well as holding down a successful solo career. Norma was a member of the Watersons folk group. Perhaps it was inevitable that Eliza would follow the family trade and become a folk musician. She is no pale imitator though, and can play just about any stringed instrument like a virtuoso, though amazingly she underrates herself. This self- doubt seems at odds with the public persona of a brassy northern lass, who has sometimes been described as 'difficult' (though not in our experience). Her albums are exceptional slices of traditional and new folk, but the stage is her natural home, enthralling audiences with a blend of folk, jazz, rock and music hall. 2011 saw her win two out of the three categories she was nominated for in the Radio 2 British Folk Awards, to swell an already bulging trophy cabinet. At 35 years of age it seems apt to chronicle the first half of an eventful life. In addition to extensive interviews with Eliza herself, the book contains interviews with her parents and other family members and also many of the people Eliza has worked with: Billy Bragg, comedian Stewart Lee, Richard Thompson Vandyke Parkes and many more were fulsome in their praise of Eliza when interviewed. She has toured America with Joan Baez. Eliza has an extensive collection of photographs that people have taken of her and she has been exceptionally generous in letting us use them.

Written primarily for pastors and ministry leaders in seasons of transition, The Wayward Way is the thirst-quenching encouragement needed for those longing to find their way back to purpose in the ministry. The relevant examples of wandering aimlessly in ministry, coupled with biblical principles and personal insights, offer inspiration to view the transitional seasons of ministry as opportunities for exploration. It’s time to find your way out of the wilderness and embrace the purposes God has for those called to ministry.

"Andrew Walker is one of the most remarkable scholars I have met across the years." - William J. Abraham This "miscellany" puts readers around the table with a teacher who has provided the church with wisdom and passion and introduces a new voice to the ongoing conversation about the relationship between the gospel and culture. Andrew Walker's ''ecclesial intelligence'' and broad interdisciplinary approach to theology and sociology will undoubtedly capture the imagination of many who are curious about the church's mission in the modern West. Notes from a Wayward Son represents a broad sampling of Walker's writings from a distinguished forty-five-year career--from explorations of Pentecostalism and Charismatic Renewal to Eastern Orthodoxy, C.S. Lewis, and Deep Church; from the impact of modernity on the ecclesia to mission and ecumenism in the West today. In a world and a church often driven by the latest fashions, Walker's is a voice to which we will want to listen!

With enthusiasm in music, drama, reading classic literature, and being a journalism student and school newspaper reporter, I started my interest in writing poetry. But as always, life gets in the way, and I didn’t get truly started till the mid to late 1990s. In 2019, I began again, including a section of short stories. My poetry consists of godly influencers, loneliness with a cynical emphasis, and philosophical writings with a sardonic twist. Thank you for the look-see. Enjoy and God bless one an all.

Writing case records was central to the professionalization of social work, a task that by its very nature "created clients, authorities, problems, and solutions." In Tales of Wayward Girls and Immoral Women, Karen W. Tice argues that when early social workers wrote about their clients they transformed individual biographies into professional representations. Because the social workers were attuned to the intricacies of language, case records became focal points for debates on science, art, representation, objectivity, realism, and gender in public charity and reform. Tice uses 150 case records of early practitioners from a number of reform organizations and considers myriad books on the specifics of case recording to analyze the competing models of record-keeping, both in the field and outside it. "An original and important study, this is the first major work I know of to carry out a contextual analysis of case records and to discuss the role case records have played in the development of social work." -- Leslie Leighninger, author of Social Work, Social Welfare, and American Society

Though The Three Wayward Sea Story has its own strength and the adventurous structure of his own life. Though it is the life of the whole world. For it is a three-short-story novel. The memories of the moments everyone could capture as reality and make-believe. The book The Three Wayward Sea Story. One is the greatness of all. Though they do come together, that is great too. As the day is great, bright, and ready for tomorrow. For the lost would be found. The cold and lonely will find the warmth and the other someone to love and to cherish. As the day has ended, tomorrow is soon at hand.