We Are at War: Book 3 The Battle between Christianity and Secularity Experience of the Nation of Odom takes up the warfront of Christianity and Secularity which is a major warfront in the world today. This war is the result of Satans use of its human agents of Atheists, Intellectuals and others in Secular Governance to create conflicts between Christian and Secular Authorities. Accordingly, the book views a Fictional example in the nation of Odom to show how the Christian and Secular Authorities can co-operate to fight Satan, their common enemy and establish the Good Pillars of Governance that Christ introduced to sustain Democratic systems Governance.

Why We Are at War by the University of Oxford's Faculty of Modern History delves into the complexities of warfare, exploring the historical, political, and social factors that contribute to conflicts. The book showcases a meticulous research method and a scholarly writing style, offering readers a comprehensive analysis of the reasons behind war throughout history. The content is enriched with primary sources and critical perspectives, providing a well-rounded view of the subject within its literary context. The book serves as a valuable resource for students and academics studying modern history and international relations. The University of Oxford's Faculty of Modern History is renowned for its expertise in the field, with scholars who have dedicated their careers to studying and teaching about war and conflict. Their collective knowledge and passion for the subject shine through in Why We Are at War, offering readers an insightful and thought-provoking exploration of a complex topic. The author's academic background and research experience lend credibility to the content, making it a reliable source for anyone interested in understanding the motivations behind warfare. Recommended for history enthusiasts, students, and academics alike, Why We Are at War provides a deep dive into the reasons for conflict throughout history. The book's thorough analysis and compelling narrative make it a must-read for those seeking a comprehensive understanding of the driving forces behind human conflict.

Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

We Are a College at War weaves together the individual World War II experiences of students and faculty at the all-female Rockford College (now Rockford University) in Rockford, Illinois, to draw a broader picture of the role American women and college students played during this defining period in U.S. history. It uses the Rockford community’s letters, speeches, newspaper stories, and personal recollections to demonstrate how American women during the Second World War claimed the right to be everywhere—in factories and other traditionally male workplaces, and even on the front lines—and links their efforts to the rise of feminism and the fight for women’s rights in the 1960s and 1970s.

Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

1917. Wilson's messages to the Congress including his Proclamation of War and his message to the American people. Contents: A World League for Peace; The Severance of Diplomatic Relations with Germany; Request for a Grant of Power; We Must Accept War; A State of War; and Speak, Act, and Serve Together.

We Prisoners of War: Sixteen British Officers and Soldiers Speak from a German Prison Camp, first published in 1941, is a collection of brief essays written by POWs held in Germany during the early days of World War II. As noted in the Preface: Two years after the outbreak of hostilities, more than four million men are prisoners of war. They are living behind barbed-wire fences in all parts of the world ... What thoughts are in the minds of these captured men? We Prisoners of War is a partial answer to this question. These sixteen essays were originally submitted in an essay contest suggested by a Y.M.C.A. secretary who visits the camps regularly. They were not intended for publication or the eyes of the censor. Because of their unique insight into the minds of those facing despair “in a sea of stagnant idleness,” they are being printed in the interest of the prisoners themselves. Although these prisoners are shut in behind barbed wire in southern Germany, it is interesting to note the influence upon their thoughts of the life of the villages outside the wire. A bright carpet in a cottage, the visitors in the local beer garden, the glorious view of the Alps as seen through the barred windows, as well as the clanging of the church bells, the singing of the birds, and the memory of the young choirmaster, Mozart, who lived there—these are the prisoner's food for thought.