The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

This text is a brief yet comprehensive survey of the Third Reich based on current research findings and it is written for students and general readers who want a deeper understanding of this period in German history. It provides a balanced approach in examining Hitler's role in the history of the Third Reich and includes coverage of the economic, social, and political forces that made the rise and growth of Nazism possible; the institutional, cultural, and social life of the Third Reich; the Second World War; and the Holocaust. Hallmark Features An in-depth portrait of Adolf Hitler, the man and the leader--Coverage includes the influences on his early development, his character traits, his oratorical skills, his messianic pretensions, and an analysis of his ideology based on quotations from his writings and speeches. A thorough examination of the Holocaust--Includes coverage of anti-Semitism in Germany, Hitler's personal racial ideology and vision of Aryan purity, the mechanisms of terror and control, and the machinery of the Final Solution. The Jewish perspective is woven throughout this coverage. Engaging coverage of the following topics: Anti-Jewish policies and the involvement of ordinary Germans in the Holocaust The political scene in Weimar Germany The role of Gregor Strasser in rebuilding the Nazi Party Walter Darré and "Blood and Soil" The internal consolidation of power Party-state relations Early Nazi economic policy The SS and the military between 1933-1939 Provides the most up-to-date research. Pedagogical Features Student Pedagogy--Includes maps, photos, bibliographies, and suggestions for further reading. David Redles, Associate Professor of History at Cuyahoga Community College, contributed his expertise to the latest revision by revising and updating the text in accordance with the most recent scholarship in the field. Coverage of World War I has been reorganized to improve flow. Includes a substantial amount of NEW coverage of cultur.

In 1922, the German nationalist writer Walter Bloem (1868-1951) published "Die Brüderlichkeit" ("Brotherhood"), a political novel strongly opposed to racism, antisemitism, and extremism. The novel aroused passionate controversy: nationalist leaders rejected his philosemitism and viewed him as a renegade; liberals and socialists hailed his stand against antisemitism but rejected his conservatism and nationalism; Jews welcomed his stand but were troubled by Bloem's perpetuation of central aspects of the antisemites' image of the Jew. Discusses the origins of Bloem's philosemitism and his moral decline and subsequent support for Nazi "völkisch" ideology. In 1938 he joined the Nazi Party, he propounded National Socialist doctrine, and accepted without protest the Nazis' persecution of the Jews.

The "Pariser Tageblatt" was the newspaper of the German refugee colony in Paris. Its editor, Georg Bernhard, was a Jew, as were the publisher and most of the contributors. Nazi German propaganda characterized the "Tageblatt" as Jewish, liberal, cosmopolitan, and corrupt, and accused it of stirring up hatred for Germany. The "Tageblatt" originated in the Weimar left-liberal press, most of whose journalists fled to France after February 1933. It was founded in December 1933 with the help of Russian and Polish Jews, led by Wladimir Poliakov. By 1934, the initial French welcome had turned to hostility due to antisemitism, the economic crisis, and fear of diplomatic complications. In 1936 Bernhard and his associates took over the paper. The successor of the "Tageblatt, " the "Pariser Tageszeitung, " became enmeshed in political feuds and financial problems, and Bernhard left in 1938. Most of its contributors were interned on the outbreak of war, generally managing to escape to the USA. When the Germans occupied Paris, the archives were sent to Berlin.