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An indispensable formulary in psychopharmacology, completely revised to reflect the most current practice in the use of psychotropic drugs.

'This time show us like we really are!' This mandate from Do-a Clara, homemaker-market merchant in the community of TepoztlOn, makes explicit the dimensions of this concertedly empirical, multidisciplinary study of women's ways of using a neoliberal development model that systematically disadvantages them to create value and values. Members of one of the first New World populations to have their labor globally feminized, into the twenty-first century, Tepoztecas have continuously contrived to adjust organizationally to production-reproduction systems that use gender inequalities to be global. The many faceted work experiences and broad academic interests of the anthropologist/author uniquely equip her to demystify and give a history to women's work during the period of 1990 to 2000, a time of great transformation for Tepoztecas on the frontlines of massive economic, social, and political challenges for stakeholders. The 'strange reciprocity' disaggregated as worksite exchanges of valued things is women's ways of turning to their advantage the very ideologies and technologies that simultaneously make them central to Free Market capitalism while constraining their access to resources that can be exchanged at prices set by and for awesomely powerful interests_or not. Nevertheless, Strange Reciprocity qualitatively and quantitatively confirms that as Tepoztecas construct small economies against the grain of what take over agendas seem to have in mind for them, they are structurally adjusting the big economies of the winners.

Through the lens of the everyday, this book explores ’the countryside’ as an inhabited and practised realm with lived rhythms and routines. It relocates the topography of everyday life from its habitually urban focus, out into the English countryside. The rural is often portrayed as existing outside of modernity, or as its passive victim. Here, the rural is recast as an active and complex site of modernity, a shift which contributes alternative ways of thinking the rural and a new perspective on the everyday. In each chapter, pieces of visual culture - including scrapbooks, art works, adverts, photographs and films - are presented as tools of analysis which articulate how aspects of the everyday might operate differently in non-metropolitan places. The book features new readings of the work of significant artists and photographers, such as Jeremy Deller and Alan Kane, Stephen Willats, Anna Fox, Andrew Cross, Tony Ray Jones and Homer Sykes, seen through this rural lens, together with analysis of visually fascinating archival materials including early Shell Guides and rarely seen scrapbooks made by the Women’s Institute. Combining everyday life, rural modernity and visual cultures, this book is able to uncover new and different stories about the English countryside and contribute significantly to current thinking on everyday life, rural geographies and visual cultures.