Frederick C. Beiser presents a study of the pessimism that dominated German philosophy from the 1860s to c. 1900: the theory that life is not worth living. He explores its major defenders and chief critics, and examines how the theory redirected German philosophy away from the logic of the sciences and toward an examination of the value of life.

"Types of Weltschmerz in German Poetry" is an analysis of the works by Goethe, Hoelderlin, and Lenau on the subject of weltschmerz. Weltschmerz is a term coined by the German author Jean Paul in 1827. It denotes the feeling that physical reality can never satisfy the demands of the mind and stands for an apathetic or pessimistic view of life, depression concerning or discomfort with the human condition or state of the world.

From creature features to indie horror flicks, find out what happens when sex, horror, and the religious imagination come together Throughout history, religion has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed—or, more commonly, how they must be hidden. Yet, we remain fascinated, obsessed even, by bodies that have left, or been forced out of, their “proper” place. The Forbidden Body examines how horror culture treats these bodies, exploring the dark spaces where sex and the sexual body come together with religious belief and tales of terror. Taking a broad approach not limited to horror cinema or popular fiction, but embracing also literary horror, weird fiction, graphic storytelling, visual arts, and participative culture, Douglas E. Cowan explores how fears of bodies that are tainted, impure, or sexually deviant are made visible and reinforced through popular horror tropes. The volume challenges the reader to move beyond preconceived notions of religion in order to decipher the “religious imagination” at play in the scary stories we tell over and over again. Cowan argues that stories of religious bodies “out of place” are so compelling because they force us to consider questions that religious belief cannot comfortably answer: Who are we? Where do we come from? Why do we suffer? And above all, do we matter? As illuminating as it is unsettling, The Forbidden Body offers a fascinating look at how and why we imagine bodies in all the wrong places.

For fans of Lemony Snicket's Series of Unfortunate Events and Trenton Lee Stewart's Mysterious Benedict Society, here comes the fifth book in the Incorrigible Children of Ashton Place, the acclaimed and hilarious Victorian mystery series by Maryrose Wood. Lord Fredrick Ashton may not feel ready to be a father, but with a little Ashton on the way, he's sure about one thing: the wolfish curse on his family must end soon, before the child is born. Penelope willingly takes on the challenge; when Lady Constance's doctor prescribes a seaside holiday, Penelope jumps at the chance to take the three Incorrigible children to Brighton, where she hopes to persuade the old sailor Pudge to reveal what he knows about the Ashton curse. But the Ashtons are not the only ones at the beach in January. The passionately temperamental Babushkinov family is also taking the winter waters. The Incorrigible children may have been raised by wolves, but the Babushkinov children are the wildest creatures they've ever seen. Is it more than mere coincidence that these untamed children have turned up in Brighton just as Penelope and the Incorrigibles arrive?