This book introduces Midrash both in general and through many examples of the kinds of Midrash that flourished among ancient Judaism. Neusner, as a preeminent authority on the subject, lays special emphasis upon the exegesis of Scripture produced by the Judaism of the dual Torah, oral and written.

Pirke de-Rabbi Eliezer represents a late development in “midrash”, or classical rabbinic interpretation, that has enlightened, intrigued and frustrated scholars of Jewish culture for the past two centuries. Pirke de-Rabbi Eliezer’s challenge to scholarship includes such issues as the work’s authorship and authenticity, an asymmetrical literary structure as well as its ambiguous relationship with a variety of rabbinic, Islamic and Hellenistic works of interpretation. This cluster of issues has contributed to the confusion about the work’s structure, origins and identity. Midrash and Multiplicity addresses the problems raised by this equivocal work, and uses Pirke de-Rabbi Eliezer in order to assess the nature of “midrash”, and the renewal of Jewish interpretive culture, during its transition to the medieval era of the early “Geonim”.

This two-part book traces the literary and historic study of the story of the 'Wooing of Rebekah' in the Hebrew Bible and its creative interpretations in Rabbinic Midrash. Part 1 treats such issues as the characterization of the narrative agents in the biblical story, the use of repetition as a narrative structuring device, and the question as to the roles of Rebekah and Isaac in this story as well as in the broader Isaac-Rebekah narratives. Part 2 follows several rabbinic interpretations of this story, dealing with, among other topics, the development of the motif of Rebekah's virginity in rabbinic aggadah and halakha as well as the reception of this theme in modern feminist studies of midrash. While treating these topics, this is at the same time a methodological inquiry into the dynamics of midrashic interpretation, treating rabbinic techniques such as 'gap-filling' and 'linkage', and its differences from modern biblical exegesis.

This volume is a study in ancient scriptural hermeneutics, that promotes new ways to think about Paul’s interpretation of scripture and rabbinic midrash together and for the benefit of both. It analyses exegetical techniques that both Paul and the Tannaim use and opens new perspectives on how they conceive of scripture and its ideal readers.

The Encyclopedia of Midrash provides a systematic account of biblical interpretation in Judaism. While emphasizing the Rabbinic literature, it also covers interpretation of Scripture in a number of distinct canons, ranging from the Targumic literature and Dead Sea Scrolls to the New Testament and Church Fathers. The Encyclopedia of Midrash provides readers with a depth and breadth of treatment of Midrash unavailable in any other single source. Through the writings of top scholars in each of their fields, it sets out the current state of the question for each of the many topics discussed in its pages. The print edition is available as a set of two volumes (9789004141667).

In The Origins of Midrash: From Teaching to Text, Paul Mandel presents a comprehensive study of the words darash and midrash from the Bible until the early rabbinic periods (3rd century CE). In contrast to current understandings in which the words are identified with modes of analysis of the biblical text, Mandel claims that they refer to instruction in law and not to an interpretation of text. Mandel traces the use of these words as they are associated with the scribe (sofer), the doresh ha-torah in the Dead Sea scrolls, the “exegetes of the laws” in the writings of Josephus and the rabbinic “sage” (ḥakham), showing the development of the uses of midrash as a form of instruction throughout these periods.

An impressive array of the leading names in the field have together produced a volume that seeks to open a new period in the study of Midrash and its creative role in the formation of culture. With a comprehensive introduction that situates Midrash in its historical and rhetorical setting and provides the context for a detailed consideration of different genres and applications, it should interest all scholars of Jewish studies as well as a wider readership interested in how a classical genre can inspire new creativity.

The Midrash: An Introduction sets forth the way in which Judaism reads the Hebrew Bible. In this masterful presentation, the reader is introduced to the classics of Jewish Bible interpretation, with special attention to the way in which the ribbis of Talmudic times read the Pentateuch, the Book of Ruth, and Song of Songs. The seven Midrash compilations are introduced with a lucid account of their main points, accompanied by selections that give the reader a direct encounter, in English, with the Bible as Judaism understands it. The word midrash, based on the Hebrew root DaRaSH (“search”), means “interpretation” or “exegesis.” Midrash also more formally refers to the compilations of such interpretations of Scripture. As Dr. Jacob Neusner explains, these compilations “reached closure and conclusion in the formative stage of Judaism, that is, the first seven centuries of the Common Era, the time in which the Mishnah (ca. 200), Talmud of the Land of Israel (ca. 400), and Talmud of Babylonia (ca. 600) were written.” Midrash is not so much about Scripture as it is a subordinate part of Scripture: “They did not write about Scripture,” Dr. Neusner says. “They wrote with Scripture … much as painters paint with a palette of colors.” The Midrash: An Introduction is the second volume in Dr. Jacob Neusner’s series of introductory volumes on classical rabbinic literature. As with the first volume – The Mishnah: An Introduction – this book offers the layperson a concise description of the religious literature and, drawing on Dr. Neusner’s own translations of the texts, walks readers through the selections, providing them with firsthand experience with the document itself. As Dr. Neusner says in his preface to The Midrash: An Introduction, “In these pages I mean to make it possible for readers to know one such compilation from the other and so to begin studying their own.”

Searching for Meaning in Midrash explores the fascinating body of Jewish literature called Midrash--creative interpretations of the Bible that are designed to reveal hidden or deeper meaning in Scripture. Each of the over 50 midrashim sit next to its corresponding biblical text so that readers can compare them, along with commentary on the times and insights of the Rabbis who wrote each midrash. Readers are given guidance for answering "What does this text mean to me?"