“What Is Narratology?” sees itself as contributing to the intensive international discussion and controversy on the structure and function of narrative theory. The 14 papers in the volume advance proposals for determining the object of narratology, modelling its concepts and characterising its status within cultural studies.

Reflecting on the twenty-fifth anniversary of Alan Culpeppera (TM)s milestone Anatomy of the Fourth Gospel (1983), Anatomies of Narrative Criticism explores current trends in the study of the Gospel of John as literature. The contributors to the volume represent a wide range of methodological approaches that all explore ways that contemporary readers generate meaning from Johna (TM)s story of Jesus. The book includes an introduction to narrative-critical studies of John; essays on specific themes and passages that focus on interpretation of the text, history of research, hermeneutical approaches, and future trends in research; and a reflective response from Alan Culpepper. Overall, the book seeks to trace the history and project the future of the study of the Bible as narrative. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org)

Deals with the occurrence and development of unreliable first-person narration in twentieth century Western literature. This work features articles that approach this topic both from the angle of literary theory and through a reading of literary texts from a variety of literatures, including French, Italian, German, British, Dutch and Polish.

A single-volume comprehensive introduction to English literature. Brings together 30 units of study, organized into three major parts: the basics of structure and criticism; chronology; and critical theories and perspectives. This is the first book to fill the gap between introductory studies of single authors, genres and periods, and standard references such as handbooks and glossaries. Students of English literature.

In Lands, Laws, and Gods, Daniel Gargola examines the formulation and implementation of laws regulating the use of public lands, including the establishment of colonies, in Republican Rome (509-27 B.C.). During this period of territorial expansion, the Romans developed the basic legal forms by which they governed captured land, and they constructed the processes and ceremonies by which those forms were translated into practice. Using agrarian law as a case study and focusing especially on rituals that both validated and gave structure to the administrative process, Gargola demonstrates the fundamental connections between religion, law, and government. Essential acts in the administration of agrarian legislation, such as the transfer of land from one party to another and the granting of contracts for public works, depended upon ritual formulas and gestures, often within the context of religious ceremonies. By recovering these formulas and their larger significance, Gargola reconstructs an important dimension of Roman life. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

â oeBlackâ British Aesthetics Today is a collection of twenty-four exciting critical and theoretical essays exploring current thinking about the hottest artistic, literary, and critical works now being produced by â oeblackâ Britons. This book features a number of chapters by the avant-garde â oeblackâ British novelists, poets, and artists themselves. It includes, for instance, aesthetic manifestos by Diran Adebayo, Anthony Joseph, Roshini Kempadoo, Sheree Mack, Valerie Mason-John, and SuAndi as well as key essays by globally renowned critics, including Amna Malik, Kobena Mercer, Lauri Ramey, Roy Sommer, and many others. As a compendium, this book represents a powerfully fresh intellectual current of thought. It provides readers with important insights into contemporary â oeblackâ aesthetics, and it includes an array of important clarifications initially voiced at the groundbreaking international symposium that took place on April 8, 2006, at Howard University in Washington, D.C., by outstanding new scholars in this burgeoning field of study: e.g., Kevin Etienne-Cummings, Valerie Kaneko Lucas, Michael McMillan, Magdalena Maczynska, Courtney Martin, Jude Okpala, Deirdre Osborne, Koye Oyedeji, Meenakshi Ponnuswami, Sandra Ponzanesi, Andrene M. Taylor, Samera Owusu Tutu, and Tracey Walters. The authors contextualise contemporary â oeblackâ British aesthetics in relation to the African, African American, and Postcolonial aesthetic traditions; they explore an exciting array of critical theories, trends of feeling, and lively aesthetic movements thriving today in â oeblackâ Britain; and they examine and assess embodied aesthetics at play in a wide range of specific works by todayâ (TM)s most brilliant â oeblackâ British novelists, poets, photographers, live performance artists, dramatists, architects, musicians, graphic artists, and cinematographers.

This collection of essays discusses various perspectives on narratology. Well-known scholars in the field such as Gerald Prince and F. K. Stanzel focus on central concepts such as the narrative moment and free indirect discourse. Other essays consider famous narratological problems, for example the question of narrative levels and the narrating instance. Together these essays present some of the most recent thoughts on a subject which is becoming crucial for anyone interested in literary theory and semiotics.

This book explores the cultic-military functions of the tabernacle in the biblical narrative from the exodus to the conquest. Previous studies in this area have focused almost exclusively on the 'cultic' functions of the tabernacle and have been confined to a limited range of texts (Exodus 25-31; 35-40). The originality of this book is that it discusses a much more extensive range of material. Insights drawn from this broader perspective highlight the tabernacle's role in the military domain. The Tabernacle in the Narrative History of Israel from the Exodus to the Conquest is a distinct addition to knowledge of a much-neglected area of Old Testament research.