One of the enduring traditions of Western literary history, pastoral is often mischaracterized as a catchall for literature about rural themes and nature in general. In What Is Pastoral?, distinguished literary historian Paul Alpers argues that pastoral is based upon a fundamental fiction—that the lives of shepherds or other socially humble figures represent the lives of human beings in general. Ranging from Virgil's Eclogues to Sarah Orne Jewett's The Country of the Pointed Firs, from Shakespeare and Cervantes to Hardy and Frost, this work brings the story of the pastoral tradition, previously limited to classical and Renaissance literature, into the twentieth century. Pastoral reemerges in this account not as a vehicle of nostalgia for some Golden Age, nor of escape to idyllic landscapes, but as a mode bearing witness to the possibilities and problems of human community and shared experience in the real world. A rich and engrossing book, What Is Pastoral? will soon take its place as the definitive study of pastoral literature. "Alpers succeeds brilliantly. . . . [He] offers . . . a wealth of new insight into the origins, development, and flowering of the pastoral."—Ann-Maria Contarino, Renaissance Quarterly

Pastoral was one of the most popular literary forms of early modern England. Inspired by classical and Italian Renaissance antecedents, writers from Ben Jonson to John Beaumont and Abraham Cowley wrote in idealized terms about the English countryside. It is often argued that the Renaissance pastoral was a highly figurative mode of writing that had more to do with culture and politics than with the actual countryside of England. For decades now literary criticism has had it that in pastoral verse, hills and crags and moors were extolled for their metaphoric worth, rather than for their own qualities. In What Else Is Pastoral? Ken Hiltner takes a fresh look at pastoral, offering an environmentally minded reading that reconnects the poems with literal landscapes, not just figurative ones. Considering the pastoral in literature from Virgil and Petrarch to Jonson and Milton, Hiltner proposes a new ecocritical approach to these texts. We only become truly aware of our environment, he explains, when its survival is threatened. As London expanded rapidly during the sixteenth and seventeenth centuries, the city and surrounding rural landscapes began to look markedly different. Hiltner finds that Renaissance writers were acutely aware that the countryside they had known was being lost to air pollution, deforestation, and changing patterns of land use; their works suggest this new absence of nature through their appreciation for the scraps that remained in memory or in fact. A much-needed corrective to the prevailing interpretation of pastoral poetry, What Else Is Pastoral? shows the value of reading literature with an ecological eye.

Where may we go to find answers to questions concerning how a church is supposed to function, the qualifications of church officers, the priorities of pastoral ministry, the role of females in the church, the importance of the Christian home, and the biblical pattern of church government? The New Testament canon contains three personal letters penned by the apostle Paul addressing these, and many other, questions. The Pastoral Epistles to Timothy and Titus contain pastoral and ecclesiastical counsel for the church in all ages. Great encouragement and guidance for gospel ministers is here. And, for the church that seeks to conform to Scripture more than cultural trends, the Pastoral Epistles contain indispensable wisdom.

An overview of recent trends in scholarship on the Pastoral Epistles.

Sixteen church historians here examine Martin Luther in an uncommon waynot as Reformer or theologian but as pastor. Luther's work as parish pastor commanded much of his time and energy in Wittenberg. After first introducing the pastoral Luther, including his theology of the cross, these chapters discuss Luther's preaching and use of language (including humor), investigate his teaching ministry in depth, especially in light of the catechism, and explore his views on such things as the role of women, the Virgin Mary, and music. The book finally probes Luther's sentiments on monasticism and secular authority. Contributors: Charles P. Arand James M. Estes Eric W. Gritsch Robert Kolb Beth Kreitzer Robin A. Leaver Mickey L. Mattox Ronald Rittgers Robert Rosin, Reinhard Schwarz Jane E. Strohl Christoph Weimer Dorothea Wendebourg Timothy J. Wengert Vftor Westhelle H. S. Wilson