The John Edwards–Rielle Hunter affair made headlines for years. "One of the biggest political scandals of all time," "a fall from grace," "a modern-day tragedy"—it's a story that has been reported, distorted, and spun over and over again by the media, by political aides, by the U.S. government, by supposed friends. However, there is someone who actually knows the truth, someone who lived it from day one—the woman at the heart of the story itself: Rielle Hunter. In the New York Times, Wall Street Journal, and Publishers Weekly bestseller What Really Happened, Hunter offers an extremely personal account of her relationship with John Edwards: the facts of how they actually met, how their accidental love started and escalated, what it was like to fall in love with a married man who decided to run for president, the surprise of becoming pregnant during the campaign, how the affair became public, the extensive cover-up, and finally, what happened in the years after Edwards publicly admitted to being the father of their daughter, Frances Quinn. Meet Edwards's political players and get an intimate look at how they really operated. Learn about the evolution of "friends," enablers, and do-gooders, their involvement with the affair and Edwards's 2008 presidential campaign, and where the money from Rachel "Bunny" Mellon and Fred Baron actually went. This book doesn't spin the truth to achieve a prettier picture or a better story. It isn't about changing anyone's mind. It's simply the facts, the truth of what really happened.

100 classic tales from the master of Bengali short fiction 'Banaphool's love of precision and economyof words, his eye for the apparently insignificant detail give us a sudden glimpse of the human condition ' -Nabaneeta Dev Sen Translated into English for the first time, these stories by legendary writer Banaphool cleverly explore how life's absurdities are negotiated through human relationships- whether between friends,lovers family or strangers. In the title story, a lovelorn boy waits earnestly in his hostel room for the arrival of his beloved, only to be greeted by a rude shock. The fickle nature of love is at the centre of 'Conjugal Dreams' , as two newlyweds confront their old loves. 'The Homecoming' is about an isurance agent's encounter with a most unexpected co-passenger while travelling home by train for Durga Puja. And a harmless wager leads to very dramatic consequences in 'The Corpse'. These sparkling vignettes are moulded out of the everyday, and range from poignant and tragic to whimsical and satirical. Reminiscent of the effortless prose of O. Henry, Banaphool's stories conjure up a host of enduring characters while making sharp observations about the human condition.

There are stories about the woods around Salvation Creek and the people who have gone missing. Now their friend is one of them. A riveting, fast-paced YA mystery told entirely through first person police interviews of four teens over the course of a few hours. It was all her idea. They would get away from their parents and spend the weekend camping. Down by Salvation Creek, the five of them would make smores, steal kisses, share secrets. But sometime around midnight, she vanished. Now the four friends who came back are under suspicion—and they each have a very different story to tell about what happened in the woods. The clock is ticking. What are they hiding? Who is lying? Dark truths must come to light if their friend is to be found... Told entirely through first-person police interviews, this riveting mystery asks: what really happened that night? Perfect for: Fans of Holly Jackson and Jennifer Lynn Barnes Mysteries and police procedurals People looking for young adult books best sellers Also by Chelsea Sedoti: The Hundred Lies of Lizzie Lovett As You Wish It Came from the Sky Praise for Chelsea Sedoti: "Easy to read and hard to put down."—VOYA on As You Wish "A dark, comedic mystery about a girl's quest for proof that ultimately helps her discover some truths about herself." —Justine on The Hundred Lies of Lizzie Lovett "[A] quirky, intelligent novel." —Booklist on It Came from the Sky

A mysterious woman draws Mike Shayne into a twisted murder plot The call comes just as Mike Shayne is pouring a much-needed cognac. A gangster’s voice warns, “Stay away from Wanda Weatherby.” Simple enough—except that Shayne has never heard of any woman by that name. A few minutes later, he receives another call, from a woman desperately worried about Wanda Weatherby. A third call then comes in from the woman herself: Wanda Weatherby begs Mike Shayne to save her life. He drives to her apartment, hoping that she’ll be able to explain just what is going on, but he’s too late. Wanda Weatherby is dead. Just who she was, and why every criminal in Miami seemed to know her name, will take some figuring out. By the time he’s done with this mystery, Mike Shayne will wish he had never picked up the phone. What Really Happened is the 22nd book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.

The Gospel Miracles examines the thirty-five miracles performed by Jesus, as reported in the four Gospels. The objectives are firstly to try and determine what really happened at the time they were enacted and, secondly, to see if it is possible to explain them. This exercise is neither an attempt to deny miracles, nor to blindly accept the accounts as inerrant, but it is an unbiased attempt to arrive at the truth. The findings conclude that sometimes there are possible naturalistic or simple alternative explanations to a supernatural one. However, this does not discount the possibility that Jesus employed natural means at the right time for the right reasons. The Gospel Miracles concludes with a summary of some more modern reports of miraculous events.

From the beginning of time, thinkers have puzzled over the paradox of fate vs. Free will. In theological terms, this leads to the struggle between Calvinism and Arminianism. As we explore this paradox we find that examining the fruit of each position reveals that the River of Life seems to flow between these two extremes, and that again, truth involves a careful balance. We hear a lot about the "Sovereignty of God": and the prerogatives of our Creator are pretty obvious. As the children's riddle goes, "Where does the gorilla sleep in the forest?" "Anywhere he wants to." And, as most of you have discovered, He has also given us one of His greatest treasures - His Word. Jealous as He is of His Name, Psalm 138:2 highlights: "...for thou hast magnified thy word above thy name." And indeed, God has declared in detail the responsibilities He desires of His people. The Bible lays out just how He desires to be worshipped, etc. Beyond the mysteries associated with the "sovereignty of God" - and the libraries are full of studies on that subject - there emerges what is, to many of us, an even more troubling mystery: The Sovereignty of Man! Internationally recognized Biblical authority, Chuck Missler, explores the fundamental paradox underlying our ultimate destiny.

Wherever we turn these days, we encounter reminders of the sixties. They're invoked in presidential campaigns, American military actions, and outbursts of mass protest. We're bombarded with media-saturated anniversaries of iconic events, from JFK's inauguration (and assassination) to urban riots and Woodstock. But as Edward Morgan suggests, these references offer little more than an endless stream of distracting imagery that has more to do with today's politics and economics than with the reality of yesterday's social movements. In his provocative look at mass media's connection with those turbulent years, Morgan simultaneously seeks to explain what happened in the 1960s and what happened to how we remember it. His comprehensive overview and critical analysis reveal how the mass media have shaped the popular image of a raucous decade in ways that have curtailed its promise of democracy. Morgan's in-depth study of sixties social movements and their depictions in corporate America's print media, film, and television helps to explain why the past still provokes deep emotions-even antagonism-half a century later. He blends history, sociology, political science, media and cultural studies, and critical theory to explain why the 1960s have been so virulently targeted, particularly by critics on the right who blame today's self-indulgent culture on baby boomers and "sixties permissiveness" instead of the real culprits: consumer-driven capitalism and neoliberal politics. Emphasizing the tensions between capitalism and democracy, Morgan investigates the fate of democracy in our media-driven culture, first by examining the ways that the 1960s were represented in the media at the time, then by exploring how popular versions of the sixties have glossed over their more radically democratic qualities in favor of sensationalism and ideological constructions. He reminds us of what really happened-then shows us how the media trivialized and satirized those events, co-opting and commercializing the decade's legacy and, in doing so, robbing it of its more radical, democratic potential. By revisiting this chapter of the past, Morgan shows that it has much to tell us about where we are today and how we got here. Whether you lived through the sixties or only read about them—or only saw Hollywood's version of them in Forrest Gump—this book will put their lessons in clearer perspective.

As a fictional work, this novel is used by the author to describe what could have or may have happened in the events of Hurricane Katrina. Daniel, the main character, is left behind in New Orleans with this three brothers and mother who all live in a poor section of the city. Like many in the Big Easy, his family does not evacuate. In the novel, Daniel appears to be smarter than the rest of his family. During the night before Katrina makes landfall, Daniel has dreams. In these dreams, certain things are revealed to the main character that really frightens him. He believes that the dreams are unreal, but then he finds logic in them. These dreams tell Daniel about his home state and the truth about what really happened in New Orleans and Louisiana. Moreover, throughout the novel, Daniel finds himself afraid of the future and the possible outcome of Katrina. He also comes to realize that certain things in his state are not what they seem. Daniel then finds out certain themes in his home state and is not pleased.

Think You Know Everything about the Lincoln Assassination? Think Again. After 150 years, many unsolved mysteries and enduring urban legends still surround the assassination of Abraham Lincoln by the popular stage actor John Wilkes Booth. In a new look at the case, award-winning history author Robert J. Hutchinson (The Politically Incorrect Guide to the Bible) explores what we know, and don’t know, about what really happened at Ford’s Theatre on the night of April 14, 1865. In addition, he argues that the deep-seated political hatreds that roiled Washington, D.C., in the final weeks of the Civil War are particularly relevant to our own polarized age. Among the tantalizing questions Hutchinson explores are: * Did the Confederacy have a hand in the assassination plot? * Who were Booth’s secret accomplices, and why did he change the plan from kidnapping to assassination? * Why was it so easy for Booth to walk into the president’s box to shoot him? Where were the guards? * How did Booth evade the largest manhunt in U.S. history for nearly two weeks despite being unable to walk? * Who gave the order to shoot Booth in the Garrett barn—and what happened to his body? Drawing upon both primary sources and the best recent historical research, What Really Happened: The Lincoln Assassination separates established facts from mere conjectures—and is the one book to own if you want to know “what really happened.”

Dear readers, When I wrote What Really Happened I was still very raw from the firestorm that my life had become due to my unwise decision to have an affair with John Edwards, a married man. I realize now what I have never admitted before. I behaved badly. That may strike you as obvious, but it's taken me a long time to admit this, even to myself. I was attacked so often, and so viciously, that I felt that I was the victim. I felt hurt, and betrayed, and somehow that justified my actions. But of course all of the attacks and all of the betrayal were beside the point. The point is … I behaved badly. And the release of What Really Happened didn't help. When I look back at this book that I wrote, I want to throw it out and start again. But instead of attempting to erase my mistakes, I am now owning them. I've annotated the original book. Typos have been corrected but not a word has been changed, not even words that cause me to cringe when I reread them. Instead I have put notes throughout—notes that acknowledge what I couldn't when I wrote the book. Best, Rielle