When one world slipped away Is a special collection of poems and verse The memories of those you love. In the dying and loss, what is left, lies in the heart In the process of reflection, some of these thoughts I would like to share with you. This book is for everyone who felt their world changed too..... Matthew.B

It is in the relationships of Humankind, that there is hope That there is more than playing in the dust Squabbling over trivial things Paying no mind That there is more than this... Can you find what is Humankind? This is Thunderlight..... To touch the light that lay in my heart only I could know of Thunderlight In pasts, present and futures Long ago Matthew.B

The world is constantly slipping from our fingers like a lubed up soccer ball that never gets kicked in the goal. Every single person in the world is stopping the world from taking a breath of fresh air. It's the markets that drive us insane and up the walls to turn on each other. So why not learn to fight back in this inquisitive caveman wall painting of what thoughts will be? It's the beginning of a new language for English communicators. So take this blue print and make the world wholesome and whole. Force the dumb-dumbs to see things for what they are. Make them run on a hamster wheel to solve our electricity and pollution problems. Because in the end farting in a Walmart bag granted us the will to live. Look no further, I will provide you with this short but important book that serves as your gas mask. Because the truth is the world is just too stinky to breath in. So don't let the world slip away. Read this book and grab on with quality gloves that protect your human skin while providing the best possible traction imaginable.

This book is made up of twenty-three stories, each from a different author from across the globe. All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader. The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes. The members of the collective are: Elaine Chiew (Malaysia) Molara Wood (Nigeria) Jhumpa Lahiri (United States) Martin A Ramos (Puerto Rico) Lauri Kubutsile (Botswana) Chika Unigwe (Nigeria) Ravi Mangla (United States) Chimamanda Ngozi Adichie (Nigeria) Skye Brannon (United States) Jude Dibia (Nigeria) Shabnam Nadiya (Bangladesh) Petina Gappah (Zimbabwe) Ivan Gabirel Reborek (Australia) Vanessa Gebbie (Britain) Emmanual Dipita Kwa (Cameroon) Henrietta Rose-Innes (South Africa) Lucinda Nelson Dhavan (India) Adetokunbo Abiola (Nigeria) Wadzanai Mhute (Zimbabwe) Konstantinos Tzikas (Greece) Ken Kamoche (Kenya) Sequoia Nagamatsu (United States) Ovo Adagha (Nigeria) From the Introduction: The concept of One World is often a multi-colored tapestry into which sundry, if not contending patterns can be woven. for those of us who worked on this project, ‘One World’ goes beyond the everyday notion of the globe as a physical geographic entity. Rather, we understand it as a universal idea, one that transcends national boundaries to comment on the most prevailing aspects of the human condition. This attempt to redefine the borders of the world we live in through the short story recognizes the many conflicting issues of race, language, economy, gender and ethnicity, which separate and limit us. We readily acknowledge, however, that regardless of our differences or the disparities in our stories, we are united by our humanity. We invite the reader on a personal journey across continents, countries, cultures and landscapes, to reflect on these beautiful, at times chaotic, renditions on the human experience. We hope the reach of this path will transcend the borders of each story, and perhaps function as an agent of change. Welcome to our world.

A collection of story poems, some mystical, insightful and esoteric perspectives through the minds' eye.Titles include The Mystic, echoes, erosion of spirit, a message sent, I am the sea.Created in A4 size for ease of reading and for shar

Since the first classical ghost story was written, and since the unexplainable caught the imaginations of men, the mysteries of ancient Egypt have captivated the reading public in both fact and fiction. Non one who walks through the Egyptian exhibits of a museum can fail to be impressed by the immense number and complexity of the exhibits. What meanings lie hidden in that ageless heiroglyphic writing? What forbidden knowledge lurks behind the inscrutable eyes of Nephthys, Guardian of the Dead? What dreadful secrets are revealed when the seals around the lid of a sarcophagus are broken? Do the falcon-headed gods Horus and Set still walk the earth? Do the carnivorous fangs of the weird Anubis still seek the human blood. Does Mont, the macabre bull-headed god still hold sinister sway in forgotten corners of the Delta? The explorers who raided the timeless tomb at Luxor discovered to their cost, that an Egyptian curse was independent of time and space...

One of the most innovative composers of his generation, Mikel Rouse is known for a trilogy of operas that includes Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse’s high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists’ hardscrabble life while illuminating the unromantic truth that a project’s reception may depend on a talented cast and crew but can depend on reliable air conditioning. Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck.

A special book on poetry that reflects on mourning, death, divorce and the lost you.

While Said focused on the perceptions and stereotypes of the Near East “Oriental” in England, France and the United States, most of these essays study the decentering interplay between “peripheral” areas of the Third World, “semiperipheral” areas (Spain and Portugal since the second part of the seventeenth century), and marginalized social groups of the globe (Chicanos, African Americans, and Filipino Americans). They explore, for example, how China and the Far East in general are imagined and represented in Latin America and the Caribbean, or how ethnic minorities in the United States, such as Chicanos and African Americans, incorporate Filipino characters in their novels or creolize their music with Chinese influences. As the title of this book suggests, sometimes these “peripheral” areas and social groups talk back to the metropolitan centers of the former empires or look for their mediation, while others they avoid the interference of the First World or of hegemonic social groups altogether in order to address other “peripheral” peoples directly, thus creating rich “South-South” cross-cultural flows and exchanges. The main difference between the imperialistic orientalism studied by Said and this other type of global cultural interaction is that while, in their engagement with the “Orient,” they may be reproducing certain imperialistic fantasies and mental structures, typically there is not an ethnocentric process of self-idealization or an attempt to demonstrate cultural, ontological, or racial superiority in “South-South” intellectual and cultural exchanges. This way to de-center or to “provincialize” Europe—pace Dipesh Chakrabarty—disrupts the traditional center-periphery dichotomy, bringing about multiple and interchangeable centers and peripheries, whose cultures interact with one another without the mediation of the European and North American metropolitan centers.

This collection of poems are hauntingly beautiful.Poems reflecting the serving men and women of the security forces. For all Rhodesians who served their country, whether operationally or in a supporting role.For the families They too, bear the scars. It is of a generation.