Office copier folklore that regularly circulate in office buildings everywhere-is the subject of this innovative study.

Most of the world’s population now live in cities, but despite wide agreement on the core values of sustainable societies, municipalities are so busy solving current problems, they don’t have the time or resources to plan effective action for sustainability. The Key to Sustainable Cities uses the principles of system dynamics to demonstrate how today’s problems were yesterday’s solutions. The book points to a new approach to city planning that builds on assets as a starting point for cities to develop healthy social, governance, economic, and environmental systems. Gwendolyn Hallsmith has worked to build sustainable communities for over twenty years as a municipal manager, a regional planning director, and with the Institute for Sustainable Communities. She lives in Marshfield, Vermont.

"You can't unring a bell." "It takes a village to raise a child." "Life is just a bowl of cherries." We sometimes think of proverbs as expressions of ancient wisdom, but in fact new proverbs are constantly arising. This unique volume is devoted exclusively to English language proverbs that originated in the twentieth and twenty-first centuries. The most complete and accurate such collection ever compiled, The Yale Book of Modern Proverbs presents more than 1,400 individual proverbs gathered and researched with the help of electronic full-text databases not previously used for such a project. Entries are organized alphabetically by key words, with information about the earliest datable appearance, origin, history, and meaning of each proverb. Mundane or sublime, serious or jocular, these memorable sayings represent virtually every aspect of the modern experience. Readers will find the book almost impossible to put down once opened; every page offers further proof of the immense vitality of proverbs and their colorful contributions to the oral traditions of today.

Dictionary of Authentic American Proverbs offers a comprehensive reference guide for distinctly American proverbs. Compiled by Wolfgang Mieder, a key figure in the field of proverb studies, this compendium features nearly 1,500 proverbs with American origins, spanning the 17th century to present day, including a scholarly introduction exploring the history of proverbs in America, the structure and variants of these proverbs, known authors and sources, and cultural values expressed in these proverbs. Along with a comprehensive bibliography of proverb collections and interpretive scholarship, this dictionary offers a glimpse into the history of American social and cultural attitudes through uniquely American language.

What do “the whole kit and caboodle,” “the whole shebang,” “the whole megillah,” “the whole enchilada,” “the whole nine yards,” “the whole box and dice,” and “the full Monty” have in common? They’re all expressions that mean “the entire quantity,” and they’re all examples of the breadth and depth of the English-speaking world’s vocabulary. From the multitude of words and phrases in daily use, the author of this delightful exploration into what we say and why we say it zeroes in on those expressions and sayings and their variations that are funny, quirky, just plain folksy, or playfully dressed up in rhyme or alliteration. Some may have become clichés that, as it’s said with “tongue in cheek,” should be “avoided like the plague.” Others have been distorted, deemed politically incorrect, or shrouded in mystery and must bear some explanation. Among the topics the author delves into are expressions that shouldn’t be taken literally (“dressed to kill” and “kick the bucket”), foreign expressions that crept into English (“carte blanche,” “carpe diem,” and “que sera, sera”), phrases borrowed from print ads and TV commercials (“where there’s life, there’s Bud” and “where the rubber meets the road”), animal images (“a barrel of monkeys” and “chasing your tail”), and food and drink (“cast your bread upon the water,” “chew the fat,” “bottom’s up!”, and “drink as a lord”). Here’s a book for everyone who delights in the mysteries of language and the perfect gift for all the “wordies” in your life.

“A powerful and timely addition to the literature of rhetoric and folklore.” —Choice In 1860, Abraham Lincoln employed the proverb Right makes might—opposite of the more aggressive Might makes right—in his famed Cooper Union address. While Lincoln did not originate the proverb, his use of it in this critical speech indicates that the fourteenth century phrase had taken on new ethical and democratic connotations in the nineteenth century. In this collection, famed scholar of proverbs Wolfgang Mieder explores the multifaceted use and function of proverbs through the history of the United States, from their early beginnings up through their use by such modern-day politicians as Barack Obama, Hillary Rodham Clinton, and Bernie Sanders. Building on previous publications and unpublished research, Mieder explores sociopolitical aspects of the American worldview as expressed through the use of proverbs in politics, women’s rights, and the civil rights movement—and by looking at the use of proverbial phrases, Mieder demonstrates how one traditional phrase can take on numerous expressive roles over time, and how they continue to play a key role in our contemporary moment.

Why theatre now? Reflecting on the mix of challenges and opportunities that face theatre in communities that are necessarily becoming global in scope and technologically driven, In Defence of Theatre offers a range of passionate reflections on this important question. Kathleen Gallagher and Barry Freeman bring together nineteen playwrights, actors, directors, scholars, and educators who discuss the role that theatre can – and must – play in professional, community, and educational venues. Stepping back from their daily work, they offer scholarly research, artists’ reflections, interviews, and creative texts that argue for theatre as a response to the political and cultural challenges emerging in the twenty-first century. Contributors address theatre’s contribution to local and global politics of place, its power as an antidote to various modern social ailments, and its pursuit of equality. Of equal concern are the systematic and practical challenges that confront those involved in realizing theatre’s full potential.

This exciting novel about a young Air Force pilot on secret duty in Laos after the February 1973 cease-fire is based on actual historical events in that landlocked Kingdom. After the shoot down and capture of his best friend by the communist Pathet Lao, Brian Marshall, a raven FAC, devises and executes an unauthorized rescue attempt. However, it is more than just a war story. It is also the story of one man's attempt to overcome his own weaknesses and the political and bureaucratic obstacles in his way. Details of Laos history at the time the story takes place build the perception that the story might not really be fiction. The story covers 10 days in August 1973 and takes place in Washington, D. C., Bangkok, Thailand, Vientiane, Laos, and the jungles near the Plain of Jars, and is based on the author's personal experiences.

Two heart transplant surgeons, Dr. Harrison Robson and Dr. Colin Farnsworth, known as the Dream Team, are best friends and work at the same hospital. Colin has a daughter, Amber, who needs a heart transplant. Colin engineers it so he becomes brain dead, and per federal law, the Anatomical Gift Act of 2006, designates Amber to be the recipient of his heart. A woman at the top of the transplant list is also a match and demands the heart because another federal law, the Final Rule, governs all transplant procedures. Amber refuses her father’s heart, because she can’t bear the thought of her dad doing this after she reflects on what a spoiled brat she’s been all her life. She doesn’t think she is deserving. The hospital and her mother try to force her to get the transplant against her will. The hospital loses in court and the woman at the top of the list gets the heart. When another heart becomes available, Amber refuses it too. Can she be convinced that this is the right time and the right donor?