The incredible true story of a rock legend. . . Lemmy’s name was synonymous with notorious excess: his blood would have killed another human being. This is the story of the heaviest drinking, oversexed speed freak in the music business. Updated after Lemmy’s untimely death in 2016, White Line Fever offers a sometimes hilarious, often outrageous, highly entertaining ride with the frontman of (what was) the loudest rock band in history. Motörhead stand firm as conquerors of the rock world, their history spanned an incredible forty years and while the Motörhead line-up saw many changes, Lemmy was always the soul of the machine. In the words of drummer Mikkey Dee, ‘Lemmy was Motörhead.’ From playing with local bands in Wales, his early career with the Rocking Vicars, backstage touring with Hendrix, and his time with Hawkwind to creating speed metal and forming the legendary band Motörhead, this is the truly epic finale, and tribute, to Lemmy from those who loved him best.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I had a difficult time in school from the start. I was always a bad student, and I never learned how to knit. I was hit by the teacher whenever I did something wrong. #2 I had a very fraught relationship with my stepfather, because I was an only child and he was a newly married man with two children from his previous marriage. I was constantly being bullied by his newly acquired siblings. #3 My sexual education began when I was very young. I grew up in a rural area, and I would often find people going at it in the fields. I grew up dancing, and when the twist came in, I gave that up because it offended me. I needed to get close and warm. #4 I was 14 when I started working at the riding school. I was in love with Ann, who was five years older than me. I couldn’t understand why she would go out with such an ugly guy. But the funniest story involved a friend of mine named Tommy Lee.

SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio.

Its a fact. Womens brains were built to deal with more than one thing at a time. We prove this everyday. We wake up, usually an hour to 1 1/2 hours before the guys. We shower, put on face that says, Look at me, husband, kids, job and house and somehow I still find time to put on makeup. Then off to the closet to find just the right outfit t that will have all the girls saying, Ooh, I love that outfit! Perfect hair, makeup, clothes, now its time to wake up the kids and debate with them for 5 minutes why they cannot have cookies for breakfast. After 10 Were gonna be late!s Enter the vehicle, fight over whos sitting in front, try to sign the paper your daughter forgot to tell you about the night before. Whatever Ive signed, I know Ill probably have at least a week to figure it out before the event.

Merle Haggard is known as "the poet of the common man." His songs are some of the most important and influential in the history of country music, on par with the likes of those by Jimmie Rodgers and Hank Williams. Through a life as tumultuous as his music, scarred by struggles with inner demons, incarceration and addiction - all of which he has brutally and directly confronted through his lyrics - Haggard has emerged with an American songbook that captures the rough side of life with an unblinking eye gazing on the workings of the human heart. This collection comes on the heels of his acclaimed album If I Could Only Fly, his first new studio album in four years, which finds the former wildman coping with aging, taking on familial responsibilities, and learning to appreciate the wonders of home life versus the pitfalls of the highway. Haggard's lyrics demonstrate why this acclaimed member of the Country Music Hall of Fame is a legend who will live forever.

Every now and then, a song inspires a cultural conversation that ends up looking like a brawl. Merle Haggard's Okie from Muskogee, released in 1969, is a prime example of that important role of popular music. Okie immediately helped to frame an ongoing discussion about region and class, pride and politics, culture and counterculture. But the conversation around the song, useful as it was, drowned out the song itself, not to mention the other songs on the live album-named for Okie and performed in Muskogee-that Haggard has carefully chosen to frame what has turned out to be his most famous song. What are the internal clues for gleaning the intended meaning of Okie? What is the pay-off of the anti-fandom that Okie sparked (and continues to spark) in some quarters? How has the song come to be a shorthand for expressing all manner of anti-working class attitudes? What was Haggard's artistic path to that stage in Oklahoma, and how did he come to shape the industry so profoundly at the moment when urban country singers were playing a major role on the American social and political landscape?

This lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. This Ain't the Summer of Love traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become, and upends established interpretations of metal and punk and their place in rock history.

As a midlife challenge, author Steve Ritter decided to leave the comforts of home and the daily routine of his office and set out on an epic journey to bicycle across the United States. Ritter wanted to rediscover his rural roots, explore nature, immerse himself in the rich history of his country, and find out if he still had the endurance of his youth. He wanted to see what other people did every day as he sat at his desk. In A Bike across America, he narrates the story of his thirty-five day, 3,461-mile journey that began April 27, 2013, in Virginia Beach, Virginia, and ended in Newport, Oregon. This travelogue shares Ritter's thoughts, expectations, and surprises--battling the weather, equipment failures, and his doubts and fears, and being assisted by kind-hearted strangers. With some history and geography included, Ritter tells how this cross-country ride changed his life. Frank and honest, A Bike across America recounts Ritter's ultimate road trip--one that taught this fifty-year-old empty nester that through perseverance and determination, it could be done.

2022 Belmont Award for the Best Book on Country Music, International Country Music Conference/Belmont University New and expanded biography of one of country music’s most celebrated singer-songwriters. Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Bobby "Blue" Bland, Willie Nelson, the Grateful Dead, and Bob Dylan. In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard's death and afterlife as an icon of both old-school and modern country music, David Cantwell takes us on a revelatory journey through Haggard’s music and the life and times out of which it came. Covering the breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music: songs that helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including “Okie from Muskogee,” “Sing Me Back Home,” “Mama Tried,” and “Working Man Blues,” among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard’s music and public persona but the very heart of American culture.

This best-selling book is also “#1 book in motorcycle safety” (Nielsen BookScan) and essential reading for all motorcyclists regardless of their years of experience. Author David L. Hough, a revered motorcycle author, columnist, and riding-safety consultant, lays out a clear course for all riders who want to sharpen their handling skills and improve their rides. This second edition, expanded and now in full color, offers new riders and road warriors the exact kind of advice they need to be prepared for anything when on the road, how to avoid accidents, and how to handle the unexpected. Hough, who began motorcycling in the 1960s, tackles every imaginable topic—from the mechanics of the bike, selection of the right-sized bike, and basic riding skills to night riding, group outings, and advanced survival tactics. In the chapter called “Motorcycle Dynamics,” Hough spells out the equipment needed and basic skills required to control a bike, and specifically keeping the rider’s safety and ability to avoid potentially injurious or fatal crashes. The author is outspoken and direct when it comes to safety, and he emphasizes the importance of the rider’s braking abilities and spells out how to improve them. The chapter offers six tried-and-true techniques for quick-stop tactics, critical for every rider to understand and master. He also addresses other vital skills that riders need to evaluate and improve, such as turning, maintaining balance and stability, and steering. He defines, compares, and analyzes the ins and outs of steering and control: direct steering, countersteering, push steering, out-tracking, coning, u-turns, and directional control. The chapter called “Cornering Habits” is a virtual master class in acceleration, deceleration, use of weight, throttle, leaning, and handling challenging terrain. Hough’s skill as a photographer and illustrator adds a graphic element to his books that leads to immediate understanding of the concepts he explains. The detail offered in each section of the book can only come from decades on the road, and the author is the consummate instructor, assigning homework to the readers in the form of exercises to practice and improve specific techniques that he outlines and illustrates in the text. Any rider who would venture out on the road without David Hough’s voice in his head takes an unnecessary risk with his own life. Proficient Motorcycling takes riders from long, snaking country roads right into the traffic of the big city, and Hough offers the best advice for riders dealing with the most challenging conditions, whether it’s road construction, snap-jawed intersections, skateboarders, or suddenly slippery road surfaces. A critical section of the book offers riders advice on how to deal with automobiles, including aggressive car drivers, oblivious SUV drivers, or “blind” truck drivers. The book offers the kind of first-hand experience that can literally save riders’ lives, as illustrated in the chapters “Booby Traps” and “Special Situations,” which offer evasive tactics and advice to avoid and handle everything from slick surfaces, curbs, and construction plates to ferocious dogs, hazardous wildlife, and difficult weather conditions. The final chapter of the book, “Sharing the Ride,” is geared toward experienced riders who travel together in groups or who travel with a second passenger on the bike. Topics covered are formation, packing for trips, communication between riders, sidecars, trikes, and more. The book concludes with a resources section of organizations, training schools, educational tools, and websites; a glossary of 80+ terms; and a complete index.