Erkkila's aim is to repair the split between the private and the public, the personal and the political and the poet and the history that has governed the analysis and evaluation of Whitman and his work in the past.

Walt Whitman is one of the most innovative and influential American poets of the nineteenth century. Focusing on his masterpiece Leaves of Grass, this book provides a foundation for the study of Whitman as an experimental poet, a radical democrat, and a historical personality in the era of the American Civil War, the growth of the great cities, and the westward expansion of the United States. Always a controversial and important figure, Whitman continues to attract the admiration of poets, artists, critics, political activists, and readers around the world. Those studying his work for the first time will find this an invaluable book. Alongside close readings of the major texts, chapters on Whitman's biography, the history and culture of his time, and the critical reception of his work provide a comprehensive understanding of Whitman and of how he has become such a central figure in the American literary canon.

The Routledge Encyclopedia of Walt Whitman presents a comprehensive resource complied by over 200 internationally recognized contributors, including such leading Whitman scholars as James E. Miller, Jr., Roger Asselineau, Betsy Erkkila, and Joel Myerson. Now available for the first time in paperback, this volume comprises more than 750 entries arranged in convenient alphabetical format. Coverage includes: biographical information: all names, dates, places, and events important to understanding Whitman's life and careerWhitman's works: essays on all eight editions of Leaves of Grass, major poems and poem clusters, principal essays and prose works, as well as his more than two dozen short stories and the novel, Franklin Evansprominent themes and concepts: essays on such major topics as democracy, slavery, the Civil War, immortality, sexuality, and the women's rights movement.significant forms and techniques: such as prosody, symbolism, free verse, and humourimportant trends and critical approaches in Whitman studies: including new historicist and cultural criticism, psychological explorations, and controversial issues of sexual identitysurveys of Whitman's international impact as well as an assessment of his literary legacy. Useful for students, researchers, librarians, teachers, and Whitman devotees, this volume features extensive cross-references, numerous photographs of the poet, a chronology, a special appendix section tracking the poet's genealogy, and a thorough index. Each entry includes a bibliography for further study.

Includes almost 760 entries ranging in length from 3,100 words on the first (1855) edition of Leaves of Grass to 140 words on Elizabeth Leavitt Keller. Entries include biographical data; thematic, formal and technical considerations; discussions of the poet's social and personal life; and commentary on all of Whitman's works, including poem clusters, major poems, essays, and lesser known works such as the novel Franklin Evans and two dozen short stories. A chronology and genealogy are included. Annotation copyrighted by Book News, Inc., Portland, OR

"Absorbing and incisive, The Erotic Whitman makes an important contribution not only to our understanding of the dynamics of nineteenth-century literary history but also, more generally, to American studies and gender stdies, in particular to the increasingly lively study of the subject now called 'masculinities.'" —Sandra Gilbert, author of Wrongful Death: A Medical Tragedy and, with Susan Gubar, of The Madwoman in the Attic "The Erotic Whitman moves skillfully between Whitman's use of the sexualized body and his dreams for the body politic, drawing on Whitman's biography to provide newly informed, illuminating readings of his work. This work should place Pollak solidly alongside other elite Whitman scholars, such as Michael Moon, M. Jimmie Killingsworth, and Betsy Erkkila."—Emory Elliott, Distinguished Professor of English, University of California, Riverside "This is an incisive, venturesome, carefully-argued contribution to an often-discussed but still insufficiently-understood dimension of Whitman's life, writing, and significance--its biographical-historical bases, its aesthetics, its cultural-political implications. One may at certain points dispute, but at no point fail to respect, Pollak's thoughtful unfolding of her subject from Whitman's early family life to the myth of democratic maternalism in his later poetry."—Lawrence Buell, author of The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture "This is an imaginative and sensitive book about the profoundly personal sources of Whitman's poetry in his relations with his family and his male lovers. Through illuminating readings of Whitman's early fiction, his various editions of Leaves of Grass, and Democratic Vistas, Pollak argues that Whitman's democratic and homoerotic dream vision is frequently at odds with the realities of his life as son, brother, and lover. Pollak's scholarship is impressive and massive, and she brings new insights to bear on many dimensions of Whitman's life and writing. She is particularly attentive to the place and plight of women in Whitman's work. Her book will be widely read and appreciated, especially by Whitman scholars and others interested in the psychosexual and biographical sources of art. "—Betsy Erkkila, author of Whitman the Politcal Poet

"Nathanson addresses with renewed insight a problem that has vexed Whitman scholars at least since James E. Miller, Jr.'s A Critical Guide to Leaves of Grass turned Whitman into a respectable academic subject; that is, the unusual status of Whitman's poetic voice. . . . The overall result is the finest articulation of Whitman's project in existence." —Donald Pease, Department of English, Dartmouth College "What enables Nathanson to perform a feat no other critic has accomplished depends as much on his awareness of a range of thinkers from Wittgenstein to J.L. Austin and Derrida as on his sense of the qualities of poetry: he gives the term presence a cultural as well as poetic significance which opens out to cultural history, and makes Whitman as much a representative presence in the culture as our unequalled poet. I see this as a central book about our literature." —Quentin Anderson, J.C. Levi Professor in the Humanities Emeritus, Columbia University

A reflection on the metaphor of the body politic throughout American history

Recovers Walt Whitman as a self-conscious religious figure with an ethic based in male comradeship, one at odds with the temper of his times.

A Handbook on Walt Whitman that reflects the best new work in the field including chapters that set his work within the context of digital scholarship, discussion of new manuscript discoveries and transcriptions, exploration of environmental angles on Whitman, and a focus on disability studies.

American democracy owes its origins to the colonial settlement of North America by Europeans. Since the birth of the republic, observers such as Alexis de Tocqueville and J. Hector St. John de Crèvecœur have emphasized how American democratic identity arose out of the distinct pattern by which English settlers colonized the New World. Empire of the People explores a new way of understanding this process—and in doing so, offers a fundamental reinterpretation of modern democratic thought in the Americas. In Empire of the People, Adam Dahl examines the ideological development of American democratic thought in the context of settler colonialism, a distinct form of colonialism aimed at the appropriation of Native land rather than the exploitation of Native labor. By placing the development of American political thought and culture in the context of nineteenth-century settler expansion, his work reveals how practices and ideologies of Indigenous dispossession have laid the cultural and social foundations of American democracy, and in doing so profoundly shaped key concepts in modern democratic theory such as consent, social equality, popular sovereignty, and federalism. To uphold its legitimacy, Dahl also argues, settler political thought must disavow the origins of democracy in colonial dispossession—and in turn erase the political and historical presence of native peoples. Empire of the People traces this thread through the conceptual and theoretical architecture of American democratic politics—in the works of thinkers such as Thomas Jefferson, Thomas Paine, Alexis de Tocqueville, John O’Sullivan, Ralph Waldo Emerson, Daniel Webster, Abraham Lincoln, Walt Whitman, and William Apess. In its focus on the disavowal of Native dispossession in democratic thought, the book provides a new perspective on the problematic relationship between race and democracy—and a different and more nuanced interpretation of the role of settler colonialism in the foundations of democratic culture and society.