Reprint of the original, first published in 1877.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The monster never stops, and it’ll never stop…coming for her. At fifteen, Iris Sinclair was always the more outgoing of the twins. That’s how she convinced her more reserved sister to sneak out for a Halloween party. She can’t ever forget… She ditched her sister on the side of the road when she refused to stay in the car while the other kids smoked pot. Except it was laced with PCP. Later, high on the drugs, Iris went back, and found her sister… Dead. They never found the killer. Just a Jack O’Lantern near her sister’s head. It’s affected her all these years and it was enough to drive her to become a NYPD detective. But when her parents are killed, Iris finds herself returning to the estate she grew up on, and she quickly realizes one thing. The killer that was never found is ready to finish the job. The question is...is it her?

"I've been kidnapped by a bad person. Bring a change of clothes and your homework and come save me!" Duped by this seemingly earnest summons from Tohko, Konoha finds himself forced to spend his summer break at the Himekura villa, writing snacks for his greedy club president. But the shadow of a tragedy from eighty years past threatens to destroy their otherwise peaceful summer! What is the "secret" that stirs the Book Girl's imagination?

This book shows how early women novelists from Aphra Behn to Mary Davys drew on debates about the self generated by the 'scientific' revolution to establish the novel as a genre. Fascinated by the problematic idea of a unified self underpinning modes of thinking, female novelists innovated narrative structures to interrogate this idea.

The End of the Story is an energetic, candid, and funny novel about an enduring obsession and a woman's attempt to control it by the telling of the story of it. With ruthless honesty, artful analysis, and crystalline depictions of human and natural landscapes, Lydia Davis's novel offers a compelling illumination of the dilemmas of loss and the process of remembering.

The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.