Why Read Ogden? explores the importance of Thomas Ogden's work to contemporary psychoanalysis, both as an interpreter of classic psychoanalytic thinkers and as a new and original theorist and clinician in his own right. Ogden writes about the literary genre of psychoanalytic writing, emphasising the amalgamation of theoretical and clinical writing with the author’s personality. Ogden also considers psychoanalytic writing a form of thinking: We do not write what we think, but we are thinking something unprecedented in writing. Inspired by Ogden's proposal of a transitive and creative reading, which the authors show him to demonstrate in his own writing about Freud, Klein, Bion and Winnicott, this book takes as its organising principle the question of how Ogden’s texts resonate with them personally. Ogden is regarded as one of the most important and influential living psychoanalysts, and this book addresses the lack of attention given to summarising and examining his key contributions. This book will be essential reading for psychoanalysts and psychotherapists, in practice and in training, who wish to gain a comprehensive understanding of Ogden's work.

Approaches to Psychic Trauma: Theory and Practice covers the many developments in the relatively new field of trauma therapy. It examines the nature of the wide variety of treatments available for traumatized people, describing elements they have in common and those that are specific to each treatment. Originating with the editor’s clinical experience working with patients from the former German Democratic Republic, contributors then discuss alternative therapies including ego psychology, self psychology, object-relations theory, attachment theory, psychoanalysis, and art therapies. Case studies further illustrate the application and practice. Approaches to Psychic Trauma presents a diversity of theories and tools centering on trauma and history, and through the microcosm of individual personalities one may have a close-up view of how historical events, as well as personal narratives and reactions to them, consciously and unconsciously affect the individual.

Explores the developments in technique in the practice of psychoanalysis today.

Exploring what it means to be an authentic therapist in the present day, Sara London playfully melds together the tenets of performance art and psychoanalytic theory to advance the hopeful new notion of the performance therapist. In an era where the therapist is now more of a public-facing entity than ever before, developing a sense of who one is both inside and outside of the consulting room is a complex undertaking. In response, London reconceptualises the therapist’s identity in a contemporary way, transcending preconceived labels, by bringing an understanding of performance art into an analysis of psychotherapeutic practice. Through this interdisciplinary approach, London attends to the complex questions faced by psychoanalysts and psychotherapists in training and in practice: can a therapist perform and be authentic? Can a therapist perform and have true intimate relationships within the confines of that performance? And can a therapist perform as themselves? This provocative and highly original work will provide both new and experienced psychotherapists with an understanding of the clinical and philosophical significance of performance art to cultivating therapeutic identity.

Vols. for 1969- include a section of abstracts.

Issues for Dec. 1970-Apr. 1972 include section: Hard times.