In 2018, the Marvel Cinematic Universe finally delivered on something fans had long been waiting for: a feature film with a solo Black superhero. Black Panther introduced viewers to the stunning world of Wakanda, a fictional African country with incredible technological advancements, and to T'Challa, a young man stepping into his role as king and taking up the mantle of the Black Panther title from his late father. The unforgettable story, coupled with the film's mega-success, has undoubtedly shaped the future of superhero cinema, in addition to genuinely changing viewers' lives. Why Wakanda Matters gives this iconic film the in-depth analysis it deserves under the lens of the latest psychological concepts-as well as delving into the lasting cultural impact of this unforgettable story. Edited by Sheena C. Howard, an award-winning author, filmmaker, and scholar, Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication features a collection of essays from leading experts in a variety of fields who offer insightful perspectives on topics such as: • Cognitive dissonance: The important messages within T'Challa's nuanced identity and eventual shift from nationalism to globalism. • Intergenerational trauma and resistance: How N'Jadaka (aka Erik/Killmonger) identifies with the trauma that his ancestors have suffered. • Social identity: How Nakia, Shuri, Okoye, and Ramonda—all empowered, intelligent, and assertive women of color—can make a lasting impression on women and girls. • Collective identity: How Black Panther has created a shared fantasy for Black audience members—and why this is groundbreaking. • Cultural and racial identity: What we can learn from Black Panther's portrayal of a culture virtually untouched by white supremacy. Fans of the movie and those interested in deeper discussions about the film will revel in this thought-provoking examination of all aspects of Black Panther and the power of psychology.

This book explores the Black Panther character’s multimedia legacy against the backdrop of contemporary sociopolitical reality. The author critically analyzes the character’s role as a counter-narrative to regressive attitudes toward Africa and Black identity, as well as how he represents consolidated media reality.

Contributions by Mitchell Adams, Frederick Luis Aldama, Jason Bainbridge, Djoymi Baker, Liam Burke, Octavia Cade, Hernan David Espinosa-Medina, Dan Golding, Ian Gordon, Sheena C. Howard, Aaron Humphrey, Naja Later, Cormac McGarry, Angela Ndalianis, Julian Novitz, Alexandra Ostrowski Schilling, Maria Lorena M. Santos, Jack Teiwes, and Enrique Uribe-Jongbloed In recent years, superheroes on the page and screen have garnered increasing research and wider interest. Nonetheless, many works fall back on familiar examples before arriving at predictable conclusions. Superheroes Beyond moves superhero research beyond expected models. In this innovative collection, contributors unmask international crimefighters, track superheroes outside of the comic book page, and explore heroes whose secret identities are not cisgender men. Superheroes Beyond responds to the growing interest in understanding the unique appeal of superheroes by reveling in the diversity of this heroic type. Superheroes Beyond explores the complexity and cultural reach of the superhero in three sections. The first, “Beyond Men of Steel,” examines how the archetype has moved beyond simply recapitulating the “man of steel” figure to include broader representations of race, gender, sexuality, and ableness. The second section, “Beyond Comic Books,” discusses how the superhero has become a transmedia phenomenon, moving from comic books to toys to cinema screens and beyond. The final section, “Beyond the United States,” highlights the vibrant but often overlooked history of global superhero figures. Together, the essays in this collection form important starting points for taking stock of the superhero’s far-reaching appeal, contributing the critical conversations required to bring scholarship into the present moment and beyond.

Become a thought leader in your postgraduate field—and make money while doing so, with this step-by-step guide from an academic who has been there. Academic Branding gives academics and scholars the tools and strategies they need to position themselves outside of academia so they can reach the masses and make an impact—without the expense of a publicist. With the practices in this book, readers will build a powerful brand, become a public intellectual, and grow their audience with guidance from Sheena C. Howard, PhD. She’s been where you are now, and she’s ready to help you grow beyond what you imagine. With Dr. Howard’s unique and thorough approach to success in the age of social media, you’ll learn how to: Reframe the way you think about self-promotion Identify your brand archetype and create a brand statement Reach an audience beyond academia Build multiple revenue streams Get your ideas (and content) to spread Create a movement around your expertise Land major media spots and speaking engagements In a world where anyone who is savvy online can turn themselves into a subject matter expert, it’s important that we lift up and amplify the voices of actual subject matter experts. This guide will teach you how to reach the audience that needs your expertise most, building a brand and achieving financial freedom along the way.

Life is full of love, but it is also full of loss. Like paper cuts to the heart, every big and seemingly insignificant loss--the loss of friendships, faith, dreams, health, community, and everything in between--grieves us more than we think it will, and often more than we let on. Why? Because they matter. In this compassionate and deeply personal book, Rachel Marie Kang invites you to see and be seen in the midst of your sorrow, your suffering--your story. Through prose and poetry that gives voice to all the things we lose along the way, this gracious book will help you · ponder your loss without judgment · remember what was and make meaning of your memories · reflect on what is yet to be as you heal with hope You don't have to bury your pain, and you don't have to pretend you're over it just because the world thinks you should be. Let Rachel walk hand in hand with you, giving space for sorrow and welcoming you as you find your way along the path to healing.

Named a 2018 Notable Work of Nonfiction by The Washington Post NOW A NEW YORK TIMES BESTSELLER • Winner, The 2018 Southern Book Prize NAMED A BEST/MOST ANTICIPATED BOOK OF 2018 BY: Chicago Tribune • Time • Publisher's Weekly A stunning follow up to New York Times bestseller Tears We Cannot Stop The Washington Post: "Passionately written." Chris Matthews, MSNBC: "A beautifully written book." Shaun King: “I kid you not–I think it’s the most important book I’ve read all year...” Harry Belafonte: “Dyson has finally written the book I always wanted to read...a tour de force.” Joy-Ann Reid: A work of searing prose and seminal brilliance... Dyson takes that once in a lifetime conversation between black excellence and pain and the white heroic narrative, and drives it right into the heart of our current politics and culture, leaving the reader reeling and reckoning." Robin D. G. Kelley: “Dyson masterfully refracts our present racial conflagration... he reminds us that Black artists and intellectuals bear an awesome responsibility to speak truth to power." President Barack Obama: "Everybody who speaks after Michael Eric Dyson pales in comparison.” In 2015 BLM activist Julius Jones confronted Presidential candidate Hillary Clinton with an urgent query: “What in your heart has changed that’s going to change the direction of this country?” “I don’t believe you just change hearts,” she protested. “I believe you change laws.” The fraught conflict between conscience and politics – between morality and power – in addressing race hardly began with Clinton. An electrifying and traumatic encounter in the sixties crystallized these furious disputes. In 1963 Attorney General Robert Kennedy sought out James Baldwin to explain the rage that threatened to engulf black America. Baldwin brought along some friends, including playwright Lorraine Hansberry, psychologist Kenneth Clark, and a valiant activist, Jerome Smith. It was Smith’s relentless, unfiltered fury that set Kennedy on his heels, reducing him to sullen silence. Kennedy walked away from the nearly three-hour meeting angry – that the black folk assembled didn’t understand politics, and that they weren’t as easy to talk to as Martin Luther King. But especially that they were more interested in witness than policy. But Kennedy’s anger quickly gave way to empathy, especially for Smith. “I guess if I were in his shoes...I might feel differently about this country.” Kennedy set about changing policy – the meeting having transformed his thinking in fundamental ways. There was more: every big argument about race that persists to this day got a hearing in that room. Smith declaring that he’d never fight for his country given its racist tendencies, and Kennedy being appalled at such lack of patriotism, tracks the disdain for black dissent in our own time. His belief that black folk were ungrateful for the Kennedys’ efforts to make things better shows up in our day as the charge that black folk wallow in the politics of ingratitude and victimhood. The contributions of black queer folk to racial progress still cause a stir. BLM has been accused of harboring a covert queer agenda. The immigrant experience, like that of Kennedy – versus the racial experience of Baldwin – is a cudgel to excoriate black folk for lacking hustle and ingenuity. The questioning of whether folk who are interracially partnered can authentically communicate black interests persists. And we grapple still with the responsibility of black intellectuals and artists to bring about social change. What Truth Sounds Like exists at the tense intersection of the conflict between politics and prophecy – of whether we embrace political resolution or moral redemption to fix our fractured racial landscape. The future of race and democracy hang in the balance.

This book explores the meanings, significances, and impacts of the complex identities that soccer fans, especially those of men's soccer, represent worldwide. The chapters in this volume construct and reconstruct fandom in terms of diverse fan affiliations from local to global level, and from national to transnational spaces. Soccer or (association) football is a game where fans come alive with one goal. It is soccer’s fanbase that has made it the most popular mass spectator sport in the world. Since the sport’s growth and its codification in the late nineteenth century, soccer and its followers became markers of varied identities. This volume is an attempt to understand the soccer fan’s tryst with such identities, mostly at the level of professional men’s football in different parts of the world. Fans create, represent, break, recreate, transcend, complicate and confuse diverse identities in their attachments with and loyalties to particular clubs, nations, continents, spaces, communities, races, ethnicities, and players. These identities are given shape through the display and observance of diverse forms of fandom and fan subcultures. Against this wider backdrop, the book brings out the commonalities, conflicts and tensions within these fan identities. Why Fans Matter? Fans and Identities in the Soccer World will be a fascinating read for anybody with an interest in sport and its intersection with disciplines such as sociology, political science, history, media studies, or cultural studies. The chapters in this book were originally published as a special issue of Soccer & Society.

It's Black Panther vs. Iron Man (with Wolverine in the middle) in the blockbuster sequel to Enemy of the State II! Secrets are revealed, punches are thrown and King Solomon's Frogs wreak havoc...but who is the second Panther? Plus: Flash forward to T'Challa's old age, where the once and future king has washed his hands of the outside world. Will he come out of retirement to save Everett K. Ross' life? And travel back to the Old West, as T'Challa finds himself in the middle of 1986's THOR #370! COLLECTING: BLACK PANTHER (1998) #36-49, #57-58; INCREDIBLE HULK (2000) #33; THOR (1966) #370; MATERIAL FROM MARVEL DOUBLE-SHOT #2.

In Black Lives Matter and The Image of God: A Theo-Anthropological Study, the author argues that "God’s” future is inseparable from humane values that eschew white supremacy and other modes of self-deification in favor of ethics that cultivate life for all human beings.

An anthology that asks, “What does it mean to be church where Black lives matter?” Prophetic imagination would have us see a future in which all Christians would be free of the soul-warping belief and practice of racism. This collection of reflections is an incisive look into that future today. It explains why preaching about race is important in the elimination of racism in the church and society, and how preaching has the ability to transform hearts. While programs, protests, conferences, and laws are all important and necessary, less frequently discussed is the role of the church, specifically the Anglican Church and Episcopal Church, in ending systems of injustice. The ability to preach from the pulpit is mandatory for every person, clergy or lay, regardless of race, who has the responsibility to spread the gospel. For there’s a saying in the Black church, “If it isn’t preached from the pulpit, it isn’t important.”