There is a creative genius inside of you just waiting to get out. Wild Heart Dancing shows you how to free that innovative spirit by spending a day playing with words, music, songs, dance, and paints. You don't need to be artistic to benefit from the teachings of Elliot Sobel, you just need to open up and take the time to try your hand at new ways of expressing yourself.

The book explores the revolutionary impact of modern dance on European culture in the early twentieth century. Edward Ross Dickinson uncovers modern dance's place in the emerging 'mass' culture of the modern metropolis and reveals the connections between dance, politics, culture, religion, the arts, psychology, entertainment, and selfhood.

Wild Mother Dancing challenges the historical absence of the mother, who, as subject and character, has been repeatedly suppressed and edited out of the literary canon. In her search for sources for telling the new (or old, forbidden story) against a tradition of narrative absence, Brandt turns to Canadian fiction representing a varety of cultural traditions - Margaret Laurence, Daphne Marlatt, Jovette Marchessault, Joy Kogawa, Sky Lee - and a collection of oral interviews about childbirth told by Mennonite women. The results broaden, enrich, and finally recover the motherstory in ways that have revolutionary implications for our institutions and imaginations.

In the twenty-first century, amid globalized violence, rising demagogues, and the climate emergency, contemporary philosophers and theologians have begun to debate a fundamental question: Is our reality the result of the overflowing, ever-present creativity of Love, or the symptom of a traumatic rupture at the heart of all things? Drawing on decades of research in postmodern philosophy and experience as a psychotherapist, James H. Olthuis wades into this discussion to propose a radical ontology of Love without metaphysics. In dialogue with philosophers like John D. Caputo, Slavoj Žižek, Luce Irigaray, and others, Olthuis explores issues from divine sovereignty and the problem of evil to trauma and social ethics. Experience in therapeutic work informs these investigations, rooting them in journeys with individuals on the path to healing. Olthuis makes the bold claim that while trauma, pain, and suffering are significant parts of our human lives, nevertheless Love is with us to the very end. Creation is a gift that comes with a call to make something of it ourselves, a risky task we must take on with the promise that Love will win. We are all dancing in the wild spaces of Love: ex amore, cum amore, ad amorem.

Drawing of the postmodern perspective and concerns that informed her groundbreaking Terpsichore in Sneakers, Sally Banes’s Writing Dancing documents the background and developments of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions, and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire. Ebook Edition Note: Ebook edition note: All images have been redacted.

A warm and encouraging self-help book that draws inspiration and motivation from ballroom dancing. Precisely because the dance floor stands apart from the everyday world, allowing dancers to play, experiment and take on new roles, it also serves as a stage for human behavior. Antoinette Benevento, a former national ballroom dancing champion and co-owner of Fred Astaire Dance Studios, has been a student of that stage for 25 years. She has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life. Some of the tenets Antoinette Benevento lives, dances, and teaches by: -Persistence is a form of beauty -Give yourself permission to begin again--and again and again -If you're not willing to risk falling, you'll never learn to walk (or dance) -Desire is the energy that moves us forward in dance and in life -To dance well and to live fully, body and soul need to work together Building on the ballroom dancing craze that has swept the country, including the popularity of "Dancing with the Stars", this illuminating and highly readable book shows that what you learn on the dance floor can help you dance through life. ANTOINETTE BENEVENTO is co-owner of and National Training Director for the Fred Astaire Dance Studios and a former national ballroom dancing champion. EDWIN DOBB is a contributing editor of Harper's Magazine, and has written for numerous other national publications, including The New York Times Magazine, Vogue, and Discover.

The book is a chronological reading of Alexander Pope’s poems, from the Pastorals (1709) to the four-book Dunciad (1743). Each of the 26 chapters forming the volume selects examples for detailed scrutiny, demonstrating how close reading can generate understanding of a whole poem and how critical appraisal can build into a creative survey of an entire poetic career. The book’s approach is intended to be both scholarly and accessible and 'Wit's Wild Dancing Light' will be of interest to scholars, students and anybody interested in Pope’s masterful poetry.

The Creative Arts in Counseling presents an evidence-based exploration of how expressive therapies can be used effectively with clients of all ages and backgrounds. After an introduction to the history and benefits of using the arts in counseling, Dr. Gladding discusses the therapeutic use of music; dance/movement; imagery; visual arts; writing/literature; drama; humor; play; animal-assisted therapy; and horticulture, nature, and wilderness therapies. Text features include a new section on incorporating the creative arts in telebehavioral counseling, two-part chapter overviews, 96 creative reflections for self-discovery, 145 exercises for use in session, and a listing of creative arts and art therapies websites. *Requests for digital versions from ACA can be found on www.wiley.com *To purchase print copies, please visit the ACA website here *Reproduction requests for material from books published by ACA should be directed to permissions@counseling.org

Dance of the Starfish... Is about human connection, visioned expression and heart communication. It ponders... It is an exploration of spirit, a beckoning. It questions... I invite you to open the pages and to read where you land. To take me home, to tell more tales of search, of longing... My name is Asil, Asil Sirron. I am the narrator of Dance of the Starfish, and I ask your permission to speak. For there is much to be said, and more, more yet to say...

Finding Love in the Rocky Mountains was not in her plans--and she was a devil with plans Delphi Gifford has nearly given up on finding someone she could love as much as her dead husband, Fallon, who had died while they were still in college. Certainly local photographer Jeremy Litster wasn't at the top of her list, egomaniac that he is--even if he did drive the hottest racing motorbike she'd ever touched. Jeremy knew George DiCarlo had hand-picked him to marry Delphi, but hadn't counted on her not being in the loop. After working together for six months, though, he seriously regrets his misstep and begins a careful campaign to win her over. When someone tries to take the two of them out, he has to figure out what they did or saw that put them both in danger.