Building on the first Wild Things volume (Oxbow Books 2014), which aimed to showcase the research putting archaeologists researching the Palaeolithic and Mesolithic at the cutting edge of understanding humanity’s past, this collection of contributions presents recent research from an international group of both early career and established scientists. Covering aspects of both Palaeolithic and Mesolithic research in order to encourage dialogue between practitioners of archaeology of both periods, contributions are also geographically diverse, touching on British, European, North American, and Asian archaeology. Topics covered include transitional periods, deer and people, stone tool technologies, pottery, land-use, antler frontlets, and the development of prehistoric archaeology an 'age of wonder'.

Recently, Palaeolithic and Mesolithic archaeology has been breaking boundaries worldwide. Finds such as the Mesolithic house at Howick, the sequencing of the Neanderthal genome, and the recently discovered footprints at Happisburgh all serve to indicate how archaeologists in these fields are truly at the cutting edge of understanding humanity’s past. This volume celebrates this trend by focusing on recent advances in the study of the Palaeolithic and Mesolithic. With contributors from a diverse range of backgrounds, it allows for a greater degree of interdisciplinary discourse than is often the case, as the Palaeolithic and Mesolithic are generally split apart. Wild Things brings together contributions from major researchers and early career specialists, detailing research taking place across the British Isles, France, Portugal, Russia, the Levant and Europe as a whole, providing a cross-section of the exciting range of research being conducted. By combining papers from both these periods, it is hoped that dialogue between practitioners of Palaeolithic and Mesolithic archaeology can be further encouraged. Topics include: the chronology of the Mid-Upper Palaeolithic of European Russia; territorial use of Alpine high altitude areas by Mesolithic hunter-gatherer; discussing the feasibility of reconstructing Neanderthal demography to examine their extinction; the funerary contexts from the Mesolithic burials at Muge; the discovery of further British Upper Palaeolithic parietal art at Cathole Cave; exploitation of both lithics and fauna in Palaeolithic France; and an analysis of Mesolithic/Neolithic trade in Europe.

Europeans in the nineteenth century were fascinated with the wild and the primitive. So compelling was the craving for a first-hand experience of wilderness that it provided a lasting foundation for tourism as a consumer industry. In this book, Patricia Jasen shows how the region now known as Ontario held special appeal for tourists seeking to indulge a passion for wild country or act out their fantasies of primitive life. Niagara Falls, the Thousand Islands, Muskoka, and the far reaches of Lake Superior all offered the experiences tourists valued most: the tranquil pleasures of the picturesque, the excitement of the sublime, and the sensations of nostalgia associated with Canada's disappearing wilderness. Jasen situates her work within the context of recent writings about tourism history and the semiotics of tourism, about landscape perception and images of `wildness' and `wilderness, ' and about the travel narrative as a literary genre. She explores a number of major themes, including the imperialistic appropriation and commercialization of landscape into tourist images, services, and souvenirs. In a study of class, gender, and race, Jasen finds that by the end of the century, most workers still had little opportunity for travel, while the middle classes had come to regard holidays as a right and a duty in light of Social Darwinist concerns about preserving the health of the `race.' Women travellers have been disregarded or marginalized in many studies of the history of tourism, but this book makes their presence known and analyses their experience. It also examines, against the backdrop of nineteenth-century racism and expansionism, the major role played by Native people in the tourist industry. The first book to explore the cultural foundations of tourism in Ontario, Wild Things also makes a major contribution to the literature on the wilderness ideal in North America.

NEW YORK TIMES EDITOR'S PICK • Two best friends. One huge crush. A year that could change everything... A warmhearted, hilarious queer rom-com about what happens when a group of friends are actually brave enough to live the dream and give up their dreary city apartments to buy a house in the country together. • “Real Emily Henry vibes but gay. Joyous, funny, sexy, and romantic—a triumph!”—Kate Sawyer, award-winning author of The Stranding “Buoyant, charming, delectably wistful, and quietly earnest—not to mention, British enough to beguile even the subset of Americans who cuddle up to The Great British Bake Off on a Sunday afternoon.” —Casey McQuiston, The New York Times "A delightful romance, complete with DIY home repair, a beautiful queer found family, and backyard hen.” —Ashley Herring Blake, bestselling author of Astrid Parker Doesn’t Fail El is in a rut. She’s been hiding in the photocopier room at the same dead-end job for longer than she cares to remember, she’s sharing a flat with a girl who leaves passive-aggressive smiley face notes on the fridge about milk consumption and, worst of all, she’s been in unrequited love with her best friend, effortlessly cool lesbian Ray, for years. So when a plan is hatched for El, Ray, and their two other closest friends—newly heartbroken Will and karaoke-and-Twilight-superfan Jamie—to ditch the big city and move out to a ramshackle house on the edge of an English country village, it feels like just the escape she needs. Despite being the DIY challenge of a lifetime, the newly named Lavender House has all the makings of becoming the queer commune of the friends' dreams. (Will has been given a pass as the gang's Token Straight.) But as they start plotting their bright new future and making preparations for a grand housewarming party to thank the surprisingly but wonderfully welcoming community, El is forced to confront her feelings for Ray—the feelings that she’s been desperately trying to keep buried. Is it worth ruining a perfectly good friendship for a chance at love? A VINTAGE ORIGINAL.

This book is devoted to animals native to North America and dear to McIntosh's heart. He is master essayist, combining natural science, myth, history, poetry, and a lifetime of personal experience to bring these animals to life.

NATIONAL BESTSELLER • In this visionary adaptation of Maurice Sendak's classic work, the bestselling author of The Circle “is brilliant at portraying the exuberance and chaos of a young boy’s mind and heart” (San Francisco Chronicle). Max is a rambunctious eight-year-old whose world is changing around him: His father is absent, his mother is increasingly distracted, and his teenage sister has outgrown him. Sad and angry, Max dons his wolf suit and makes terrible, ruinous mischief, flooding his sister’s room and driving his mother half-crazy. Convinced his family doesn’t want him anymore, Max flees home, finds a boat and sails away. Arriving on an island, he meets strange and giant creatures who rage and break things, who trample and scream. These beasts do everything Max feels inside, and so, Max appoints himself their king. Here, on a magnificent adventure with these funny and complex monsters, Max can be the wildest thing of all.

Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.