Psychoanalyst, political theorist, pioneer of body therapies, prophet of the sexual revolution—all fitting titles, but Wilhelm Reich has never been recognized as a serious laboratory scientist, despite his experimentation with bioelectricity and unicellular organisms. Wilhelm Reich, Biologist is an eye-opening reappraisal of one of twentieth-century science’s most controversial figures—perhaps the only writer whose scientific works were burned by both the Nazis and the U.S. government. Refuting allegations of “pseudoscience” that have long dogged Reich’s research, James Strick argues that Reich’s lab experiments in the mid-1930s represented the cutting edge of light microscopy and time-lapse micro-cinematography and deserve to be taken seriously as legitimate scientific contributions. Trained in medicine and a student of Sigmund Freud, Reich took to the laboratory to determine if Freud’s concept of libido was quantitatively measurable. His electrophysiological experiments led to his “discovery” of microscopic vesicles (he called them “bions”), which Reich hypothesized were instrumental in originating life from nonliving matter. Studying Reich’s laboratory notes from recently opened archives, Strick presents a detailed account of the bion experiments, tracing how Reich eventually concluded he had discovered an unknown type of biological radiation he called “orgone.” The bion experiments were foundational to Reich’s theory of cancer and later investigations of orgone energy. Reich’s experimental findings and interpretations were considered discredited, but not because of shoddy lab technique, as has often been claimed. Scientific opposition to Reich’s experiments, Strick contends, grew out of resistance to his unorthodox sexual theories and his Marxist political leanings.

Where's the Truth? is the fourth and final volume of Wilhelm Reich's autobiographical writings, drawn from his diaries, letters, and laboratory notebooks. These writings reveal the details of the outrider scientist's life—his joys and sorrows, his hopes and insecurities—and chronicle his experiments with what he called "orgone energy." A student of Freud's and a prominent research physician in the early psychoanalytic movement, Reich immigrated to America in 1939 in flight from Nazism, and pursued research about orgone energy functions in the living organism and the atmosphere. Where's the Truth? begins in January 1948, shortly after Reich became a target of the Federal Food and Drug Administration. He had already faced persecution by the U.S. government, having been mistaken by the State Department and the FBI for both a Communist and a Nazi. Starting in 1947, Reich was hounded by the FDA, which, in 1954, obtained an injunction by default against him that enabled it to burn six tons of his published books and research journals, and to ban the use of one of his most important experimental research tools—the orgone energy accumulator. Challenging the right of a court to judge basic scientific research, Reich was imprisoned in March 1957 and died in the U.S. Penitentiary in Lewisburg, Pennsylvania, eight months later. The text gathered here shows Reich's steadfast determination to protect his work. "Where's the truth?" he asked a lawyer, and that question animates this volume and rounds out our understanding of a unique, irrepressible modern figure.

Looking back over the development of orgone biophysics, Reich wrote: "My experimental studies during the years 1934 to 1938 gradually and logically centered on a single basic problem: how deeply is the function of the orgasm rooted in biology?" The Bioelectrical Investigation of Sexuality and Anxiety is composed of three essential contributions from the period: "The Orgasm as an Electrophysiological Discharge," "Sexuality and Anxiety," and "The Bioelectrical Function of Sexuality and Anxiety," Reich's detailed report on the physiological experiments in which he sought proof for his orgasm theory. The Bioelectrical Investigation of Sexuality and Anxiety "can with good reason be understood as a logical continuation of my Character Analysis," Reich wrote. "It is the character analysis of the areas of biological functioning."

The convenient myth of Wilhelm Reich is that he “lost his mind” in the early 1950s, if not before, and that the last seven years of his life and work — the orgone and radiation experiments, the cloudbuster, and flying saucer intrigues — present an embarrassment. Even the counterculture that embraced Reich, not least William S. Burroughs, Norman Mailer, and filmmaker Dušan Makavejev, tended to distort his theory. The psychosis attached to Reich by his detractors was the culmination of decades of scapegoating by psychoanalysts, Nazis, communists, and conservatives. But Reich’s environmental and Cold War preoccupations and his slow-burning fascination with UFO phenomena were not signs of a madness incipient since his break with Sigmund Freud. They anticipated and reflected much in the American psyche. Defining the presence of a “cinematic self” in the misunderstood analyst once considered an heir to Freud, Wilhelm Reich versus the Flying Saucers rejects orthodox portrayals of Reich’s final years as merely pathological. Combining original analysis and evidence from the Wilhelm Reich Archive, James Reich uncovers the fatal moments in the psychologist’s uncanny identification with the “spaceman,” and the myth of a scientist lost to his own grandiosity and paranoia. Taking seriously the influence of The Day the Earth Stood Still, Bad Day at Black Rock, and other pop cultural narratives on Reich, this “psychoanalytic detective story” concerns existential traps, conscious and unconscious collaborations and betrayals by disciples, and unidentified flying object-relations. Reich’s is an atomic-age passion narrative. Vitally, Reich’s story could be ours. The author is not related to his subject.

Wilhelm Reich has been chronically slandered and misrepresented in the popular media, and in "scientific" circles, beyond all rationality. His controversial research findings have been replicated by other scholars and scientists, but the entire subject of his work has been a serious Taboo for decades. Natural Scientist DeMeo corrects the record.

A new autobiographical work by one of the most original and controversial thinkers of our time. "I looked up every day from behind the bars to the Statue of Liberty in New York Harbor. Her light shone brightly into a dark night." With these words, Wilhelm Reich described his experience as an "enemy alien" imprisoned on Ellis Island in the aftermath of the Japanese bombing of Pearl Harbor. American Odyssey, compiled from his correspondence and journals, chronicles Reich's first years in America. They were years of prodigious accomplishment in which he developed the orgone energy accumulator-the so-called orgone box; published his first books in English; made breakthroughs in his investigation of orgone energy in social pathology, physics, astronomy, and cancer; and interested none other than Albert Einstein in testing his theories. America brought a new marriage, a new son, a new group of students, and a new laboratory. But these were years of fierce struggle as well: the denial of an American medical license, the refusal of a patent on the orgone accumulator, and, finally, a slanderous article that would incite the Food and Drug Administration to the dogged attack on Reich that would continue until his death in another prison cell ten years later. American Odyssey reveals more than a period in the life of an embattled scientist. It discloses the social and intellectual life of a country in a tumultuous time in history.

The convenient myth of Wilhelm Reich is that he "lost his mind" in the early 1950s, if not before, and that the last seven years of his life and work - the orgone and radiation experiments, the cloudbuster, and flying saucer intrigues - present an embarrassment. Even the counterculture that embraced Reich, not least William S. Burroughs, Norman Mailer, and filmmaker Dusan Makavejev, tended to distort his theory. The psychosis attached to Reich by his detractors was the culmination of decades of scapegoating by psychoanalysts, Nazis, communists, and conservatives. But Reich's environmental and Cold War preoccupations and his slow-burning fascination with UFO phenomena were not signs of a madness incipient since his break with Sigmund Freud. They anticipated and reflected much in the American psyche. Defining the presence of a "cinematic self" in the misunderstood analyst once considered an heir to Freud, Wilhelm Reich versus the Flying Saucers rejects orthodox portrayals of Reich's final years as merely pathological. Combining original analysis and evidence from the Wilhelm Reich Archive, James Reich uncovers the fatal moments in the psychologist's uncanny identification with the "spaceman," and the myth of a scientist lost to his own grandiosity and paranoia. Taking seriously the influence of The Day the Earth Stood Still, Bad Day at Black Rock, and other pop cultural narratives on Reich, this "psychoanalytic detective story" concerns existential traps, conscious and unconscious collaborations and betrayals by disciples, and unidentified flying object-relations. Reich's is an atomic-age passion narrative. Vitally, Reich's story could be ours. The author is not related to his subject. James Reich is a novelist, essayist, and journalist. He is the author of The Moth for the Star (7.13 Books, 2023), The Song My Enemies Sing (Anti-Oedipus, 2018), Soft Invasions (Anti-Oedipus, 2017), Mistah Kurtz! A Prelude to Heart of Darkness (Anti-Oedipus, 2016), I, Judas (Soft Skull, 2011), and Bombshell (Soft Skull, 2013). His account of innovations in British science fiction is published by Bloomsbury in its "Decades" series, The 1960s. His nonfiction has also appeared in Salon, SPIN Magazine, The Huffington Post, International Times, and other literary and cultural publications. Reich was born in Stroud, Gloucestershire in the West of England, and has been a resident of Santa Fe, New Mexico since 2009. He was greatly influenced by early exposure to the poetry of Dylan Thomas, and by a small book on dadaism, and later by Andy Warhol, the Beats, science fiction, psychoanalysis, punk rock, and the films of Ken Russell and Nic Roeg. Norman Mailer, Sylvia Plath, J.G. Ballard, Anne Sexton, Paul Bowles, D.H. Lawrence, and Lars von Trier are also vital constellations in his work. He has a Master's degree in Ecopsychology from Naropa University.

This book describes Reich's first medical and scientific work on the living organism from his first efforts at the Medical School of the University of Vienna in 1919 to the laboratory experiments in Oslo in 1939 which revealed the existence of a radiating biological energy, orgone energy. The subject of "sexuality" is basic to this work, and Reich shows clearly its importance for human life and its relevance in understanding the social problems of our time. "In the central phenomenon, the sexual orgasm, we meet with questions deriving from the field of psychology as well as from that of physiology, from the field of biology no less than from that of sociology. Natural science offers hardly another field of research that is so well equipped to exhibit the fundamental unity of everything that lives and to guard against narrow, fragmentizing specialization." --Wilhelm Reich.