How the shift toward "technical copy protection" in the battle over digital copyright depends on changing political and commercial alignments that are profoundly shaping the future of cultural expression in a digital age. While the public and the media have been distracted by the story of Napster, warnings about the evils of "piracy," and lawsuits by the recording and film industries, the enforcement of copyright law in the digital world has quietly shifted from regulating copying to regulating the design of technology. Lawmakers and commercial interests are pursuing what might be called a technical fix: instead of specifying what can and cannot be done legally with a copyrighted work, this new approach calls for the strategic use of encryption technologies to build standards of copyright directly into digital devices so that some uses are possible and others rendered impossible. In Wired Shut, Tarleton Gillespie examines this shift to "technical copy protection" and its profound political, economic, and cultural implications. Gillespie reveals that the real story is not the technological controls themselves but the political, economic, and cultural arrangements being put in place to make them work. He shows that this approach to digital copyright depends on new kinds of alliances among content and technology industries, legislators, regulators, and the courts, and is changing the relationship between law and technology in the process. The film and music industries, he claims, are deploying copyright in order to funnel digital culture into increasingly commercial patterns that threaten to undermine the democratic potential of a network society. In this broad context, Gillespie examines three recent controversies over digital copyright: the failed effort to develop copy protection for portable music players with the Strategic Digital Music Initiative (SDMI); the encryption system used in DVDs, and the film industry's legal response to the tools that challenged them; and the attempt by the FCC to mandate the "broadcast flag" copy protection system for digital television. In each, he argues that whether or not such technical constraints ever succeed, the political alignments required will profoundly shape the future of cultural expression in a digital age.

In the midst of an out-of-body experience during a surgical procedure, author Soulaire Allerai had a mystical encounter with a being whom she came to know as “G.” This kicked off an epic spiritual journey that deepened her relationship with “G” and eventually led to her becoming a channel for him. Over the years, Soulaire has used her experiences with “G” and what she’s learned from him to help many other people find passion, joy, and love. In this book, she has organized “G’s” core teachings under the acronym BEING, which stands for Birthright, Energy, Intention, Now, and God-Realization. Through a combination of teachings, transcripts of channeling sessions with “G”, poems, and anecdotes from her life and the lives of others, this book shows readers how to take hold of their birthright of co-creation and unconditional love and create the life they’ve always dreamed of living. A master of storytelling and scaffold teaching, Soulaire Allerai brings a unique and relatable voice to the self-help and spirituality genres.

The torpedo was the greatest single game-changer in the history of naval warfare. For the first time it allowed any small, cheap torpedo-firing vessel Ð and by extension a small, minor navy Ð to threaten the largest and most powerful warships afloat. The

Widespread file sharing has led content industries – publishers and distributors of books, music, films, and software – to view their customers as growing threats to their survival. Content providers and their allies, especially the U.S. government, have pushed for stronger global copyright policies through international treaties and domestic copyright reforms. Internet companies, individuals, and public-interest groups have pushed back, with massive street protests in Europe and online “internet blackouts” that derailed the 2012 U.S. Stop Online Piracy Act (SOPA). But can citizens or smaller countries really stand in the way of the U.S. copyright juggernaut? To answer this question, Copyfight examines the 1996 World Intellectual Property Organization internet treaties that began the current digital copyright regime. Blayne Haggart follows the WIPO treaties from negotiation to implementation from the perspective of three countries: the United States, Canada, and Mexico. Using extensive interviews with policymakers and experts in these three countries, Haggart argues that not all the power is in the hands of the U.S. government. Small countries can still set their own course on copyright legislation, while growing public interest in copyright issues means that even the United States might move away from ever-increasing copyright protection.

Schultz would have been happy spending the summer getting high, doing some brewin’, and watching his best friend Stamm sell drugs out of his parents’ garage. But he got bored watching Stamm slip depressingly into a mysterious addiction, so Schultz goes in search of new highs. That’s when he finds out what being a real Boug Boy is all about. Boug Boys opens a window into the life and exploits of a group of ass-kicking, whiskey-drinking, drug-taking boys who fear nothing except sobriety. They live life like they listen to music: FULL BLAST! Like savage, smart-mouthed animals in suburban captivity, they run wild, steal anything not bolted down, attack anything that shows aggression, and smoke anything they can’t drink. They speak their own language and follow their own rules. Curt is an older guy and a real bad ass. He’s been shacked up with two girls who own a party house called The Duplex. Along with some other Boug Boys, like Dick Sinner and Fooky, they find themselves in the middle of drunken, drug-induced shenanigans that are the things of which legends are made. This humorous coming-of-age tale raises the roof on teen drug culture.

Lewis' debut novel, Cottonwood Flowing, is the coming of age story of Eva Kelly, who at the tender age of 17 watched with anguish as her brothers were sent to fight in World War II. Back home in New Ulm, Minn., Eva found herself living not far from the camp where some 200 enemy prisoners of war were being held, and one of them had been sent to work on her family farm. Some 60 years later, Eva's granddaughter, Claire Beaudine, learns of forbidden love through a series of letters found in an old trunk. At the same time, Claire finds herself caught up in a dangerous affair of her own. Interwoven between Eva's journals and Claire's memories are the stories of young men sent off to war, the loved ones they left behind, and the secrets that have been locked away for six decades. When Eva is hospitalized, Detective Chris Bruening finds himself investigating the case, and the people in her life, including Eva's beautiful and haunted niece, Lyneah Hamilton. Does Lyneah's involvement with a drifter, Hank Beaudine make her an accomplice? As he gets closer to the truth, past and present collide, and the Cottonwood River gives up her secrets.

New York Times and USA Today Best-Selling Author 1960: Election Year—The Black Stiletto—a Kennedy girl It's 1960. The Black Stiletto, in her civilian persona as Judy Cooper, volunteers to work for John F. Kennedy's presidential campaign, only to become involved in a devious behind-the-scenes plot that could change the course of history. Is the mysterious Eastern European man she briefly dated associated with a Cuban/Soviet spy ring? Closer to home, the Stiletto must challenge dangerous tongs in Chinatown after befriending a teenage boy whose father was killed by the gangs. She soon discovers what a different—and very deadly—world exists in lower Manhattan. In the present, Martin, the Stiletto's son, must deal with his mother's worsening Alzheimer's symptoms, his own mental health issues, and the dilemma of whether or not to reveal his family's secrets to the new woman in his life. Meanwhile, his daughter, Gina, continues to bring trouble to herself, exhibiting behavior that suggests she is closer in spirit to her grandmother than Martin would like. Every major character, past and present, experiences a turning point in this third chapter of The Black Stiletto Series. Perfect for fans of vigilante justice While all of the novels in The Black Stiletto Series stand on their own and can be read in any order, the publication sequence is: The Black Stiletto The Black Stiletto: Black & White The Black Stiletto: Stars & Stripes The Black Stiletto: Secrets & Lies The Black Stiletto: Endings & Beginnings

His name was Daniel Alexander Jacobi but his friends just called him Jac. He was the quintessential underachiever, a likeable ne'er-do-well who just couldn't seem to get his life together. After a life time of financial mismanagement, he'd wound broke and living pay cheque to pay cheque on a salary that never seemed to stretch far enough ... a situation he found increasingly frustrating, but one he couldn't find his way out of ... until one day on a back road, everything changed dramatically. With 40 million in $100.00 bills literally dropped in front of him and the mob and the police searching for him, he fought desperately to hide the money. Fear of having been seen by someone gripped his heart like an icy hand, as he struggled to try to come to grips with his new found wealth. This is the story of an unremarkable individual suddenly thrust into a terrifying situation which forced him to draw on a hidden reserve of courage and resolve in order to protect those he loved and the Mother Lode! Unwilling to defend himself, he discovered a will to kill if necessary to protect the money and the future of his loved ones.

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