This is the first in-depth study of Apuleius' Metamorphoses to look at the different attitudes characters adopt towards magic as a key to deciphering the complex dynamics of the entire work. The variety of responses to magic is unveiled in the narrative as the protagonist Lucius encounters an assortment of characters, either in embedded tales or in the main plot. A contextualized approach illuminates Lucius' relatively good fortune when compared to other characters in the novel ‒ this results from his involvement with the magic of a sorcerer's apprentice, rather than that of a real witch, and signals the possibility of eventual salvation. A careful investigation of Lucius' attitude towards Isis in book 11 and his relationship with the witch-slave girl Photis earlier on suggests that the novel's final book may be read as a second "Metamorphoses", consciously rewritten from a positive perspective. Last but not least, the book also breaks new ground by examining the narrative structure of the Metamorphoses against the background of the typical plotline found in the ideal romance. The comparison shows how Apuleius both follows and alters this plot, exploiting the genre to his own specific ends, in keeping with his central theme of metamorphosis.

Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed.

Studies in the Historical Jesus: Anarchy, Miracles, and Madness is a selection of key essays on the historical figure of Jesus published over the last fifteen years by Justin J. Meggitt. Each addresses a central question in the study of Jesus and his context, from the role of myth in the creation of traditions about him and the historicity of his miracles, to the problem of his politics and the reasons for his execution. The collection brings fresh perspectives and new data to bear on enduring debates, and demonstrates the value of "history from below" in making sense of the historical Jesus and the world that made him.

This is the first volume dedicated to the topic of characterisation in Apuleius’ Metamorphoses, the Latin novel from the second century CE. The subject has not been ignored in recent scholarship on individual characters in the work, but the lack of an earlier general overview of the topic reflects the general history of scholarship on the Metamorphoses. Literature on Apuleius’ novel until the 1960s centred around the issue of his general literary quality, and some key scholars held distinctly low estimates of Apuleius’ talents. Since 1970, most critics have seen Apuleius as a conscious and effective literary artist, and this is reflected in the emergence of this volume. The volume’s contributors are a distinguished collection of international scholars, many of whom have worked together on the long-established Groningen Commentaries on Apuleius, a project which is currently coming to completion. No ideological line has been imposed, and contributors have been free to offer their thoughts on how the text of the novel presents particular characters, including divine ones. The volume covers the whole of the novel and all the significant characters, and will constitute a substantial contribution to the interpretation of the most important Latin novel to survive complete from the ancient world.

Argues that invisibility is a central motif in Apuleius' Metamorphoses, presenting a new interpretation of this Latin masterpiece.

The present volume comprises thirteen of the papers delivered at RICAN 5, which was held in Rethymnon, Crete, on May 25-26,2009. The theme of the volume, ‘The Construction of the Real and the Ideal in the Ancient Novel,’ allows the contributors the freedom to use their skills to examine the real and the ideal either individually or in conjunction or in interaction. The papers offer a wide and rich range of perspectives: a political reading of prose fiction in Late Period Egypt (Selden); the presence of robbers and murderers in ideal fiction (Dowden); the interaction between illusion and reality in novelistic ekphrasis (Zeitlin); divine loves as real precedents for human loves (Rosati); comical elements in Heliodorus’ Aethiopika (Doody); myths as paradigms for the inexperienced lovers in the Greek novels (Létoublon); moral ideas in the Odyssey and the Greek novels in relation to moralizing interpretations of Homer (Montiglio); the reality of the basic plot of Callirhoe in the light of historical events and Aristotle’s Poetics (Paschalis); the interaction between fictionality and reality in Daphnis and Chloe (Bowie); entrapment and insufficient understanding of reality in the Satyrica (Labate); fantasy, physical and ideal landscapes in Apuleius’ Metamorphoses (König); bridging the gap between Photis (real) and Isis (ideal) in Apuleius (Carver); the gendered aesthetics of the Greek novels viewed through the lens of the mimetic theory of Dionysius of Halicarnassus (Whitmarsh).

This volume examines Apuleius’ comic donkey novel, The Golden Ass, within the context of the popular beliefs and Jewish and Christian writings that were part of the intellectual culture of his own day in 2nd century C.E. North Africa, a culture which can also be glimpsed in some early Arabic writings. The novel was written against a cultural and religious background in which the donkey had various connotations, both positive and negative, but tended to be admired in Jewish, Christian, and later, in Muslim writings. Smith explores the influence of such popular opinions on The Golden Ass and how Apuleius presented Isis and Osiris as desirable alternatives to the claims of both Christianity and magic, offering hope of spiritual renewal partly modelled on contemporary religious apocalyptic literature. Complemented by images of contemporary art, including amulets and terra cotta figures, this volume gives readers a better understanding of how Apuleius, ostensibly a Platonist and member of the Roman establishment, could maintain an intellectual independence in a North African milieu while still drawing on hope in the salvation of the gods. Religion and Apuleius’ Golden Ass provides a fascinating new approach to this much disputed novel, of interest not only to students and scholars of Apuleius and Roman literature, but also scholars interested in Christian and Jewish literature and beliefs of the early centuries of the first millennium C.E.

In recent years, scholars have extensively explored the function of the miraculous and wondrous in ancient narratives, mostly pondering on how ancient authors view wondrous accounts, i.e. the treatment of the descriptions of wondrous occurrences as true events or their use. More precisely, these narratives investigate whether the wondrous pursues a display of erudition or merely provides stylistic variety; sometimes, such narratives even represent the wish of the author to grant a “rational explanation” to extraordinary actions. At present, however, two aspects of the topic have not been fully examined: a) the ability of the wondrous/miraculous to set cognitive mechanisms in motion and b) the power of the wondrous/miraculous to contribute to the construction of an authorial identity (that of kings, gods, or narrators). To this extent, the volume approaches miracles and wonders as counter intuitive phenomena, beyond cognitive grasp, which challenge the authenticity of human experience and knowledge and push forward the frontiers of intellectual and aesthetic experience. Some of the articles of the volume examine miracles on the basis of bewilderment that could lead to new factual knowledge; the supernatural is here registered as something natural (although strange); the rest of the articles treat miracles as an endpoint, where human knowledge stops and the unknown divine begins (here the supernatural is confirmed). Thence, questions like whether the experience of a miracle or wonder as a counter intuitive phenomenon could be part of long-term memory, i.e. if miracles could be transformed into solid knowledge and what mental functions are encompassed in this process, are central in the discussion.

An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.