Memoir by the wife of a member of a tin-mining expedition to Nigeria.

The Rattle and Hiss of the Tin gods compares the basic tenets of humanism and Christianity, and documents the impact secular humanistic thought has had on all aspects of American life, from movies to politics. It raises the question: “What role, if any, does Christianity play in solving our social problems?” The book also forces the reader to view the drama being played out in the media and the political arena on the issue of separation of church and state in a more thoughtful way. Although these questions are answered in every chapter of the book, they are best explained when the focus is on the issue of political Christians. The author's views are presented in a straightforward manner even as she counters the one-sided view that the media has taken over the years, belittling a way of life, principles, and values that so many Americans hold.

Celebrated by the New York Times Book Review for its “genuine grace and beauty,” Terese Svoboda’s work has been called “desperate, chilling, seductive” (Vogue) and “haunting and profound” (A. M. Homes), while Vanity Fair warned that it “detonates on contact.” In Tin God, her writing can only be called . . . divine. “This is God,” the novel begins, helpfully spelling G-O-D for the reader, and we are spinning on our way into the heart of a Midwest that spans spirits and centuries and forever redefines the middle of nowhere. Whispers plague a desperate conquistador lost in tall prairie grass. Four hundred years later, a male go-go dancer flings a bag of dope into the same field. God, in the person of a perm-giving, sheetcake-baking Nebraska farm woman, casts a jaundiced yet merciful eye over the unfolding chaos. Fire and a pair of judiciously applied pantyhose bring the two stories together. A contemplation of divinity and drugs on the ground, Tin God is a funny yet poignant story of the plains that transcends its interstate spine and exposes us to a whole new level of Svoboda’s fiery prose.

Everything comes to an end. Brigid Connor is a vampire familiar with ghosts. The ghosts of her past, the ghosts of her victims, and the ghosts of those she couldn’t save. Now in the wilds of America’s most remote frontier, she’ll face a specter who has haunted her steps, a fire vampire with a baffling connection to Brigid’s mate, her clan, and those she holds most dear. Tenzin is an immortal who has lived a hundred lives. She’s been a daughter, a sister, a villain, and a hero. With every millennium, she has evolved, cutting ties with the past and moving forward with relentless focus, a survivor among the fiercest predators in history. But history has a way of finding those who flee from it. Tin God is a crossover between the Elemental Covenant and the Elemental Legacy novels. It is the final book in the Elemental Covenant series by eleven-time USA Today bestselling author Elizabeth Hunter.

For readers who love Lisa Gardner, Lisa Jackson, and Allison Brennan. A FREE Romantic Thriller! The truth can be as deadly as any weapon. Jaymee Ballard trusted only one person in Roselea,Mississippi with the secret of her lost daughter. When that person is brutally murdered, it leaves her with heartbreak and a slew of unanswered questions. The eerie similarity to a murder of one of Jaymee's close friends years ago causes her to realize her past has come back to haunt her and may cost her own life. Years of deception and abuse leave Jaymee with few options and fewer allies. She turns to the widower of her friend--a man struggling with his own demons--to help her find her daughter and identify the killer before he strikes again. Before all evidence, the truth--and Jaymee's daughter--are lost. TIN GOD is a romantic thriller set in a small town. Filled with pulse-pounding suspense and featuring a strong female protagonist, this mystery leaves the reader wanting more!

In this British mystery, a Scotland Yard detective follows a deadly trail from the Isle of Man to the South of France to solve a movie star’s murder. The glamour of Hollywood has descended upon the Isle of Man. But behind this glossy façade, something sinister stirs. Superintendent Littlejohn thought he was in for a few days’ holiday, but when the depraved movie star Hal Vale is found dead in his hotel room, Littlejohn is called to investigate. As motives and rumors abound, this star-studded pursuit reaches from London and Dublin to the French Riviera. With the help of his old friend, Inspector Dorange of the Sûreete ́ at Nice, Littlejohn follows the trail from the sensation headlines to the industry’s shadowy tycoons.

"Neither group, however, could foresee to what extent the war effort would be defined by advertisers and merchandisers. One advertiser described morale as "a lot of little things," and those little things included beer, chewing gum, tobacco, breakfast cereal - virtually every product on the American market. Selling merchandise was always the first priority of Tin Pan Alley, and the OWI never swayed them from this course."--BOOK JACKET.

The question is this, what do we accept as the truth of what we believe in? We take many things by mere faith, but is faith the right path in putting our trust in a matter just because someone says so? Do we dig into a matter with an open mind rather than prejudice and influences from others as we were growing up? Does our relationship with others influence our perception of what is truth and what is not the truth? Do we tend to accept something as truth because we don't have time or resources to check it out? Or is it because of an emphatic speech by a cleric that proclaims the Bible is "without error" when in fact outside sources point to errors in dates, events, and even interpretation, yet we close our eyes and ears because we ask, "How can this be?" Many times the excuse is made that if so many people believe in a particular biblical statement or condition, then it can't be wrong! Or can it? Debate on biblical issues end up boggling the general populous, and many just walk away from it with disgust, won't deal with it, or dogmatically hold a position of biblical inerrancy. This brings us down to getting into the trenches of discovering the truth, as ugly and contentious it may seem. This is especially true when ufology is brought into the picture, especially when the topic of God or a God is introduced and examined in the light of various scientific disciplines.

This book deals with the Iecur Placentinum, the bronze model of a sheep’s liver, bearing 42 Etruscan inscriptions. The Piacenza Liver is a highly interesting document of the utmost importance for the understanding of Etruscan religion. It will appear that the network with the inscribed names of divinities on both sides of the Liver depicts a microcosmos reflecting the macrocosmos, the Etruscan division of heaven.