The common view of the nineteenth-century pastoral relationship--found in both contemporary popular accounts and 20th-century scholarship--was that women and clergymen formed a natural alliance and enjoyed a particular influence over each other. In Without Benefit of Clergy, Karin Gedge tests this thesis by examining the pastoral relationship from the perspective of the minister, the female parishioner, and the larger culture. The question that troubled religious women seeking counsel, says Gedge, was: would their minister respect them, help them, honor them? Surprisingly, she finds, the answer was frequently negative. Gedge supports her conclusion with evidence from a wide range of previously untapped primary sources including pastoral manuals, seminary students' and pastors' journals, women's diaries and letters, pamphlets, sentimental and sensational novels, and The Scarlet Letter.

Among Golden Age Hollywood film stars of European heritage known for playing characters from the East--Chinese, Southeast Asians, Indians and Middle Easterners--Anglo-Indian actor Boris Karloff had deep roots there. Based on extensive new research, this biography and career study of Karloff's "eastern" films provides a critical examination of 41 features, including many overlooked early roles, and offers fresh perspective on a cinematic luminary so often labeled a "horror icon." Films include The Lightning Raider (1919), 14 silent films from the 1920s, The Unholy Night (1929), The Mask of Fu Manchu (1932), The Mummy (1932), John Ford's The Lost Patrol (1934), the Mr. Wong series (1938-1940), Targets (1968), and Isle of the Snake People (1971), one of six titles released posthumously.