Witness through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. Criticism of Holocaust literature is an emerging field of inquiry, and as might be expected, the most innovative work has been concentrated on the vanguard of European and Israeli Holocaust literature. Now that American fiction has amassed an impressive and provocative Holocaust canon, the time is propitious for its evaluation. Witness Through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. The unifying critical approach is the textual explication of themes and literary method, occasional comparative references to international Holocaust literature, and a discussion of extra-literary Holocaust sources that have influenced the creative writers' treatment of the Holocaust universe.

Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.

Tells the story of the struggle to imagine new forms of justice after Nuremberg.

Examines the shared cultural genealogy of popular Victorian novels and judicial opinions of the Privy Council.

Reluctant Witnesses: Jews and the Christian Imagination is an analysis of the ancient Christian myth that casts Jews as a 'witness-people', and this myth's presence in contemporary religious discourse. It treats diverse products of the Christian imagination, including systematic theology, works of fiction, and popular writings on biblical prophecy. The book demonstrates that the witness-people myth, which was first articulated by Augustine and which determined official attitudes towards Jews in medieval Christendom, remains a powerful force in the Christian imagination.

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

Ted Turnau introduces readers to the major themes of his in-depth Oasis of Imagination by collaborating with Ruth Naomi Floyd. Floyd brings her distinctive experience as a Christian artist to make this a practical guide that distils the "why" and "how" of embracing Christian creative cultural engagement. Why does the church need to pay more attention to the imagination? How can we, in this day and age, best enter our cultural conversations for the common good? How can the local church better support its creatives, enriching its own imaginative life and building bridges to their neighbours and the wider culture? Whether you are a Christian artist or creative yourself, or an everyday Christian searching for a path beyond the culture wars and Christian bubble, Imagination Manifesto will give you biblical foundations, practical pointers, discussion starters, and inspiration for "planting oases" in today's culture.

This volume explores the theoretical area of C. G. Jung's social thought (social imagery) and its contemporary interpretations in the perspective of the political conflicts phenomena, stereotypes, discrimination, consumerism, popular culture, technopolis and dysfunctions in the sense of security.

Shortlisted for the BAFTSS 'Best Monograph' Award 2021 When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.

If one is looking for answers to the meaning of life and how to make a happier, richer existence (e.g., relationships, finances, health), then Nevilles teaching from personal experience, testimonies from students, and his amazing visions paralleling and explaining the mysteries of the Old and New Testament will answer those questions. Learn his techniques, unleash your power to create, believe in your imaginary acts, and no power in this world can stop the desired results from appearing in your world. Its the only creative power, one that everyone is operating moment to moment. Learning how to direct it deliberately is essential to producing loving, positive changes in ones life. These 1963 lectures also begin a nine-year odyssey of discovering the deepest meanings of six visions of the end that had unfolded in Neville (19591963). The visions are the signs that this long journey as limited man; the terrible opacity and contraction is over, that the purpose of human life has been completed; man has endured and overcome six thousand years of amnesia plus the fires of experience and has emerged victorious. Hes been transformed by his inner being (I Am or God) back into the divinity he truly is and always was.